The Persistence of the Spectacle: From Emmett Till to Nolan Wells and the Digital Engineering of White Supremacy
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
The Persistence of the Spectacle: From Emmett Till to Nolan Wells and the Digital Engineering of White Supremacy
-
ナレーター：
-
著者：
The reality of white supremacy in the United States has long been anchored by an obsessive fixation on the control, containment, and ultimate destruction of the Black body. In academic discourse, the deliberate use of the term “Black body”—pioneered by thinkers from Ida B. Wells to Ta-Nehisi Coates and philosopher George Yancy—is not a mere rhetorical device; it is a precise diagnostic tool. It illuminates how racist ideology systematically strips Black individuals of their human agency, intellect, and interiority, reducing them to mere physical tissue that must be monitored, mastered, and erased. For centuries, this fixation has manifested as a pathological paradox: the dominant white imagination projects onto the Black body an inherent, monstrous physical threat—rendering it hyper-strong, inherently criminal, or pathologically “insolent”—while simultaneously keeping that body uniquely vulnerable to systemic violence.