『The Projection Booth』のカバーアート

The Projection Booth

The Projection Booth

著者： Weirding Way Media
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The Projection Booth features discussions of films from a wide variety of genres with in-depth critical analysis while regularly attracting special guest talent eager to discuss their past gems. The podcast has been recognized as a premier film podcast by The A.V. Club, IndieWire, Entertainment Weekly, and Filmmaker Magazine.

Visit http://www.projectionboothpodcast.com

The Projection Booth is part of the Weirding Way Media podcast network. Explore more of our shows at weirdingwaymedia.com.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Mike White アート
エピソード
  • Special Report: Clean Hands (2026)

    Special Report: Clean Hands (2026)
    2026/10/16
    Mike talks with Jake Allyn, writer-director of Clean Hands (2026), a true-crime drama about a celebrated Hagerstown, Maryland narcotics sergeant fighting the opioid pipeline he polices by day while his own daughter is consumed by it at home.

    Allyn found the story on YouTube during COVID and became close enough with the real Kevin and Dana Simmers that he calls them second parents; they and the police officers who served with Kevin were on set throughout the 20-day Atlanta and Hagerstown shoot, alongside Brooke’s actual drug counselor, who appears in the film herself. Zach Braff, taking his first dramatic lead as a real person and a cop, reportedly came to need Kevin’s presence on set by the second week after initially asking for space; Esther McGregor carried the weight of standing in for every woman who’s passed through the recovery home the real story inspired. Allyn structured the film’s financing so that a third of its profits go directly to Brooke’s House, the real nonprofit recovery residence Kevin founded after his daughter’s story played out.

    The film is Allyn’s second directing credit, made with his brother Conor, following their earlier border drama Ride; it opens Friday, October 16th, after premiering at this year’s Tribeca Festival.

    Follow the film on Instagram, and visit Brooke’s House to support the recovery program.


    Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

    Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
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    18 分
  • Special Report: No Rest for the WIcked (2026)

    Special Report: No Rest for the WIcked (2026)
    2026/10/16
    Mike talks with Danish writer-director Kasper Kalle about his sophomore feature No Rest for the Wicked (2026), a queer gothic romance shot on the Faroe Islands that slides from love story into vampire tale into body horror without the audience noticing the ground shifting under them.

    Kalle built the film from an 1885 short story by Karl Heinrich Ulrichs — one of the earliest unapologetic accounts of gay love in print — and expanded its fifteen pages using the islands themselves: constant, unschedulable fog (created on set and in post), a 300-year-old stone village the crew stumbled on mid-scout, and composers from the Faroes so the score wouldn’t feel imported. Leads Egor Venned, a Faroese former model making his acting debut, and Danish star Pilou Asbæk (Game of Thrones) anchor the romance at the film’s center.

    After premiering at Fantasia and playing its US premiere at Fantastic Fest, the film is headed to US theaters, with Kalle already writing his next two projects.


    Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

    Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
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    20 分
  • Special Report: Lemonade Blessing (2026)

    Special Report: Lemonade Blessing (2026)
    2026/10/16
    Mike talks with writer-director Chris Merola about his debut feature Lemonade Blessing (2025), a coming-of-age dramedy about a Catholic-school transfer student who falls for a girl who dares him into escalating sacrilege, all in the name of love.

    Merola wrote the script as a USC film student mining his own adolescence — a Catholic mother, a fake-named first crush, the general sense of being “unmoored” — and financed it himself, funneling 1,000% stock-market gains from a well-timed Tesla bet into New Jersey’s tax-credit system before approaching outside investors. He shot the film with a crew of first-timers (his editor, his production designer, his producers) in just 20 days, and credits his sound designer with the idea that reordered the final scene, flipping the film’s opening noise into closing silence. After a muted reception out of Tribeca and a near-miss with sales agents, the film found a second life through Letterboxd’s Video Store before landing distribution with Antenna Releasing, who are putting Merola on the road for a five-month, city-by-city roadshow.

    Merola’s a philosophy-and-psych double major who treats directing less like genius and more like mediating a fight between departments — which, he argues, is most of what the job actually is.

    Follow the film on Instagram for tour dates.


    Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.

    Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
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    39 分
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