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  • Fletcher Matthews | What's That Sound? with Stu Watts Episode #64
    2026/01/06

    Stu Watts chats with Fletcher Matthews, who is based in Sydney, Australia. His journey through the industry has seen him amass an array of achievements — from charting successes, to commercial and sporting syncs, to critical acclaim. With over 60 million streams across songs he’s produced and written, Fletcher's musical prowess shines brightly, elevating artist projects to new heights. Whether it's crafting anthemic tracks or weaving intricate sonic tapestries, his fingerprints can be found on a myriad of successful singles and albums for Australian artists.​

    Among his notable achievements, Fletcher's collaboration with STUMPS on the single 'Mt. Pleasant' soundtracked Australia’s exclusive broadcast of the 2020 Tokyo Paralympics opening ceremony. It went on to theme the channel’s coverage of the Paralympics for the event’s remaining weeks. Additionally, his work on The Buoys track 'I Want You' served as the electrifying anthem for Fox Sports' largest NRLW season campaign to date.​From triple j's Hottest 100 countdowns to the ARIA album charts, Fletcher's contributions have consistently resonated with audiences and critics alike. Whether it's co-writing Adam Newling's early success ‘Singing Blackbird’, or producing Trophy Eyes’ fourth studio album ‘Suicide & Sunshine’, which peaked at #8 in ARIA’s official album charts, Fletcher has an incredible ability to capture the essence of an artist's vision whilst keeping an audience in mind.​In a field where accolades are often reserved for industry veterans, Fletcher Matthews stands as a beacon of fresh talent, ready to carve out his own path in the ever-evolving landscape of songwriting and music production.​.

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    Fletcher Matthews Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Fletcher's work on Spotify⁠⁠

    Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    1 時間 22 分
  • Jack Prest | What's That Sound? with Stu Watts Episode #63
    2025/11/25

    Stu Watts chats with Jack Prest, who is a leading audio engineer and producer in Australia’s independent and alternative music scene, specialising in forward-thinking electronic, jazz, and experimental music. His credits include prominent Australian and international artists such as Sampa The Great, Godtet, Jonti, Tasman Keith, Omar Musa, Urthboy, Kelly Lee Owens, and labels like Stones Throw, Kitsune, and Future Classic. Jack’s approach is rooted in collaboration, ensuring the finished product reflects the artist’s unique vision.Jack cut his teeth as an in-house engineer at Studios 301, Australia’s oldest and most prestigious studio, where he’s worked with global icons like Skrillex, Flume, Brockhampton, ASAP Rocky, Billy Joel, and Bruce Springsteen. Jack operates out of Golden Retriever in Marrickville, Sydney.

    How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠

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    Jack Prest⁠

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    Jack Prest website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Jack's work on Spotify⁠

    Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    1 時間 14 分
  • AI in the Music Industry ft. Joe Carra and Simon Moro | What's That Sound? with Stu Watts Episode #62
    2025/10/07
    This episode is a discussion on how AI is impacting the music industry, hosted by Stu Watts and features guests Joe Carra (Grammy nominated mastering engineer) and Simon Moro (producer/engineer/mixer).Joe Carra is the chief mastering engineer and owner of Crystal Mastering. With over 3 decades of experience, Joe has mastered for cassette, vinyl, CD, and in recent times, embraced the immersive audio of Dolby Atmos. In 2020 Joe received a Grammy nomination for Best Engineered Album, for the Teskey Brothers ‘Run Home Slow’ album. Joe has mastered various ARIA award winning albums and in 2023, was recognised with a nomination in the MPEG Awards for 'Mastering Engineer of the Year’. Joe’s credits include Pond, The Slingers, King Gizzard & The Lizard Wizard, Courtney Barnett, Amyl & The Sniffers, Genesis Owusu, The Murlocs, San Cisco, Babe Rainbow, Bliss N Eso, The Waifs and many more.Simon Moro is a music producer, sound engineer, mixer and co-owner of The Avenue Recording Studio and has over 25 years of experience. His unique ability to empathetically connect with an artist and understand their vision was born out of training under Michael Brauer (Coldplay, The Kooks, Grizzly Bear) which taught him that capturing the essence of the artist is paramount to creating the best mix. Having worked with labels such as Sony and Mushroom, artists such as Anthony Callea and Allday, mixed and produced ARIA nominated albums, live albums, and television shows, he knows that no project is too bold and ambitious, and no detail is too minute to matter.Chapters:00:00 Intro02:25 Joe's Client's AI-Generated Album07:10 The Evolution of AI Music Generation12:59 AI's Role in Music Production20:43 Why Human Mastering Still Thrives Against AI33:35 The Risk of Homogenised Music vs. Authentic Human Art40:53 The Fight for Fair Credits and Royalties in AI Music49:04 Using AI Tools Without Losing Creative Human Skills01:01:15 Final Thoughts: AI, Copyright, and the Value of Human EffortHow you can support the podcast:⁠⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠⁠⁠Donate⁠⁠⁠Follow on Instagram:⁠⁠⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠Joe CarraSimon Moro⁠⁠⁠Stu Watts website⁠Crystal Mastering websiteSimon Moro website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Joe's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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    1 時間 6 分
  • Mickey Nox | What's That Sound? with Stu Watts Episode #61
    2025/09/16

    Stu Watts chats with Mickey Nox (aka Stephan Nardella) who burst on to the Melbourne club scene in 2007 and soon had a reputation for playing the harder styles of dance music. This soon led to starting his own productions as a producer, and eventually full DJ sets of only original music in a time where if you wanted to hear the music, you’d simply have to go and watch him play. By doing this Mickey Nox amassed quite the following. This continued with years of DJ'ing several weekly residencies, headlining around Australia and then touring Europe & Asia multiple times.2019 was the start of his studio career as an engineer. 6 Years later his studio is growing from strength to strength and Mickey is mixing and mastering for many artist and labels around the globe.A real music lover, husband, father and hopeless guitarist. Mickey Nox is just getting started in his studio career.

    How you can support the podcast:⁠⁠⁠⁠⁠

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    ⁠⁠⁠Stu Watts⁠⁠⁠

    Mickey Nox

    ⁠⁠⁠Stu Watts website⁠

    Mickey Nox website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Mickey's work on Spotify

    Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    1 時間 10 分
  • Josh Simons | What's That Sound? with Stu Watts Episode #60
    2025/08/26

    Stu Watts chats with Josh Simons, who is the CEO of Australia’s only ASX-listed music company, Vinyl Group (ASX:VNL), and Founder of Vampr. Described as a visionary entrepreneur, Simons has raised $35M historically for his technology startups from various sources including venture capital, institutional, HNW, family office and angel groups. These ventures have seen him reside in Los Angeles, London, Sydney and Melbourne.Formerly known as Jaxsta, Vinyl Group launched in 2023 as a parent company encompassing its foundational brands—Jaxsta, Vampr, and Vinyl.com. Under his leadership, the company has acquired The Brag Media—publisher of Rolling Stone Australia and Variety Australia—as well as Mediaweek and Concrete Playground, combining them to form Vinyl Media, now one of the most influential youth publishing and cultural networks in the southern hemisphere. He has also led the acquisitions of Funkified Entertainment and Serenade.Simons is also the co-founder of Vampr, the world’s largest social-professional network for musicians and creatives, often dubbed the “LinkedIn for creatives.”Before transitioning to tech, Simons ran a record label, publishing arm, and film production company, and was the lead singer of indie rock band Buchanan. As a songwriter and producer, he has shared credits with Travis Scott, Troye Sivan, and Kanye West, and as a performer, has toured with Coldplay, Keith Urban, and Carrie Underwood.In recognition of his contributions to music and innovation, Simons was named to The Music Network’s 30 Under 30 in 2020, winning Reader’s Choice, and in 2024, received Young Entrepreneur of the Year honours from Business News Australia.

