DUPREE FINANCIAL GROUP Podcast The Tom Dupree Show The Financial Hour of The Tom Dupree Show · Hour 2 · November 7, 2026 · 45:43 With Tom Dupree, James Dupree, Michael Dawahare and Mike Johnson What changes after an election, and what stays the same for someone living off the income a portfolio produces? Tom and the team work through a week of political surprises and sharp technology-stock moves, then bring the conversation back to knowing what you own and the income it can produce. Tom shares his reaction to the midterms and a lesson about crowds and conviction from his faith. Michael explains his “sanguine” view of the outlook. Mike connects energy and labor costs with inflation. In the second segment, James discusses AI development, AMD and the pressure on technology stocks. The team closes with portfolio income, investment research, and how Dupree Financial Group works with clients. In this episode Music and studio stories: Glen Campbell, Brian Wilson and the session players.Tom on the election, faith and staying accountable for your convictions.Michael on data centers, tariffs, immigration and energy policy; Mike on energy, labor and inflation.James on AI regulation, company news and a fast-changing technology market.Leverage, short-term trading and why a retiree needs a different frame of reference.Income versus price, dividend risk, account reporting and the reason behind each holding. Companion article under blog tab: AI Stocks Dropped. Did Your Retirement Income? The conversation includes the hosts’ opinions, recollections and on-air estimates. Those views are not promises about policy, markets, or future returns. This recording is educational and is not individualized investment advice. Read the complete transcript Elizabeth Welcome to the financial hour of the Tom Dupree Show, brought to you by Dupree Financial Group, where we make your money work for you. Joining us are James Dupree, Michael Dawahare, Mike Johnson, and here’s our host, Tom Dupree Tom This is a song, uh, sung by Glen Campbell, written by Brian Wilson of The Beach Boys. Tom And, uh, I think it was probably done in the early ’60s. Um, at that time, believe it or not, Glen Campbell played the guitar with The Beach Boys and, uh, Brian Wilson said he was the best musician he’s ever known. He said he could have a complicated thing going on that he… Brian Wilson would have brain freezes ’cause his father had… Tom He had suffered a very abusive childhood and, uh, he sometimes would, couldn’t talk, and he would present it to Glen, and Glen could figure it out. You know? He, he said that he had that ability as a musician. Um, and, you know, certainly incredibly versatile, uh, musician. Could play country, uh, pop, rock and roll, rhyt- rhythm and blues. Tom I mean, he, he was, uh, an incredible guitarist, Michael. I mean, you, you gotta put him in the top five, I mean, I would think. Uh… Michael Uh, he is in top five, and h- he’s the studio guitarist, not just with The Wrecking Crew, but Merle Haggard’s Mama Tried. Tom Yeah. Michael That’s Glen Campbell’s acoustic intro, not the lead. That’s R- that’s, uh, James Burton. Michael That’s Glen Campbell on acoustic guitar on John Denver’s Take Me Home, Country James Roads. Yes. Michael And his other subtle claim to fame, without wearing everybody out, is he brought fellow Arkansan, Louie Shelton, to California, who became the most prolific studio guitarist of all time. Tom Really? Michael Teenage Louie Shelton shows up in Southern California because Glen was with The Beach Boys, couldn’t handle all The Wrecking Crew and other work, and Louie’s brought in to do The Monkees’ first studio album, and that’s him on Last Train to Clarksville. Michael That’s his Tele, and a star was born. Gosh. Everybody wanted that guitarist. He went on to create Seals and Crofts. That’s him doing all- Really? … the guitar work. And then 1,000 other recordings from Diana Ross to Lionel Richie. You… That’s him on the Jackson 5, I Want You Back. Tom Now, he was LA Wrecking Crew, not Muscle Shoals, right? Michael Uh, neither of them were Muscle S- Muscle Shoals. Tom Yeah. Michael So Glen goes to California and hits it big, hooks up with his friend, Louie Shelton, from Arkansas, who was on the Louisiana Hayride, and said, “You gotta get out here. I can’t handle all the work.” And genius was born twice. Tom I, I would guess, despite the reputation of Muscle Shoals, that- Los Angeles did three times the recording, uh, I mean, would be my guess Michael Probably only because Muscle Shoals was booked 24/7. Tom Yeah, all Michael the time. There was just two rivals right down the street from each other. Tom Yeah. Fame- Michael But they had their own similar story with Duane Allman, who was the studio guitarist along with one other guy. That’s Duane on a lot of Aretha stuff and on Wilson Pickett stuff at Muscle Shoals. Tom Yeah, I saw a s- a s- said that...
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