エピソード

  • Gavin Williams, "Format Friction: Perspectives on the Shellac Disc" (U Chicago Press, 2024)
    2025/08/01
    With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    1 時間 8 分
  • Shani Adia Evans, "We Belong Here: Gentrification, White Spacemaking, and a Black Sense of Place" (U Chicago Press, 2025)
    2025/07/29
    Although Portland, Oregon, is sometimes called “America’s Whitest city,” Black residents who grew up there made it their own. The neighborhoods of Northeast Portland, also called “Albina,” were a haven for and a hub of Black community life. But between 1990 and 2010, Albina changed dramatically—it became majority White.In We Belong Here, sociologist Dr. Shani Adia Evans offers an intimate look at gentrification from the inside, documenting the reactions of Albina residents as the racial demographics of their neighborhood shift. As White culture becomes centered in Northeast, Black residents recount their experiences with what Evans refers to as “White watching,” the questioning look on the faces of White people they encounter, which conveys an exclusionary message: “What are you doing here?” This, Evans shows, is a prime example of what she calls “White spacemaking”: the establishment of White space—spaces in which Whiteness is assumed to be the norm and non-Whites are treated with suspicion—in formerly non-White neighborhoods. Evans also documents Black residents’ efforts to create and maintain places for Black belonging in White-dominated Portland. While gentrification typically describes socioeconomic changes that may have racial implications, White spacemaking allows us to understand racism as a primary mechanism of neighborhood change. We Belong Here illuminates why gentrification and White spacemaking should be examined as intersecting, but not interchangeable, processes of neighborhood change. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email (johnstonmo@wmpenn.edu) Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    33 分
  • Charlotte Bentley, "New Orleans and the Creation of Transatlantic Opera, 1819–1859" (U of Chicago Press, 2022)
    2025/07/25
    Jazz is the music that many people associate with New Orleans. But before there was jazz in New Orleans there was opera. It was the only city in the United States during the first half of the nineteenth century with a resident opera company that produced the latest European works. In New Orleans and the Creation of Transatlantic Opera, 1819–1859 (University of Chicago Press, 2022), Charlotte Bentley considers the thriving operatic life of New Orleans, drawing out the international connections that animated it. She explores the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. Opera’s role was not confined to the theater, however, and Bentley demonstrates that opera permeated everyday life in New Orleans and examines literary works to understand the genre’s significance to the city. Bentley examines the complicated transatlantic dance that brought operas and performers to New Orleans forever influencing the city, and ultimately, American culture. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    48 分
  • Robyn Arianrhod, "Vector: A Surprising Story of Space, Time, and Mathematical Transformation" (U of Chicago Press, 2024)
    2025/07/25
    A celebration of the seemingly simple idea that allowed us to imagine the world in new dimensions--sparking both controversy and discovery. The stars of this book, vectors and tensors, are unlikely celebrities. If you ever took a physics course, the word "vector" might remind you of the mathematics needed to determine forces on an amusement park ride, a turbine, or a projectile. You might also remember that a vector is a quantity that has magnitude and (this is the key) direction. In fact, vectors are examples of tensors, which can represent even more data. It sounds simple enough--and yet, as award-winning science writer Robyn Arianrhod shows in this riveting story, the idea of a single symbol expressing more than one thing at once was millennia in the making. And without that idea, we wouldn't have such a deep understanding of our world. Vector and tensor calculus offers an elegant language for expressing the way things behave in space and time, and Arianrhod shows how this enabled physicists and mathematicians to think in a brand-new way. These include James Clerk Maxwell when he ushered in the wireless electromagnetic age; Einstein when he predicted the curving of space-time and the existence of gravitational waves; Paul Dirac, when he created quantum field theory; and Emmy Noether, when she connected mathematical symmetry and the conservation of energy. For it turned out that it's not just physical quantities and dimensions that vectors and tensors can represent, but other dimensions and other kinds of information, too. This is why physicists and mathematicians can speak of four-dimensional space-time and other higher-dimensional "spaces," and why you're likely relying on vectors or tensors whenever you use digital applications such as search engines, GPS, or your mobile phone. In exploring the evolution of vectors and tensors--and introducing the fascinating people who gave them to us--Arianrhod takes readers on an extraordinary, five-thousand-year journey through the human imagination. She shows the genius required to reimagine the world--and how a clever mathematical construct can dramatically change discovery's direction. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    1 時間 8 分
  • Elizabeth Shakman Hurd, "Heaven Has a Wall: Religion, Borders, and the Global United States" (U of Chicago Press, 2025)
    2025/07/21
