『What's That Sound?』のカバーアート

What's That Sound?

What's That Sound?

著者: Stu Watts
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Want to know what it's like to be an engineer or producer in the Australian music scene? Join Stu Watts as he interviews some of the best talent to come out of Australia. You'll learn about mindset, sessions, plugins and gear, and actionable advice from some of the best that Down Under has to offer.Stu Watts 音楽
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  • Fletcher Matthews | What's That Sound? with Stu Watts Episode #64
    2026/01/06

    Stu Watts chats with Fletcher Matthews, who is based in Sydney, Australia. His journey through the industry has seen him amass an array of achievements — from charting successes, to commercial and sporting syncs, to critical acclaim. With over 60 million streams across songs he’s produced and written, Fletcher's musical prowess shines brightly, elevating artist projects to new heights. Whether it's crafting anthemic tracks or weaving intricate sonic tapestries, his fingerprints can be found on a myriad of successful singles and albums for Australian artists.​

    Among his notable achievements, Fletcher's collaboration with STUMPS on the single 'Mt. Pleasant' soundtracked Australia’s exclusive broadcast of the 2020 Tokyo Paralympics opening ceremony. It went on to theme the channel’s coverage of the Paralympics for the event’s remaining weeks. Additionally, his work on The Buoys track 'I Want You' served as the electrifying anthem for Fox Sports' largest NRLW season campaign to date.​From triple j's Hottest 100 countdowns to the ARIA album charts, Fletcher's contributions have consistently resonated with audiences and critics alike. Whether it's co-writing Adam Newling's early success ‘Singing Blackbird’, or producing Trophy Eyes’ fourth studio album ‘Suicide & Sunshine’, which peaked at #8 in ARIA’s official album charts, Fletcher has an incredible ability to capture the essence of an artist's vision whilst keeping an audience in mind.​In a field where accolades are often reserved for industry veterans, Fletcher Matthews stands as a beacon of fresh talent, ready to carve out his own path in the ever-evolving landscape of songwriting and music production.​.

    How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠Donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    ⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠⁠ Instagram

    Fletcher Matthews Instagram

    ⁠⁠⁠⁠⁠Stu Watts Website⁠⁠⁠

    Fletcher Matthews Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Fletcher's work on Spotify⁠⁠

    Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    1 時間 22 分
  • Jack Prest | What's That Sound? with Stu Watts Episode #63
    2025/11/25

    Stu Watts chats with Jack Prest, who is a leading audio engineer and producer in Australia’s independent and alternative music scene, specialising in forward-thinking electronic, jazz, and experimental music. His credits include prominent Australian and international artists such as Sampa The Great, Godtet, Jonti, Tasman Keith, Omar Musa, Urthboy, Kelly Lee Owens, and labels like Stones Throw, Kitsune, and Future Classic. Jack’s approach is rooted in collaboration, ensuring the finished product reflects the artist’s unique vision.Jack cut his teeth as an in-house engineer at Studios 301, Australia’s oldest and most prestigious studio, where he’s worked with global icons like Skrillex, Flume, Brockhampton, ASAP Rocky, Billy Joel, and Bruce Springsteen. Jack operates out of Golden Retriever in Marrickville, Sydney.

    How you can support the podcast:⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠

    ⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠

    ⁠⁠⁠⁠Donate⁠⁠⁠⁠

    Follow on Instagram:⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠What's That Sound?⁠⁠⁠⁠

    ⁠⁠⁠⁠Stu Watts⁠⁠⁠⁠

    Jack Prest⁠

    ⁠⁠⁠⁠Stu Watts website⁠⁠

    Jack Prest website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

    ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Jack's work on Spotify⁠

    Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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    1 時間 14 分
  • AI in the Music Industry ft. Joe Carra and Simon Moro | What's That Sound? with Stu Watts Episode #62
    2025/10/07
    This episode is a discussion on how AI is impacting the music industry, hosted by Stu Watts and features guests Joe Carra (Grammy nominated mastering engineer) and Simon Moro (producer/engineer/mixer).Joe Carra is the chief mastering engineer and owner of Crystal Mastering. With over 3 decades of experience, Joe has mastered for cassette, vinyl, CD, and in recent times, embraced the immersive audio of Dolby Atmos. In 2020 Joe received a Grammy nomination for Best Engineered Album, for the Teskey Brothers ‘Run Home Slow’ album. Joe has mastered various ARIA award winning albums and in 2023, was recognised with a nomination in the MPEG Awards for 'Mastering Engineer of the Year’. Joe’s credits include Pond, The Slingers, King Gizzard & The Lizard Wizard, Courtney Barnett, Amyl & The Sniffers, Genesis Owusu, The Murlocs, San Cisco, Babe Rainbow, Bliss N Eso, The Waifs and many more.Simon Moro is a music producer, sound engineer, mixer and co-owner of The Avenue Recording Studio and has over 25 years of experience. His unique ability to empathetically connect with an artist and understand their vision was born out of training under Michael Brauer (Coldplay, The Kooks, Grizzly Bear) which taught him that capturing the essence of the artist is paramount to creating the best mix. Having worked with labels such as Sony and Mushroom, artists such as Anthony Callea and Allday, mixed and produced ARIA nominated albums, live albums, and television shows, he knows that no project is too bold and ambitious, and no detail is too minute to matter.Chapters:00:00 Intro02:25 Joe's Client's AI-Generated Album07:10 The Evolution of AI Music Generation12:59 AI's Role in Music Production20:43 Why Human Mastering Still Thrives Against AI33:35 The Risk of Homogenised Music vs. Authentic Human Art40:53 The Fight for Fair Credits and Royalties in AI Music49:04 Using AI Tools Without Losing Creative Human Skills01:01:15 Final Thoughts: AI, Copyright, and the Value of Human EffortHow you can support the podcast:⁠⁠⁠⁠⁠⁠⁠Subscribe on YouTube⁠⁠⁠⁠⁠⁠Buy some merch⁠⁠⁠⁠⁠⁠Donate⁠⁠⁠Follow on Instagram:⁠⁠⁠⁠⁠⁠⁠What's That Sound?⁠⁠⁠⁠⁠⁠Stu Watts⁠⁠⁠Joe CarraSimon Moro⁠⁠⁠Stu Watts website⁠Crystal Mastering websiteSimon Moro website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Joe's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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    1 時間 6 分
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