    How you can support the podcast:⁠⁠⁠⁠⁠

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    ⁠⁠What's That Sound?⁠⁠⁠

    ⁠⁠⁠Stu Watts⁠⁠⁠

    Josh Simons

    ⁠⁠⁠Stu Watts website⁠

    Josh Simons website

    Vinyl Group website

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Josh's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    56 分
  • Tim Maxwell | What's That Sound? with Stu Watts Episode #59
    2025/07/29

    Stu Watts chats with Tim Maxwell, who is a self-taught multi-instrumentalist, producer and mix engineer based in Melbourne, Australia. He first made his mark as the producer and frontman of the band Loser. Their debut album, Mindless Joy, was nominated for an Australian Music Prize in 2020, marking the start of Tim’s career as a producer. The follow-up album, All The Rage, achieved over 1 million Spotify streams, with two singles added to national radio rotation. The album was also nominated for Best Punk Release at the 2022 AIR Awards.In January 2021, Tim founded Restless Noise, his own studio and business. Through Restless Noise, he has worked with a diverse range of local and emerging artists, helping them shape their sound and reach their creative potential. Driven by a desire to collaborate with larger artists, Tim expanded his experience by working with Wrangler Studios, where he continues to refine his skills and position himself for high-profile projects.Tim’s growing reputation as a producer has led to opportunities with interstate bands, including Towns, Fangz, and Molly Rocket. Whether working in his own studio or collaborating with other artists, Tim remains committed to pushing creative boundaries and elevating the Australian music scene.

    Chapters:

    00:00 Intro/About Tim Maxwell02:21 What has changed over the past 3 years03:47 Working with interstate bands06:25 Rebranding and rebuilding Wrangler Studios07:30 Does the gear really matter?12:22 Make things sound good in the room13:21 Turning point moments16:12 Workflow improvements21:31 Don't compare yourself to others25:52 Does the mix translate everywhere?32:12 Inspiration/new habits34:42 What have you learnt about the music industry?38:23 Focus on enjoyment39:39 Advice to yourself from 3 years ago42:00 What continues to excite you?46:38 What Tim is focusing on in the near future47:34 Best bits of advice for producers/engineers and artists48:36 Conclusion/Outro

    How you can support the podcast:⁠⁠⁠

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    ⁠What's That Sound?⁠⁠

    ⁠⁠Stu Watts⁠⁠

    ⁠⁠Tim Maxwell

    ⁠⁠Stu Watts website

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Tim's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    49 分
  • Myles Mumford | What's That Sound? with Stu Watts Episode #58
    2025/07/01
    Stu Watts chats with Myles Mumford, who has been making music and making records professionally since the late 90s. Starting trombone with his Dad, Monte Mumford, he completed a Bachelor of Performing Arts (Music) with trombone and composition before moving to Melbourne in 2002 to study at the VCA. After completing a Graduate Diploma in Dramatic Art (sound) Myles took over the operation of the VCA recording studio and hasn't looked back. Since then he has worked extensively across all spheres of music and audio creation including record production, music and effects for film, music and effects for theatre, location recording, concert production and more. He is well known for his musical and collaborative approach to recording, and his ability to create a sense of presence and space. Myles’ productions can be heard across all forms of media and regularly receives critical acclaim in the form of featured singles, featured albums, or album of the week. He's had a few albums nominated for ARIAs, several Bell Award winning productions, many Age and Music Victoria awards, a Green Room award, APRA awards and various others along the way. In 2012 - 2013 Myles volunteered for 12 months in Swaziland for Lusweti - Institute For Health Communication and Development through Australian Volunteers International. During this time Myles produced two weekly one hour radio shows on the National broadcaster SBIS, worked with local builders to design and build a recording studio, developed radio content, trained local staff, collaborated with the Swazi Community Radio Initiative, produced several albums of local artists and his productions featured in the Swazi Top 20 every week for more than a year. In 2014 he spearheaded the formation of Rolling Stock Recording Rooms in Collingwood which has quickly become an incredibly active hub of music making across all genres of Melbourne music with hundreds of projects in the ensuing 10 years and in 2025 was named as the MPEG Studio of the Year. In addition to producing and engineering, Myles is a multi-award-winning composer and performer. He has composed for concerts, theatre, and contemporary dance, with his work being performed across Australia and internationally. Chapters:00:00 Intro02:17 About Myles Mumford03:09 Early experiences with music10:04 Appreciating a broad range of music genres11:16 The technical side of making records13:40 Moving into production15:17 What is "good music"?19:28 Early days producing and engineering21:49 How his approach has changed23:47 Coaching an artist through a recording session28:29 About Rolling Stock Recording Rooms34:02 The wealth of talented producers and engineers in Melbourne (and the rest of Australia)36:31 The lack of support from our government and governing bodies43:39 The difficulties of being a producer/engineer50:00 Dealing with FOMO52:34 Respect and sacrifice1:00:47 What's Myles looking forward to1:04:55 Best bits of advice for producers/engineers and artists1:10:07 Conclusion/OutroHow you can support the podcast:⁠Subscribe on YouTube⁠⁠Buy some merch⁠⁠Donate⁠Follow on Instagram:⁠What's That Sound?⁠⁠Stu Watts⁠⁠Myles MumfordRolling Stock Recording Rooms⁠Myles Mumford website⁠⁠⁠⁠⁠⁠⁠Rolling Stock website⁠Stu Watts website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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    1 時間 11 分
  • Louis Montgomery | What's That Sound? with Stu Watts Episode #57
    2025/05/20