    Our national conversation about the border has taken a religious turn. When televangelists declare, “Heaven has a wall,” activists shout back, “Jesus was a refugee.” For Elizabeth Shakman Hurd, the standoff makes explicit a longstanding truth: borders are religious as well as political objects. In this book, Hurd argues that Americans share a bipartisan border religion, complete with an array of beliefs and practices, including a reverence for national security, a liturgy for immigration, and an eschatological foreign policy. Through an analysis of the many ways the United States creates, enforces, and ignores borders at home and abroad, Hurd offers a bold new perspective on the ties that bind American religion, politics, and public life. Elizabeth Shakman Hurd is Professor and Chair of Religious Studies and Professor of Political Science at Northwestern University. This episode’s host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    52 分
  • Ahmad Greene-Hayes, "Underworld Work: Black Atlantic Religion Making in Jim Crow New Orleans" (U of Chicago Press, 2025)
    2025/07/18
    A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    1 時間 2 分
  • David E. Campbell and Christina Wolbrecht, "See Jane Run: How Women Politicians Matter for Young People" (U of Chicago Press, 2025)
    2025/07/17
    Notre Dame University Political Scientists Dave Campbell and Christina Wolbrecht have a new book that focuses on the impression that female candidates make on young people, specifically on young people in the United States. This is a fascinating analysis since it fleshes out, with a sizeable study, the idea that candidates running for office, particularly female candidates, leave a lasting impact on younger people, even if they do not win. Studying role models has not been a focus in political science per se, but Campbell and Wolbrecht have brought together work from social psychology, democratic theory, political science, and gender studies to craft an understanding of role models within the context of campaigns and elections.See Jane Run: How Women Politicians Matter for Young People⁠ (U of Chicago Press, 2025) is an important exploration of the connection between those who run for office, particularly those who may look different than the expected “norm”, and how that very action has long-term impacts on younger voters, particularly adolescents and teenagers. One of the unique perspectives of the research in See Jane Run is the focus on younger people and their engagement with politics. As the authors note, there is not that much political science research that explores the interactions between young people and politics—especially before those young people can vote. The authors also explain that teenagers generally identify with a partisan affiliation, which means that Campbell and Wolbrecht were able to sort the individuals into partisan groups and track the impact of women candidates within these partisan contexts. They found that female candidates clearly influenced two distinct groups within the study: Democratic young women and Republican young men. Young women saw these female candidates (both Republican and Democratic) as reflecting a more inclusive political environment, and the analysis suggests that this has a long-term impact, making these young women more engaged with the political process and democracy over time. The Republican young men responded as well, seeing female candidates as pursuing something—political activity—that they determined they were also qualified to pursue. The outcomes of the research in See Jane Run: How Women Politicians Matter for Young People also had racial dimensions, including exploring the impact on young Black men, who became less engaged in politics when a woman of color was running for office. See Jane Run: How Women Politicians Matter for Young People explores what has been essentially folklore about the impact of political role models on young people by pulling together data and research to flesh out an understanding of these notions that we all have about candidates for political office, role models, and the impacts on younger people. Please check out Brain Lair Books (in South Bend, Indiana or online) to purchase a copy of See Jane Run. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    55 分
  • Neil Gregor, "The Symphony Concert in Nazi Germany" (U Chicago Press, 2025)
    2025/07/12
    A new history of how the musical worlds of German towns and cities were transformed during the Nazi era. In the years after the Nazis came to power in January 1933 and through the war years all aspects of life in Germany changed. However, despite the social and political upheaval, gentile citizens were able to continue leisure activities such as attending concerts. In this book, historian Neil Gregor surveys the classical concert scene in Nazi Germany from the perspective of the audience, rather than institutions or performers. Gregor delves into the cultural lives of ordinary Germans under conditions of dictatorship. Did the ways in which Germans heard music in the period change? Did a Nazi way of listening emerge? For audiences, Gregor shows, changes to the concert experience were small and often took place around the edges. This, combined with the preserved idea of the concert hall as a space of imagined civility and cultivation, led many concertgoers and music lovers to claim after the war that their field and their practice had been innocent--a place to retreat from the vicious violence and racism of the Nazi regime. Drawing on untapped archival sources, The Symphony Concert in Nazi Germany reveals that the true history was one of disruption but also of near effortless adaptation. Through countless small acts, the symphony concert was reframed within the languages of strident nationalism, racism, and militarism to ensure its place inside the cultural cosmos of National Socialist Germany. Learn more about your ad choices. Visit megaphone.fm/adchoices
    続きを読む 一部表示
    31 分