The Red Wind Howls (Columbia UP, 2025) is an unsettling, gripping, and darkly funny novel by Tsering Döndrup, one of modern Tibet’s most celebrated writers. First self-published in 2006 after no publisher was willing to take the political risk, the novel traces Tibetan experiences under Mao Zedong’s rule, from the 1958 Amdo uprising and the Great Leap Forward to the Cultural Revolution. Through a nonsequential narrative that moves back and forth between characters and events, The Red Wind Howls weaves together experiences of labor camps, unrelenting hunger, environmental devastation, and the destruction of language into a powerful exploration of twentieth-century Tibetan history.

In this episode, I speak with the novel’s translator, Christopher Peacock, about the challenges of translating a work that weaves together oral storytelling and history. We discuss the recurring character Alak Drong, the novel’s striking use of dark humor, the ways its characters navigate famine, labor camps, political campaigns, and shifting systems of survival, and above all the importance of reading literature by Tibetan authors.

Listeners should also seek out Chris’s translation of Tsering Döndrup’s short story collection, The Handsome Monk and Other Stories, and his article on the use of language in Tsering Döndrup’s fiction, here.

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