エピソード

  • Manuel Iris, "The Whole Earth Is a Garden of Monsters / Toda la Tierra Es Un Jardín de Monstruos" (U Arizona Press, 2026)

    Manuel Iris, "The Whole Earth Is a Garden of Monsters / Toda la Tierra Es Un Jardín de Monstruos" (U Arizona Press, 2026)
    2026/03/16
    This award-winning bilingual collection intertwines the lives of a Renaissance painter and a modern migrant worker, offering a fresh perspective on art and migration. In this highly imaginative work, the lives of the northern Renaissance painter Hieronymus Bosch (1450-1516) and an imagined contemporary migrant worker named Juan Coyoc, later known as Juan Domínguez, run in parallel as they mirror each other across languages, time, and continents. By comparing and at times intertwining these two poetic narratives, the book explores themes of art, migration, narco-violence, family, spirituality, and the idea that every human being represents all humanity at any moment in history. Both Hieronymus Bosch and Juan Domínguez become relatable and intimate figures, part of our own story. Written in simple, sharp language, the book employs surprising imagery and a novel structure to blur the boundaries between reality and fiction, while examining the intricacies of the human condition--from the life of Saint Anthony to the violent acts of narcos across Central America and the U.S.-Mexico border. With formal sophistication and philosophical depth, this work enriches the tradition of poetry about both migration and art, contributing to the literary heritage of Mexico and the United States over the past several decades. Manuel Iris is a Mexican-born American poet who has served as poet laureate of Cincinnati, Ohio. Iris is the author of five poetry collections, including The Disguises of Fire [Los disfraces del fuego]. Kevin C. McHugh is book editor and former writer and editor for international branding studios. He taught writing for thirty-one years. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    38 分
  • Anne W. Johnson, "Mexico in Space: From La Raza Cósmica to the Space Race" (U Arizona Press, 2026)

    Anne W. Johnson, "Mexico in Space: From La Raza Cósmica to the Space Race" (U Arizona Press, 2026)
    2026/03/12
    From Aztec sun stones to satellite launches, from muralist visions to dark sky parks, Mexico's engagement with outer space is fundamental to its identity. Mexico in Space: From La Raza Cósmica to the Space Race (University of Arizona Press, 2026) offers a groundbreaking look at how the country has navigated the tensions between technological dependence and sovereign dreams. Anthropologist Anne W. Johnson reveals Mexico's unique relationship with outer space, describing Indigenous knowledge, nationalist projects, artistic visions, and community practices. Through rich ethnographic detail and historical insight, Johnson challenges the notion that space is for everyone and shows whose voices truly shape the world's cosmic futures. Johnson introduces us to satellite engineers, community astronomers, space generation youth, and artists imagining Mars, each crafting alternative cosmic futures. As space exploration increasingly becomes the domain of billionaires and superpowers, this book offers a compelling counternarrative, demonstrating how Mexican cosmic engagements suggest more just, inclusive ways of inhabiting Earth and beyond and providing vital lessons for reimagining humanity's place in the cosmos. Anne W. Johnson is a professor in the graduate program in social anthropology in the Department of Social and Political Science at the Universidad Iberoamericana in Mexico City. Caleb Zakarin is the CEO and Publisher of the New Books Network. He lives in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 分
  • Pablo Zavala, "Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917-1968" (U Arizona Press, 2026)

    Pablo Zavala, "Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917-1968" (U Arizona Press, 2026)
    2026/03/10
    Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala’s research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors. Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City’s 1968 popular student movement, and graphic art used in California’s Chicano farmworkers’ struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico’s postrevolutionary identity and their enduring significance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 5 分
  • Dorothy Denetclaw and Matt Fitzsimons, "The Sons of Gunshooter: A Navajo Resistance Story" (U Arizona Press, 2026)

    Dorothy Denetclaw and Matt Fitzsimons, "The Sons of Gunshooter: A Navajo Resistance Story" (U Arizona Press, 2026)
    2026/02/26
    In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation.Part history, part true crime, The Sons of Gunshooter: A Navajo Resistance Story (U Arizona Press, 2026) reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. The result is a book that’s sweeping in its scope and surgical in its approach. Rewinding the clock to 1868, the authors follow the intertwining paths of two families to offer a riveting, deeply personal account that has been hailed as “a new way of doing historiography.”One of the authors is a descendant of participants in the case; the other is an investigative journalist. By merging Diné oral traditions with archival evidence, they succeed in upending one false narrative after another. This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    30 分
  • Allison Caine, "Restless Ecologies: Climate Change and Socioecological Futures in the Peruvian Highlands" (U Arizona Press, 2025)

