The tape running out cut a performance and let Tatum's genius fade
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ポッドキャストのフォローに失敗しました
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The tape running out cut a performance and let Tatum's genius fade
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The tape running out cut a performance and let Tatum's genius fade
In this episode, we present the arc of Art Tatum’s late career, from Toledo to packed houses and skeptical critics, and the studio marathon that tried to capture him. We trace the decisions, the changing jazz landscape, and the recording sessions that tested whether fame could keep pace with genius.
Person: Art Tatum
Location: Hollywood Bowl; Los Angeles recording studio; Toledo, Ohio
Date: August 1956; 1953-1954 recording sessions
Event: Tape ran out mid-performance; 124 solo tracks recorded
Producer: Norman Granz
- Born in Toledo and nearly blind, Tatum learned music as aural and physical memory, reshaping pianistic possibility.
- By 1944-45 he headlined major venues, earned Esquire’s best pianist award, and commanded $1,150 weekly playing four solo sets nightly.
- As bebop rose in the mid-1940s, critics questioned Tatum’s relevance even as his technique advanced beyond peers.
- Norman Granz arranged marathon studio sessions in late 1953 with no setlist or time limits to capture Tatum’s unfiltered playing.
- The sessions yielded 124 solo tracks released as "The Genius of Art Tatum," and during one recording a tape ran out halfway through a piece.
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