When a Cover Song Makes You Hear the Original Differently
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When a Cover Song Makes You Hear the Original Differently
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When does a cover song make you hear the original for the first time?
This week, we’re talking about covers that don’t just recreate a song — they take it somewhere completely different.
*Content note:* We briefly discuss themes of domestic violence and murder while talking about Eminem’s “’97 Bonnie & Clyde” and Tori Amos’s reinterpretation.
Beyoncé turns Dolly Parton’s “Jolene” from a plea into something closer to a warning. Sturgill Simpson transforms an ’80s synth-pop hit into a devastating country ballad. Tori Amos changes the entire perspective of an Eminem song without changing the lyrics. And Joan As Police Woman takes T.I.’s swagger and turns it into something altogether stranger.
What makes a cover work when it moves far away from the original? Does something have to remain — a melody, a feeling, a lyric — for it to still feel like the same song? And can changing the singer, genre or point of view reveal something that was hiding in the original all along?
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