『The Lake, Shed, and Golden Thread Aspects of Rowling Characters’ Repeated Trips Underground』のカバーアート

The Lake, Shed, and Golden Thread Aspects of Rowling Characters’ Repeated Trips Underground

The Lake, Shed, and Golden Thread Aspects of Rowling Characters’ Repeated Trips Underground

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This video podcast is the third in a series of three posts about the Hidden Hold of Horrors Golden Thread in the work of author Rowling-Galbraith. A Golden Thread is a plot point, scene, or character type that recurs repeatedly through an author’s stories, a commonality that is evident only when looking at the writer’s writings viewed as a whole. The ‘Hidden Hold of Horrors’ repeated scene is of a location underground, be it a cave, a cellar, a tunnel, a tomb, or a basement pool, in which a frightening confrontation, a Near Death Experience, flat out murder, or transformative revelation occurs.The first post in this series was Nick Jeffery’s exploration and explanation of Rowling’s Church Cottage childhood home in Tutshill and its remarkable cellar beneath a covered access port, what has been mistakenly referred to as a “trapdoor.” In The Hidden Cellar Beneath J. K. Rowling’s Childhood Home, Nick shares why a building in West England on the border with Wales from the mid 19th Century that was built as a Church of England school would have a substantial brick and cement vaulted basement and what this room, originally a cistern to prevent cholera outbreaks, was probably like during Rowling’s childhood.[Golden Thread Image: Wovex.com; Ladder to Cellar Under Access Port: Pinterest]The second post was one I sent out yesterday in which I shared Nick’s and my off-the-top-of-our-heads catalog of everything subterranean, frightening, and damp in Rowling’s oeuvre, that is, her seven Harry Potter novels, eight Cormoran Strike mysteries, the Cursed Child ‘collaborative’ play script, her Beedle the Bard fairy tale collection and Ickabog “political fairy tale,” the three Fantastic Beasts screenplays, her border-line autobiographical Casual Vacancy, and the Dante-meets-Dickens Christmas Pig classic. Rowling Golden Thread: The Hidden ‘Hold of Horrors Downstairs, Beneath the Trap DoorHogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.The morning after posting it, readers are already adding scenes Nick and I overlooked and I am kicking myself for not including the “deepest dungeon” in ‘The Warlock’s Hairy Heart’ and “the trapdoor beneath the rug” concealing the tunnel beneath Poem and Pretense’s sanctuary from the Loss Adjustors, a tunnel reached via a ladder. ‘The Tunnel’ takes them “to the bottom of the mountain” where Compass joins them for their flight to the City of the Missed across the Wastes of the Unlamented, Pig’s story turn and meaning-in-the-middle. As Nick and I note in the conversation above, a comprehensive list will require a repeated reading of Rowling’s complete writings. Please add the ones you think of that we missed in your comments below, especially for Cursed Child, the only book for which Nick and I drew a complete Golden Thread blank.Those first two posts cover half of the four subjects Nick and I tackle in this Golden Thread conversation; the Ten Questions guiding that discussion with the relevant links and notes from our answers can be found below. What I want to write out here briefly are some notes about Golden Threads in general, their place in a Lake and Shed bifurcated critical environment, and then the importance of the ‘Hidden Hold of Horrors’ Golden Thread specifically for understanding Rowling’s work, its inspiration and intentional artistry, and for seeing what will happen in the remaining Strike novels. Not to mention the meaning of Hallmarked Man’s fictional silver oligarch Murdoch’s name!{Lake image source; Golden Thread image source; Shed image source]Are ‘Golden Threads’ Evidence of ‘Lake’ Inspiration or ‘Shed’ Intentional Artistry?Since the time of our first Hogwarts Professor Substack posts and podcasts, Nick and I have described what we are trying to advance here in the niche field of Rowling Studies is Fourth Generation work. For a discussion of the four generations of Rowling scholarship, listen to On Reading ‘On Writing.’ where we discussed the evolution of reader approaches to Rowling-Galbraith texts and how each generation, while typical of a specific time period, continues into the other generations (most of Strike-Ellacott fandom, for example, is reading that series as the ‘Shippers and speculators did the Hogwarts Saga during Potter Mania, the first generation of Rowling Studies).What distinguishes Fourth Generation thinking is, in essence, (1) the incorporation of biographical material in understanding the inspiration of Rowling’s work (per her implicit instruction since the late 2019 Lake and Shed metaphor interview), (2) the creation of a gauge to measure the success or failure of her work out of the intention evident in her choices of literary tools, her Shed artistry, and (3) shifting the critical focus from the latest work and the book-next-in-queue to the oeuvre as a whole, ...
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