Today, we’re celebrating Erin’s birthday by talking about a topic of her choice. Which means we’re flipping “tools, not rules” its head. Our hosts revisit the Turkey City Lexicon, a snarky collection of writing “rules” that circulated widely among speculative fiction writers in 1988, and ask what still holds up—and what happens when useful terminology turns into rigid prescription. From “show, don’t tell” to white room syndrome and TV Tropes, we look at our recurring desire for an easy answer to what makes writing work. Then everyone picks a writing hill they’re willing to die on.

Homework:

Make a time capsule of who you are as a writer right now. Write down one piece of writing advice that’s working for you, one you disagree with, and one writing hill you’ll die on. Pick a meaningful future date to revisit them and see what’s changed.

Liner Notes:

Turkey City Lexicon

“Crystallization” was correctly attributed to David Gerrold by Mary Robinette

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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How do you keep writing when the world is on fire? This week, our hosts talk about protecting our narrative energy when the news, social media, or our own lives feel overwhelming. We explore boundaries, boredom, intentional information consumption, and why sometimes the most useful thing a writer can do is log off. We also look at how writing can become a place to process what’s happening around us—giving our characters our emotions, interrogating difficult systems through worldbuilding, and making space to imagine something different.

Homework:

Log off. Put yourself on a strict social media diet (of your choosing) for the week and make the boundaries concrete. When you feel the urge to reach for your phone, sit with the discomfort for at least ten minutes. Let your boredom develop within you, and see what thoughts emerge.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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A great twist shouldn’t just surprise us—it should make us rethink everything that came before. This week, our hosts explore reader expectations, misdirection, and hiding clues in plain sight. We look at twists from The Sixth Sense, The Matrix, Ocean’s Eleven, and O. Henry, and ask why some twists make a story even better on a reread.

Homework:

If your work in progress has a twist, write out all the logical steps that lead to the reveal. Then start removing details until the twist stops making sense. Play with what’s truly load-bearing and what you can hide or leave out.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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