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The Horror Cut returns live to The Old Hairdressers in Glasgow for a fire-and-brimstone episode on End of Days (1999).

The apocalyptic action-horror that pits Schwarzenegger against Satan himself. Recorded in front of a horror-infused crowd, this live discussion wrestles with the film’s turn-of-the-millennium paranoia, and the sheer audacity of late-90s studio horror at its loudest and wildest.

We dig into religious imagery and the fascinating clash between occult folk horror and blockbuster explosions. Expect big laughs, debates and audience reactions.

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Grip the steering, take a shortcut cut and keep an eye out for the woman in white.

The Horror Cut returns to The Old Hairdressers in Glasgow for another special live episode, this time diving head-first into the looping nightmare of Dead End (2003).

Recorded in front of a packed audience, this episode dissects the film’s unsettling blend of psychological horror, black comedy, and that lingering sense of dread that comes from being stuck in the world’s worst family road trip. So buckle up. Don’t fall asleep. And whatever you do… don’t stop the car.

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Grab your snorkel, inflate your dinghy and keep an eye out for crocs, we’re going into the murky waters of Lake Placid.

The Horror Cut sailed into West Brewery to sink our teeth into the rip-roaring creature classic Lake Placid. Recorded in front of a live crowd, this episode splashes through the film’s chaotic tone, practical effects and the charming mix of camp and gore.

Recorded live with audience reactions and a boozy Q&A, this one’s ideal for anyone who loves big teeth, big laughs, and the slow, satisfying dread of something swimming right beneath your feet.

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Join us for part 2 of our Firefly double bill. We go on a killer ride with this one. So grab your face mask, apply your clown makeup up and get ready for a shootout. We're discussing The Devil's Rejects

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Get a map, grab your fried chicken and try your best not to resurrect Dr Satan. In part 1 of our FIREFLY DOUBLE BILL, we are discussing Rob Zombie's ultra-low budget 'House of 1000 Corpses'

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This week on Horror Cuts, we’re sinking our teeth into Robert Rodriguez and Quentin Tarantino’s blood-soaked cult classic, From Dusk Till Dawn (1996). What starts as a gritty crime thriller turns into a full-blown vampire nightmare in one of cinema’s most shocking mid-film pivots.

Join us as we dive into the film’s wild genre shift, iconic performances from Clooney, Tarantino and Salma Hayek, and many others. Grab a drink at the Titty Twister and let’s talk vampires

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The Horror Cut x Trash Cinema — Trash Fest Horror special

We took The Horror Cut on the road, straight into the pulsing, beer-scented heart of Drygate for Trash Cinema’s Trash Fest Horror — and discussed Lucky McKee’s unsettling May (2002).

Recorded live with Trash Cinema, this episode was a creepy, playful deep-dive into a film that makes you sympathise with the monster and root for the misfit.

We unpack its aching loneliness, mixed with the comedy hiding in grotesque missteps, and the film’s knack for turning small betrayals into operatic horrors.

Whether you love the film, love to hate it, or have never seen anything quite like it, this episode captures the thrill of communal fear and the weird comfort that comes from finding your weird people in a packed room.

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This week on The Horror Cut, we welcome Trey Callaway, the writer behind I Still Know What You Did Last Summer. Trey shares behind-the-scenes stories, tanning bed terror, and what it was like to craft a sequel during the late ’90s slasher boom. A must-listen for horror fans and aspiring screenwriters alike.

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