It is the turn of the nineteenth century. The industrial age has begun. Steam powered ships has taken over the oceans. Factories are going up across Europe and America. There is a resurgence of activity in the castles in the mountains and when the Crimean War breaks out Zabella is sent to her grandmother, Rehema to learn about the dragons.

Rehema mentally transcends the girl to the First Split (1000 A.D.), the wars her mother, Apollonia, fought to destroy the dragons as they had spread across Asia, Africa, and Europe. It began as they built castles and started controlling men with gold. The dragons led the Romans, Egyptians, and Chinese empires over the centuries. The dragons turn Molytans into Ogres as their generals that lead huge armies and protect them when their powers wane at night.

New dragons come to power in Europe and now threaten the balance of power in the world. The world of dragons is one of total destruction. They take over an area and cause wars until the world is in ruins. The dragons can’t be killed but can be drained of power causing them to turn into ruby-like stones. Only a dragon can consume another dragon, increasing its power.

Apollonia becomes a sorceress and can retain her power for years out of water with the help of her sisters. She raises a champion in France to battle the dragons’ growing threat of England’s Vargrerot and Russia’s Deyhezas. After destroying a Castle in the Alps and capturing its dragon in the Ruby Cradle, Napoli, the Dragon Killer, confronts the English at the Battle of Hastings. Apollonia returns to the sea and spawns two more mermaids. Afterwards she returns to the world of men to continue the hundred year war and is burned at the stake as Joan of Arc.

Zabella knows she must prepare men to fight and destroy the dragons before the world is at war once more. She knows dragons can be killed.

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The trillionaires were powerful enough to reshape the world, but it wasn’t enough. Now they want more . . .

In a world where trillionaires assisted by powerful AIs call themselves gods, a world where miracles are engineered and secret technology is wired into the very air, James Kessler and Maree Shell stumble upon a conspiracy that defies possibility: the new gods’ plan to encode their consciousness into the world and seize control of reality itself, to literally become the gods they have so far only pretended to be.

From the world’s gleaming new AI-crafted cities to the crumbling ruins of the old ones, the two unlikely allies, one a childhood survivor of the Bad Times and the other a privileged daughter of wealth, must run a gauntlet of hostile AIs, vengeful modern-day gods, and mysterious ancient deities, desperately trying to disrupt the plans of the most powerful people who have ever lived. Nothing less than the fate of free will itself hangs in the balance.

A mind-bending cyberpunk thriller of rebellion and redemption, Gods of a New World is a visceral dive into the soul of a world on the brink

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In a world where the dead hunger for the living, these classified tales reveal humanity's darkest hours and unexpected heroes. From remote wilderness to secret labs, follow the warriors who faced the walker threat before the world knew its name. Some stories should remain buried—but truth, like the dead, always rises.

The Walker Chronicles expands the universe of The Dying of the Light trilogy, uncovering the untold history of humanity's fight against the walking dead. While David Blake's journey in END, INTERVAL, and BEGINNING shows the apocalypse and its aftermath, these essential stories reveal the covert battles that raged for decades before Z-Day changed everything. Each tale deepens the conspiracy, heightens the horror, and illuminates the sacrifices made to keep humanity alive.

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