For our last episode in season 3 we are joined by our erudite colleague in the Department of Music, Prof. Karen Desmond to learn how the discipline of musicology contributes to our understanding of medieval history.

We are brought around Europe, Britain and Ireland through the Middle Ages and chat about polyphony, vocal music, plainchant, the motivations for writing music down, and much more.

We discover that the development of music notation can tell us a lot about the connections between communities and how music was created: that a lot of music was not just 'vibes'-based, but used a lot of theory and was a collaborative effort; that music can tell us about the society and communities in which they were produced; and that there were many different kinds of music traditions reflecting local and cultural contexts.

The name of the piece of music featured in the episode is Au cuer ai en mai and the performers are Anonymous 4 from their Love’s Illusion album.

Suggested resources:

- Karen Desmond, Music and the Moderni, 1300-1350: The Ars Nova in Theory and Practice (Cambridge University Press, 2018)

- BROKENSONG project website: https://ahi.maynoothuniversity.ie/brokensong/

- Ann Buckley, 'Music and musicians in medieval Irish society', Early Music, Volume XXVIII, Issue 2, May 2000, 165–192

- Sara Gibbs Casey, ‘Through a glass, darkly’: Steps towards reconstructing Irish chant from the neumes of the Drummond Missal, Early Music, Volume XXVIII, Issue 2, May 2000, 205–216

- John Milson on Josquin and the technique of ’stretto fuga’ (a term Milsom coined) is in the book chapter ‘“Imitatio”, “intertextuality”, and Early Music’ in Citation and Authority in Medieval and Renaissance Music Culture, ed. S. Clark and E. E. Leach (Woodbridge, 2005).

- Peter Schubert' videos on improvising canons are on YouTube: https://youtu.be/n01J393WpKk?si=dfXshQOGdNJXxlcq

- Check out DIAMM (the Digital Image Archive of Medieval Music) for images of polyphonic medieval music manuscripts: https://www.diamm.ac.uk/

Regular episodes every month (on a Friday)

Email: medievalirishhistory@gmail.com

Producer: Tiago Veloso Silva

Supported by the Dept of Early Irish, Maynooth University & Taighde Éireann/Research Ireland.

Views expressed are the speakers' own.

Logo design: Matheus de Paula Costa

Music: Lexin_Music

REPEAT. ICYMI. Hope you’re all having a great summer. We didn’t get a chance to record another podcast episode recently and I don’t quite feel ready to call it quits on this season just yet, so we might release a couple of new episodes over the summer, you’ll just have to watch this space. In the meantime, I wanted to re-release this episode with the incredible Dr Sparky Booker, Assistant Professor in Medieval Irish History, Trinity College Dublin, in case anyone missed it.

Sparky enlightens us on the legal systems in force in 14th and 15th century Ireland, how to keep your land and why Elizabeth Le Veele married King of Leinster, Art McMurrough. She also discusses how the prevalence of intermarriage in the so-called 'four obedient shires' indicates that the English and Irish interacted far more peaceably and amicably than the often belligerent attitudes displayed toward the Irish in records from the colony would indicate, and that the attempts made by the Irish parliament to distance the English of Ireland from their Irish neighbours were largely unsuccessful.

Suggested reading:

Sparky Booker, Cultural Exchange and Identity in late medieval Ireland: the English and Irish of the Four Obedient Shires, Studies in Medieval Life and Thought Series (Cambridge, 2018)

Sparky Booker, ‘Women and legal history: the case of late medieval English Ireland and the challenges of studying ‘women’’, Irish Historical Studies, 46:170 (2022), pp 224-243

Sparky Booker, ‘Intermarriage in fifteenth-century Ireland: the English and Irish in the ‘four obedient shires’, Proceedings of the Royal Irish Academy, 113c (2013), pp 219-250

Sparky Booker, ‘Widowhood and attainder in medieval Ireland: the case of Margaret Nugent’ in Deborah Youngs and Teresa Phipps (eds), Litigating women: gender and justice in Europe, c.1300-c.1800 (Abingdon, 2022), pp 81-98

Ellis, Stephen G. (1998). Ireland in the Age of the Tudors, 1447-1603: English Expansion and the End of Gaelic Rule (2nd ed.). Routledge

Regular episodes every month (on a Friday)

Email: medievalirishhistory@gmail.com

Producer: Tiago Veloso Silva

Supported by the Dept of Early Irish, Maynooth University & Taighde Éireann/Research Ireland.

Views expressed are the speakers' own.

Logo design: Matheus de Paula Costa

Music: Lexin_Music

This week we are back with part two of our mammoth session with Fr Conor McDonough OP, an exceptional Research Ireland funded PhD researcher in Classics, University of Galway. Conor tells us all about the new mendicant orders in 13th century Ireland: the Dominicans, Franciscans, Carmelites and Augustinians. Conor explains that these new orders were like 'networks of mass communication' and that friars are kind of like itinerant and urban monks. We hear tales of decline and reform, the Fourth Lateran Council, ethnic tensions, the encroaching black death, and attempts to establish an Irish university in the 1320s.

Suggested reading and resources:

Treasure Ireland Youtube series https://www.youtube.com/playlist?list=PLdPbRZbumpDdJjMBmh_wlGVdx_rQVH38O

- Ó Clabaigh, Colmán, ‘The Church, 1050–1460’, in Brendan Smith (ed.), The Cambridge History of Ireland. 1. 600–1550 (Cambridge, 2018), 355–384

- Colmán Ó Clabaigh OSB, The Friars in Ireland, 1224-1540, Dublin: Four Courts, 2011.

- Yvonne McDermott, ‘Women as patrons and benefactors of the friars in medieval Connacht’, Journal of Medieval Monastic Studies, vol. 8 (2019), pp. 235-266.

- Edel Bhreathnach, ‘The mendicant orders and vernacular Irish learning in the late medieval period’, Irish Historical Studies, vol. 37, no. 147 (2011), pp. 357-375.

Regular episodes every month (on a Friday)

Email: medievalirishhistory@gmail.com

Producer: Tiago Veloso Silva

Supported by the Dept of Early Irish, Maynooth University & Taighde Éireann/Research Ireland.

Views expressed are the speakers' own.

Logo design: Matheus de Paula Costa

Music: Lexin_Music