In this episode, hosts Laura and Ryan discuss The Devil Wears Prada, its cultural impact, cast, and impending sequel. Exploring why the film feels nuanced as both comedy and drama, they focus on Andy’s growth in confidence and competence alongside the corrupting effects of ambition, status, and external approval, noting the paradox of enjoying her transformation while grieving what she sacrifices in relationships and integrity. The conversation highlights how appearances and wealth can distort judgment, calling Christians to reject favoritism, see people as God does, and respond with mercy.

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Discussed Passage James 2: 1-13

Mentioned in this episode: Song for Walking (single by Tophouse) Epic: The Musical (concept album by Jorge Rivera-Herrans) Handel’s "Messiah" (classical music composition) Scriptnotes (screenwriting podcast by John August and Craig Mazin) Seven Deadly Sins - Vanity (Bridgetown Church sermon by Tyler Staton and Bethany Allen) To Burn in You (song by Josh White)

Let us know your thoughts! Send questions and movie recommendations to us at: theologyoffilm@gmail.com

This month, Ryan and Laura dive into Wake Up Dead Man - a standout entry in the Benoit Blanc/Knives Out series. They praise its fun whodunit setup while focusing on its unusually thoughtful portrayal of Christianity: Father Judd’s Christlike leadership, the community’s vulnerability to charismatic leaders like Monsignor Wicks, and how faith is broadly presented with both flaws and real value. They praise the film’s writing, performances, and visual symbolism, and conclude with reflections on personal obedience, presence with God, and deeper engagement with Jesus.

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Discussed Passage:

Acts 9:1-9

Mentioned in this episode:

Stranger Things (2016 tv series)

Ghosts (2021 tv series)

Harry Potter (film series)

Supernatural (2005 tv series)

Midnight Mass (2021 miniseries)

"Why Should the Devil Have All the Good Music" (song by Larry Norman)

Hercule Poirot (central character in Agatha Christie novels)

Star Wars: The Last Jedi (2017 film by Rian Johnson)

Brick (2005 film by Rian Johnson)

Philip Yancey (former author and theologian)

The Jesus Music (2021 documentary film)

This month, Laura and Ryan discuss 1993’s Cool Runnings, exploring why the film remains a beloved 90s comedy with strong pacing, good humor, and surprising emotional depth. They examine key themes from the film, including perseverance, cultural identity, resisting imitation in favor of authenticity, and the definition of success. Connecting the story to a biblical narrative, they unpack what it means to trust God with detailed guidance, stepping into an unfamiliar calling, and living attentively and obediently even when it looks foolish to others.

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Discussed Passage

Genesis 6:3-7:5

Mentioned in this episode:

• The Sandlot (1993 film)
• Miracle (2004 winter olympics film)
• Eddie the Eagle (2015 winter olympics film)
• The Lion King (1994 film)
• You've Got Mail (1998 film)
• In the Good Old Summertime (1949 film)
• The Shop Around the Corner (1940 film)
• While You Were Sleeping (1995 film by Jon Turteltaub)
• Disney's The Kid (2000 film by Jon Turteltaub)
• National Treasure Movies (film series by Jon Turteltaub
• John Candy: I Like Me (documentary by Colin Hanks)
• Stargate SG-1 (1997 tv series)
• Stargate Atlantis (2004 tv series)
• Hana Khan Carries On (novel by Uzma Jalaluddin)
• The Merry Wives of Windsor (Shakespeare)
• Richard III (Shakespeare)
• Hamlet (Shakespeare)

Let us know your thoughts! Send questions and movie recommendations to us at: theologyoffilm@gmail.com