『The Proclaimers I'M GONNA BE (500 MILES) a sort-of Christmas special because of Starbucks』のカバーアート

The Proclaimers I'M GONNA BE (500 MILES) a sort-of Christmas special because of Starbucks

The Proclaimers I'M GONNA BE (500 MILES) a sort-of Christmas special because of Starbucks

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概要

 Play along at home with the lyrics:[Verse 1]When I wake up, well, I know I'm gonna beI'm gonna be the man who wakes up next to youWhen I go out, yeah, I know I'm gonna beI'm gonna be the man who goes along with youIf I get drunk, well, I know I'm gonna beI'm gonna be the man who gets drunk next to youAnd if I haver, yeah, I know I'm gonna beI'm gonna be the man who's haverin' to you[Chorus]But I would walk five hundred milesAnd I would walk five hundred moreJust to be the man who walked a thousandMiles to fall down at your door[Verse 2]When I'm workin', yes, I know I'm gonna beI'm gonna be the man who's workin' hard for youAnd when the money comes in for the work I doI'll pass almost every penny on to youWhen I come home (When I come home), oh, I know I'm gonna beI'm gonna be the man who comes back home to youAnd if I grow old, well, I know I'm gonna beI'm gonna be the man who's growin' old with you[Chorus]But I would walk five hundred milesAnd I would walk five hundred moreJust to be the man who walked a thousandMiles to fall down at your door[Post-Chorus]Da-da da da (Da-da da da)Da-da da da (Da-da da da)Da-da dum diddy dum diddy dum diddy da da daDa-da da da (Da-da da da)Da-da da da (Da-da da da)Da-da dum diddy dum diddy dum diddy da da da[Verse 3]When I'm lonely, well, I know I'm gonna beI'm gonna be the man who's lonely without youAnd when I'm dreamin', well, I know I'm gonna dreamI'm gonna dream about the time when I'm with youWhen I go out (When I go out), well, I know I'm gonna beI'm gonna be the man who goes along with youAnd when I come home (when I come home), yes, I know I'm gonna beI'm gonna be the man who comes back home with youI'm gonna be the man who's comin' home with you[Chorus]But I would walk five hundred milesAnd I would walk five hundred moreJust to be the man who walked a thousandMiles to fall down at your door Jump to section:(00:11) Introduction but no waffling like you get on some podcasts. You know the ones.(01:02) Song title, writers' title vs fan title. Starbucks, David Tennant, terrible Christmas cracker jokes(09:22) Metric vs imperial vs Minecraft measurements. Gauging your audience and imposing your unconscious body upon them. Meaningless promises, proclamations, Meatloaf(14:40) Distances within the UK. Virtue-signalers, Fulfilments, Commitments, Pretenders, Dave unplugged and Australian spiders(19:28) Proclaimers: The horror/thriller(21:17) Dave and distances, fat-reserves and calories(24:40) Hidden messages about murder?(26:31) Confidence and one-way commitments. (31:10) The music video(32:28) Theories from the internet (42:14) Misheard Lyrics(45:37) Notable Trivia. "Havering" defined. The challenging Proclaimers video game: https://andymetoo.itch.io/the-ultimate-proclaimers-experience(48:40) Proclaimers charity and were they gay or homophobic?(50:01) Farewells and ⁠⁠⁠give us money⁠⁠⁠Would you like to appear (well, vocally) on the show? Do you have a pop song or ear-worm from the SMOOTH FM genre that’s infested your mind and needs to be investigated? Visit this page ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speakpipe.com/lyrics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to record us your own voicemail hot-take on your specific smooth song of suckiness. You could be on a future episode! (you can always email sound files or text your thoughts to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠poidadavis@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ if that's easier). Cheers!Find us on Twitter, Facebook, Instagram etc @LyricsPodast ... and we're on all your favourite podcasting platforms.Sound clips are included for educational reference, criticism, satire and parody in fair use. Clips remain the property of the respective rights holder and no endorsement is implied. All information and opinion is performed and expressed in-character and does not reflect reality or genuine commentary on any persons (living or dead), bands or other organisations, or their works, and is not recommended listening for anyone, anywhere.
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