『Yes Is A Two』のカバーアート

Yes Is A Two

Yes Is A Two

著者： pri and tarun
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概要

 Yes Is A Two is a cricket podcast for all people who love the game and know that cricket is never just cricket. Here, we love to spiral over tactics, selection politics, media narratives, and all-around bat-to-ball action. Each episode is a conversation: sometimes match-driven, sometimes analysis-based. Always a vibe and grounded in a deep love for the sport and each other. Expect bilingual banter (Hindi + English), strong opinions, and occasional softness for players navigating pressure in real time.pri and tarun クリケット
エピソード
  • 6: History Defeated, History Repeated

    6: History Defeated, History Repeated
    2026/03/10

    India are champions once more. In this episode, Pri and Tarun break down the final from the wild powerplay, the three-wicket wobble, Bumrah and Axar closing the door, and why “one-sided” was absolutely fine by us. Featuring Sanju Samson’s player-of-the-tournament run and Ishan Kishan’s glorious comeback.

    They also get into Surya’s captaincy, Gambhir’s press-conference philosophy, the T20 vs. ODI vs. Test debate, and some teensy IPL talks
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    41 分
  • 5: Bapu and Boom on the Road to Ahmedabad

    5: Bapu and Boom on the Road to Ahmedabad
    2026/03/06

    India made the final, but not without making us panic first. In this episode, Pri and Tarun break down the semi-final moment by moment: Sanju revving up at the right time, the dropped catch that shifted the game, Axar's jaw-dropping fielding, and the inevitability of Jasprit Bumrah.

    Plus, is it really a Yes is a Two episode without a Kohli mention?


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    45 分
  • 4: Chetta Gives Chase | Sanju's 97

    4: Chetta Gives Chase | Sanju's 97
    2026/03/02

    Sanju Samson has finally gotten his moment, and what a moment it was.

    In this episode of Yes Is A Two, Pri and Tarun break down India’s nerve-holding chase against the West Indies and the innings that took us into the semifinals. Was the toss the real MVP? Are we underestimating how crucial Arshdeep’s control spells are? And why does Sanju’s calm, classical knock feel like it was written for this stage?
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    不明
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