    Stu Watts chats with Louis Montgomery, who is a Melbourne based music producer, mix engineer, recording engineer, composer, and musician; working mostly between Canberra, Melbourne, and Sydney.

    Louis graduated from the ANU with a Bachelor of Music - First Class Honours. In this, Louis specialised in Creative Recording and was awarded the prestigious Bernard Neumann Memorial Prize, The Peter and Lena Karmel Anniversary Award, and The Friends of the School of Music Transition Award. During his studies, he also partook in a number of recording studio internships around Australia, including: Studios 301, Sydney; Sing Sing Studios, Melbourne; Infidel Studios, Canberra; work experience with ABC Classic FM, and assisted Magoo (Dr Lachlan Goold), Brisbane.

    Over his career his work has amassed 160+ million streams. His work with Callum Henshaw resulted in an Album of the Week on Classic FM; his work with SAFIA resulted in an Album of the Week on Triple J, 5 songs in the Hottest 100, and in 2016 saw the band nominated for an ARIA Award. He has been awarded multiple Gold and Platinum singles, as well as a Gold Certified album. He has worked at Abbey Road Studios, London; Studios 301, Sydney; Sing Sing Studios, Melbourne; Golden Retriever, Sydney; Rolling on the River, Tasmania; and Supersize Recording Studio, Budapest. In 2018 he was part of a team that won Best Sound for Interactive Media at the Australian Screen Sound Guild Awards. In 2022 Louis was nominated for Industry Legend of the Year at the Music ACT Music Awards, in 2024 he produced the Music ACT Music Awards Release of the Year (Flik - Stormchaser), in 2025 he was nominated for MPEG Breakthrough Producer of the Year.

    Chapters:00:00 Intro02:11 About Louis Montgomery02:32 Early experiences with music08:25 Discussing the education system10:36 Early experiences of sound engineering14:20 Interning and assisting22:39 The importance of extensive demoing25:52 How to navigate when things aren't going right29:22 What is a "great mix"?32:57 A discussion about mix notes37:14 There's no answer for how to create the "perfect" piece of art39:02 What Louis has learnt about business over the years42:45 Networking and relationships45:15 Recording live and to tape52:10 What's coming up for Louis55:01 Best bits of advice for producers/engineers and artists56:41 Conclusion/Outro

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    Stu Watts

    Louis Montgomery

    Louis Montgomery website⁠⁠⁠⁠⁠⁠

    Stu Watts website

    ⁠⁠⁠⁠⁠⁠Listen to Louis' work on Spotify⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    58 分