『The Late Set』のカバーアート

The Late Set

The Late Set

著者: Nate Chinen Josh Jackson
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Jazz is a conversation — and that’s what The Late Set is all about. Nate Chinen and Josh Jackson convene every two weeks for straight talk and in-depth interviews with featured guests. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.2023 音楽
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  • Sabotage the Plan, with SML
    2026/08/18

    When SML dropped its 2024 debut, the group’s admixture of loopy groove, staticky texture and shifting timbre came on like a transmission from the outer reaches. Behind the music was a method: rangy collective improv whittled down to size, based on a trove of live tape.

    SML has released two more albums since, the latest of which, Spontaneous Music Live, consists of two unedited long performances rooted in real-time interplay. For this episode, three of SML’s five members — bassist Anna Butterss, saxophonist Josh Johnson and synthesist Jeremiah Chiu — joined Julian Booker, WRTI’s Associate Program Director for Jazz, to talk about their commitment to shared discovery. (The others are guitarist Gregory Uhlmann and percussionist Booker Stardrum.)

    Listen in to learn more about one of our moment’s most beguiling bands.

    Chapters
    • 00:00 — Intro & welcome
    • 01:51 — SML at Big Ears
    • 05:49 — SML’s process: turning live tape into records
    • 10:55 — The band, lineup & modular synths
    • 13:01 — Interview with SML
    • 50:15 — Back with Nate & Julian: is this jazz?
    • 55:13 — “This I Dig”

    Want to support The Late Set? Become a WRTI member: wrti.org/donate

    Follow us on Instagram: instagram.com/wrtimusic

    Subscribe to our YouTube: youtube.com/@WRTImusic

    Write us an email: editor@wrti.org

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    1 時間 2 分
  • Wellspring, with DoYeon Kim
    2026/08/04
    The gayageum is a plucked Korean zither with a history that stretches to the sixth century. Its first and finest exponent in avant-garde jazz is DoYeon Kim, whose spellbinding debut, Wellspring, reveals a fiercely original voice (in more than one sense). Before a recent show presented by Ars Nova Workshop and the Doris Duke Foundation, Kim joined us to talk about tradition, translation, and the power of self-expression. She even graced us with a solo improvisation on her instrument, which has fast become a vital part of the experimental scene.

    Chapters:

    • 00:00 – Intro: South Korean jazz and the gayageum
    • 02:15 – Meet DoYeon Kim and her groundbreaking approach
    • 05:12 – Live from Solar Myth: Welcome and birthday surprise
    • 06:25 – The success of Wellspring and finding a larger purpose
    • 09:10 – Discovering the gayageum and falling in love with its sound
    • 13:05 – Dance, movement, and Korean concepts of rhythm
    • 16:25 – Growing up in Korea and discovering cultural identity in Canada
    • 20:00 – Joe Morris and finding her artistic voice
    • 23:45 – Beyond "exotic": Becoming DoYeon Kim, not just a gayageum player
    • 27:15 – Finding her voice—literally—through improvisation
    • 31:05 – Building Wellspring with Tyshawn Sorey, Matt Maneri & Henry Fraser
    • 34:05 – The symbolism and history of the gayageum
    • 36:45 – Exclusive live solo improvisation
    • 38:35 – Post-interview reflections on Wellspring and the Solar Myth performance
    • 41:15 – This I Dig: Josh's Provence wine recommendation
    • 44:05 – This I Dig: Ben Goldberg's ambitious "8 by 8" album project
    • 47:15 – Closing credits

    Want to support The Late Set?
    Become a WRTI member:
    wrti.org/donate

    Follow us on Instagram:
    instagram.com/wrtimusic

    Subscribe on YouTube:
    youtube.com/@WRTImusic

    Write us an email:
    editor@wrti.org

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    51 分
  • ResoNation, with Steven Bernstein
    2026/07/21

    Steven Bernstein is a known wildcard in the modern jazz game. He's a wily slide trumpeter, and the whip-smart bandleader behind both Millennial Territory Orchestra, a pugnacious little big band, and Sexmob, a go-anywhere four-piece band. So in some respects, Bernstein's latest is striking for its directness.

    ResoNation Trio finds him strictly on valve trumpet and flugelhorn, with a lean-and-limber rhythm team of Scott Colley on bass and Nasheet Waits on drums. True to form, Bernstein added a further twist — inviting maverick producer Scotty Hard to reconstitute the trio's recordings for the companion album Ultra Resonance, a kaleidoscopic refraction evoking both dub and electronic collage.

    Bernstein dropped by our studio before a recent show to talk about the jazz tradition, his drive for connection, and why this project had to happen now.

    Watch the full conversation on our YouTube channel: https://youtu.be/n3IwFJe5AiE

    Chapters:
    00:00 – Intro: Josh & Nate catch up, remember Steven during the pandemic
    03:42 – Introducing the new records: ResoNation Trio & Ultra Resonance
    06:08 – Interview begins: welcoming Steven Bernstein
    07:02 – Steven as "the ultimate band guy" — why it had to be Colley & Waits
    08:30 – Bay Area roots: coming up around Andrew Hill, Rahsaan, the AACM
    11:00 – "Spontaneous composition" and the making of ResoNation Trio
    14:04 – Why now: readiness, aging, and finding his own voice
    20:48 – Sequencing the album & introducing Ultra Resonance
    22:33 – Dub roots: Garvey's Ghost, Scotty Hard's remix process
    29:41 – Magical realism as the concept linking both albums
    31:25 – Live performance: Steven plays flugelhorn ("Rotary") + the horn's history
    38:55 – Learning from Levon Helm — melody, blues, and "spiritual jazz"
    42:21 – Jazz education, rhythm, and drummers as the root of the music
    50:20 – On legacy, influence, and Sex Mob's lasting impact
    1:00:07 – Debrief + "This I Dig"

    Want to support The Late Set? Become a WRTI member: wrti.org/donate

    Follow us on Instagram: instagram.com/wrtimusic

    Subscribe to our YouTube: youtube.com/@WRTImusic

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    1 時間 14 分
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