『The Sculptor Nobody Knew: Solon Borglum's Quiet War with Erasure』のカバーアート

The Sculptor Nobody Knew: Solon Borglum's Quiet War with Erasure

The Sculptor Nobody Knew: Solon Borglum's Quiet War with Erasure

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A sculptor on the Missouri River watches the Lakota at Crow Creek and chooses to record a disappearing world - but what did it cost him?

The Sculptor Nobody Knew: Solon Borglum's Quiet War with Erasure

In this episode, we follow Solon Borglum from a childhood shaped by enforced silence to the summer of 1899 when he and his wife stepped off a riverboat onto the Crow Creek Reservation. The episode covers his training, his Paris breakthrough, and the choices that led him to spend decades documenting Lakota life; what did he pay for that commitment?

Person: Solon Hannibal Borglum
Date: December 22, 1868 (birth); Summer 1899 (Crow Creek visit)
Location: Crow Creek Reservation, Missouri River, Dakota Territory; Paris; Cincinnati; Ogden, Utah
Event: Paris Salon exhibition of Lassoing Wild Horses and The Stampede of Wild Horses (1898)
Topic: Recording Lakota life, horses, and erasure

- At age 30 he won acclaim in Paris, then brought his new wife to Crow Creek to observe the Lakota.
- Born into a polygamist household in Ogden, Utah, he was raised under an enforced silence about his mother.
- He trained under J. Laurie Wallace and at the Cincinnati Art Academy with Louis Rebisso before studying in Paris.
- He modeled working draft horses from U.S. Mail stables, spending weeks observing before touching clay.
- He chose to document a culture and landscape being renamed and reduced along the Missouri River rather than pursue immediate commissions.

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