『There's Sometimes a Buggy: Irresponsible Opinions About Classic Film』のカバーアート

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

There's Sometimes a Buggy: Irresponsible Opinions About Classic Film

著者: Elise Moore and Dave
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Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of our old favourites (mostly studio-era Hollywood) and our latest frontiers. We like to bring attention to neglected figures and dig into little-known corners of film history and popular culture, and we hope that we can also bring new perspectives to the familiar. The podcast will be comprised of several potentially never-ending series: - Fear & Moviegoing in Toronto: Our Perspectives on Choice Local Retrospectives (PAUSED BY PANDEMIC) - Hollywood Studios – Year by Year: Deep-cut dishing on Paramount, MGM, Warner Brothers, RKO, Fox, and Universal items from 1930 to 1948. - Acteurist oeuvre-views/spotlights on worthy on-camera creatives, beginning with Jennifer Jones and Setsuko Hara. - And a big parade of special subjects hand-chosen by whichever of your hosts happens to have a handle on this buggy that week.Copy Us, Please!! アート 哲学 社会科学
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  • Acteurist Oeuvre-view – Gloria Grahame – Part 10: HUMAN DESIRE (1954) and NAKED ALIBI (1954)
    2025/10/24

    In this week's Gloria Grahame Acteurist Oeuvre-view episode our heroine reunites with Fritz Lang and Glenn Ford in Human Desire (1954), based on the Zola novel La bête humaine, which was more faithfully filmed by Renoir in 1938. We debate the relative merits of the two adaptations as well as the potential weakness that links them. Then we turn to the quirky little noir Naked Alibi (also 1954, co-starring Sterling Hayden), in which Gloria gets to be the hero against a thoroughly incoherent backdrop to which we apply some scattershot social analysis. Irresponsible opinions galore await the courageous listener!

    Time Codes:

    0h 00m 25s: HUMAN DESIRE (1954) [dir. Fritz Lang]

    0h 28m 43s: NAKED ALIBI (1954) [dir. Jerry Hopper]

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

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    52 分
  • Hollywood Studios Year-by-Year – RKO – 1932: What Price Hollywood? and The Animal Kingdom
    2025/10/17

    In this RKO 1932 Studios Year by Year episode we discuss a couple of trademark Selznick productions: What Price Hollywood?, the first iteration of the A Star Is Born story, starring Constance Bennett as the rising star Mary Evans, "America's pal," and Lowell Sherman as her tormented director mentor; and The Animal Kingdom, based on the Philip Barry play, with Leslie Howard, Ann Harding, and Myrna Loy in a highbrow Pre-Code love triangle. Marriage takes a real beating in these rare movies exploring alternative kinds of loving relationships between women and men. And in Fear and Moviegoing in Toronto, we cover the second new movie we've seen in 2025, Paul Thomas Anderson's One Battle After Another.

    Time Codes:

    0h 00m 35s: WHAT PRICE HOLLYWOOD? (1932) [dir. George Cukor]

    0h 28m 33s: THE ANIMAL KINGDOM (1932) [dir. Edward H. Griffith]

    1h 00m 00s: Fear & Moviegoing in Toronto – Paul Thomas Anderson’s One Battle After Another (2025)

    Studio Film Capsules provided by The RKO Story by Richard B. Jewell and Vernon Harbin

    Additional studio information from: The Hollywood Story by Joel W. Finler

    1932 Information from Forgotten Films to Remember by John Springer

    +++

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

    * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

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    1 時間 9 分
  • Acteurist Oeuvre-view – Gloria Grahame – Part 9: PRISONERS OF THE CASBAH (1953) and THE GOOD DIE YOUNG (1954)
    2025/10/10

    This week's Gloria Grahame episode sees our acteur making some questionable career decisions: a rare headlining role in Columbia's Orientalist stinker Prisoners of the Casbah (1953), displaying a phenomenal lack of chemistry with Turhan Bey; and a micro-role in intriguing British heist noir The Good Die Young (1954) as a pragmatic actress tormenting husband John Ireland with her indifference. We find what there is to like in this quality dip, or, failing that, what there is to mock.

    Time Codes:

    0h 00m 25s: PRISONERS OF THE CASBAH (1953) [dir. Richard L. Bare]

    0h 18m 43s: THE GOOD DIE YOUNG (1954) [dir. Lewis Gilbert]

    +++

    * Listen to our guest episode on The Criterion Project – a discussion of Late Spring

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s piece on Gangs of New York – “Making America Strange Again”

    * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

    Follow us on Twitter at @therebuggy

    Write to us at therebuggy@gmail.com

    We now have a Discord server - just drop us a line if you'd like to join!

    続きを読む 一部表示
    46 分
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