The Story finds itself in the last years of the reign of Henry VIII- and we find our metropolis a place where innocent simple teenagers are burned alive, where security clampdowns see curfews and house searches, where ships explode on the Thames, where thousands of men leave the streets to march out to war, where the economy contracts, where no one is safe, and where all of this is caused by an obese, diseased, angry, foul tempered man, playing games with people and dragging all down into insanity.

Cover includes portrait of Henry VIII by Cornelis Metsys.

An episode where we look under the surface to see what the cities merchants were doing- and run into some surprising truths; this was London at the birth of modern capitalism, and this chapter takes you though the sophisticated financial operations taking place in the city, the newly emergent international trade in credit, why Antwerp was showing the way London had to follow, and introduce a family who would dominate trade in the city over a few generations; the Gresham dynasty.

Welcome to the ground floor in the revolution that will change London forever…

Cover includes altered picture of the Mercer’s Maid, symbol of the Mercer Livery Company, Dryden Street, London

Henry VIII was a tyrant. He was a brutal, wilful, petulant king, whose desire to do whatever the hell he felt like and deal with the consequences later, had driven his country into uncharted and dangerous waters. And this is his reign made manifest upon the streets of London- a city filled with massive mock battles on the river, accidental shootings of washerwomen, new churches to prevent bodies being dragged through Whitehall Palace, confusing mass executions of both Protestants and Catholics on the same day, parades of soldiers never destined to fight, and the king going through wives faster than some residents went though a decent jacket.

And in all of this- that highest ranked of all London residents, Thomas Cromwell was to fall from power and be put to death. The sheer madness of the king made manifest in a city just trying to cope with his whims…

Cover includes altered version of the portrait of Henry VIII, done by Hans Eworth based on the original by Hans Holbein the Younger (1540-1547)