The Odyssey (2026)
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Christopher Nolan snuck into hollywood’s esteem with his own trojan horse promise to keep celluloid film alive, and deliver blockbuster event movies for the studios. Maintaining a strategic alliance with camera and theater licensor IMAX that began with his Batman trilogy, he’s anticipated an explosion in nostalgia for physical film and the big-scale exhibitions of the ‘50s and ‘60s, and he (and IMAX) have scored big by emphasizing the novelty of the format.
It’s hard to believe Nolan could win bigger than taking home Best Picture with Oppenheimer, but the gods have truly favored his adaptation of a western literature pillar, Homer’s Odyssey. We gather to discuss how Nolan ultimately spent his blank check, and what the film’s success suggests about audiences and the industry.
Next week: One Way or Another (1975) by Sara Gómez
Link to the mentioned episode of the Film Formally podcast on Large Format Myths
Link to the mentioned episode of Shelved by Genre about the history of epic literature
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UnauthorizedPod.com for more. Hosted by Zachary Domes and J Brooks Young. Music by hetchy