Fairport Convention made a £5 profit from their first gig, at St Michael’s Church Hall in Golders Green on 27 May 1967. About 30 or 40 people turned up, and the band had printed the tickets and hired the hall themselves. Simon Nicol, whose house gave the group its name, was a professional musician at the age of 16.

Here Simon talks as Fairport embark on their autumn 2026 UK tour, a seated acoustic run that includes village halls and social clubs, and for the 60th anniversary shows in May 2027.

Nicol grew up in North London, where Ashley Hutchings lived just down the road and his father was Pete Quaife’s doctor. He saw the Kinks play their last gig as the Ravens and their first as the Kinks two weeks later. Fairport’s own break came when Joe Boyd watched them support Pink Floyd at UFO and signed them, though their debut single, “If I Had a Ribbon Bow”, sank without trace. Judy Dyble then left and Sandy Denny arrived, and Nicol says she “made a huge impression musically and personally”. The band made What We Did on Our Holidays, Unhalfbricking and Liege & Lief within 11 months, a stretch that also included the May 1969 motorway crash that killed Martin Lamble. Reflecting on those 60 years, Nicol explains why Fairport have remained active while “not a tribute band to ourselves”.

Tour dates and tickets from fairportconvention.com

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Podcasts also available: Simon Nicol (2023), Ric Sanders, Ashley Hutchings, Dave Mattacks, Chris Leslie, Iain Matthews

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The Residents don’t give interviews, so when they have something to say, Homer Flynn says it for them. He is their art director, their spokesperson and part of the Cryptic Corporation that has looked after them since 1976. Eskimo is currently on the road. The 1979 album, with its invented vocals and wind treated as seriously as music, reaches the stage this autumn with inflatable icebergs, projections and five new songs.

Homer tells me how a 20-minute slot at a San Francisco event grew into a full production. He explains why the first costume idea, a giant silver Christmas ornament with a top hat, was talked out of existence by costume makers, and how the eyeball that replaced it became The Residents’ symbol. We also get into the Mole Show and the Emulator sampler, the Freak Show comic and CD-ROM, the 100 archive boxes Hardy Fox kept, and The Lonely Wound, the new Residents album Homer says is in its final stages.

The Residents website, Eskimo Live

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Podcasts also available: Wolfgang Flür – Kraftwerk, Robin Scott – M, Rat Scabies (The Damned) and Chris Constantinou (Adam Ant), Tim Arnold and Kevin Godley

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From the dub sound systems of 1970s Ladbroke Grove to Killing Joke, The Orb, Paul McCartney’s Fireman project and Pink Floyd’s The Endless River, few musicians have moved through as many worlds as Youth (Martin Glover). In this conversation with Jason Barnard, Youth discusses the CHANT Artist Collective’s new release, Relics Of Tree Worship In Dub (Gaudi & Don Letts Roots Dub Plates), and explains why he still calls dub “an endless river” of reinvention.

He goes back to Gooseberry Sound Studios and the John Lydon-produced 4″ Be 2″ session that set him on a path into music, his departure from Killing Joke, the birth of The Orb and “Little Fluffy Clouds,” and what pulled him into the studio with Kate Bush, James, Crowded House, Paul McCartney and Pink Floyd.

Relics Of Tree Worship In Dub (Gaudi & Don Letts Roots Dub Plates)

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Podcasts also available: Trevor Horn, Dave Ball – Soft Cell, Andy Gill – Gang of Four, Glen Matlock

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The post Youth: From Dub and Killing Joke to The Orb, Paul McCartney & Pink Floyd appeared first on The Strange Brew .