    Allison Caine, "Restless Ecologies: Climate Change and Socioecological Futures in the Peruvian Highlands" (U Arizona Press, 2025)
    2026/02/02
    In the high Andean grasslands 4,500 meters above sea level, Quechua alpaca herders live on the edges of glaciers that have retreated more rapidly in the past fifty years than at any point in the previous six millennia. Women are the primary herders, and their specialized knowledge and skill is vital to the ability of high-elevation communities to survive in changing climatic conditions. In the past decade, however, these herders and their animals have traversed a rapidly shifting terrain. Drawing on the Quechua concept of k'ita, or restlessness, Restless Ecologies: Climate Change and Socioecological Futures in the Peruvian Highlands (University of Arizona Press, 2025) explores how herders in the community of Chillca in the Cordillera Vilcanota mountain range of the southeastern Peruvian Andes sense and make sense of changing conditions. Capricious mountains, distracted alpacas, and wayward children deviate from their expected spatial and temporal trajectories. When practices of sociality start to fall apart--when animals no longer listen to herders' whistles, children no longer visit their parents, and humans no longer communicate with mountains--these failures signal a broader ecological instability that threatens the viability of the herder's world. For more than two years, the author herded alongside the women of the Cordillera Vilcanota, observing them and talking with them about their interactions with their animals, landscapes, and neighbors. Emphasizing the importance of Indigenous knowledge and traditional ecological practices, Caine argues that Quechua understandings of restlessness align with and challenge broader theoretical understandings of what it is to be vulnerable in a time of planetary crisis. Allison Caine is an environmental anthropologist and an assistant professor of anthropology at the University of Wyoming. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    50 分
  • Jason Roberts, "We Stay the Same: Subsistence, Logging, and Enduring Hopes for Development in Papua New Guinea" (U Arizona Press, 2024)

    Jason Roberts, "We Stay the Same: Subsistence, Logging, and Enduring Hopes for Development in Papua New Guinea" (U Arizona Press, 2024)
    2026/02/02
    An ethnography of indigenous lives amidst subsistence labor, large-scale logging, and unrealized schemes, We Stay the Same: Subsistence, Logging, and Enduring Hopes for Development in Papua New Guinea (U Arizona Press, 2024) traces how hopes for development in New Hanover, Papua New Guinea, are cultivated, frustrated, and yet continually renewed. On New Hanover Island in Papua New Guinea, Lavongai communities have long pursued transformative development through logging and large-scale agroforestry projects, only to see forests disappear and livelihoods deteriorate. In We Stay the Same, Jason S. Roberts follows the various Lavongai encounters with multinational special agricultural and business leases that promised sustainable growth but instead deepened inequality and risk. Blending ethnographic and ecological research, Roberts traces how Lavongai people navigate subsistence, dispossession, and what he calls a “political ecology of hope,” showing how aspirations for a better life are continually cultivated, disappointed, and yet never fully abandoned. Jason S. Roberts is a practicing anthropologist who currently works on subsistence policy and natural resource management issues in Alaska. He completed his PhD at the University of Texas at San Antonio and previously served as a visiting assistant professor of anthropology at Drew University. His work and research engages interests in development, sustainability, climate change, hope, and environmental justice. Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 3 分
  • Ana Patricia Rodríguez, "Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area" (University of Arizona Press, 2025)

    Ana Patricia Rodríguez, "Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area" (University of Arizona Press, 2025)
    2025/11/20
    For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States. This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    33 分
  • Rick A López, "Rooted in Place: Botany, Indigeneity, and Art in the Construction of Mexican Nature, 1570-1914" (U Arizona Press, 2025)

    Rick A López, "Rooted in Place: Botany, Indigeneity, and Art in the Construction of Mexican Nature, 1570-1914" (U Arizona Press, 2025)
    2025/10/28
    Since the first moment of conquest, colonizers and the colonized alike in Mexico confronted questions about what it meant to be from this place, what natural resources it offered, and who had the right to control those resources and on what basis. Focusing on the ways people, environment, and policies have been affected by political boundaries, in Rooted in Place: Botany, Indigeneity, and Art in the Construction of Mexican Nature, 1570–1914 (University of Arizona Press, 2025) historian Dr. Rick A. López explores the historical connections between political identities and the natural world. Dr. López analyzes how scientific intellectuals laid claim to nature within Mexico, first on behalf of the Spanish Empire and then in the name of the republic, during three transformative moments: the Hernández expedition of the late sixteenth century; the Royal Botanical Expedition of the late eighteenth century; and the heyday of scientific societies such as the Sociedad Mexicana de Historia Natural of the late nineteenth century. This work traces how scientific intellectuals studied and debated what it meant to know and claim the flora that sprang from Mexican soil—ranging from individual plants to forests and vegetated landscapes—and the importance they placed on indigeneity. It also points to the short- and long-term consequences of these efforts. Dr. López draws on archival and published sources produced from the sixteenth century through the start of the twentieth century and gives special attention to the use of visual images such as scientific illustrations and landscape art. López employs the term “visualization” in recognition of the degree to which officials, botanists, and draftsmen produced imagery and also how they and others viewed nature. Rooted in Place reveals how scientific endeavors were not just about cataloging flora but were deeply intertwined with the construction of identity and the political landscape at three pivotal moments in Mexican history. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    50 分