The charcoal pencil that defied the ban on cameras
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
-
ナレーター:
-
著者:
The charcoal pencil that defied the ban on cameras
This episode explores the story behind a drawing that captured a pivotal moment in a Mississippi courtroom in 1955. It delves into the artist's unique approach to journalism and the profound impact of his work.
Person: Franklin McMahon
Date: 1955
Location: Sumner, Mississippi
Event: Emmett Till murder trial
- Franklin McMahon, a 32-year-old freelance artist-reporter, drove to Sumner, Mississippi, with only a pad and charcoal pencils.
- Cameras were strictly prohibited in the courtroom during the trial of the men accused of murdering Emmett Till.
- McMahon's drawing captured Moses Wright pointing at the two men he believed murdered his great-nephew.
- McMahon developed his observational drawing style after being a prisoner of war, where he drew his captors without an audience or permission.
- His work as an "artist-reporter" involved rendering stories in real-time, in public, using drawing as his journalistic medium.
To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.
© 2026 OBOMEDIA. All rights reserved.
This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
adbl_web_anon_alc_button_suppression_t1
まだレビューはありません