Part 2 of a fantastic conversation with an industry legend is on the menu this week!

Diana Schutz is an industry veteran and legendary editor, most famous for her twenty-five-year tenure at Dark Horse Comics, where she rose to the rank of Executive Editor. She is widely credited with shepherding some of the most influential works in the medium, serving as the longtime editor for Frank Miller on Sin City and 300, as well as overseeing Matt Wagner’s Grendel and Stan Sakai’s Usagi Yojimbo. Beyond her editorial work, Schutz is a respected translator, notably bringing Juan Díaz Canales and Juanjo Guarnido’s Blacksad to English-speaking audiences, and an educator who has taught comics history and theory at the university level. A member of the Eisner Awards Hall of Fame, her career has been defined by her commitment to creator-owned properties and her mentorship of some of the biggest names in the graphic novel world.

Diana talks about her relationship with Dave Simm, her many collaborations with a who's who of mythic comic book creators and finding joy in passing on her years of experience through teaching!

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A titanic two parter kicks off this weeks episode!

Diana Schutz is an industry veteran and legendary editor, most famous for her twenty-five-year tenure at Dark Horse Comics, where she rose to the rank of Executive Editor. She is widely credited with shepherding some of the most influential works in the medium, serving as the longtime editor for Frank Miller on Sin City and 300, as well as overseeing Matt Wagner’s Grendel and Stan Sakai’s Usagi Yojimbo. Beyond her editorial work, Schutz is a respected translator, notably bringing Juan Díaz Canales and Juanjo Guarnido’s Blacksad to English-speaking audiences, and an educator who has taught comics history and theory at the university level. A member of the Eisner Awards Hall of Fame, her career has been defined by her commitment to creator-owned properties and her mentorship of some of the biggest names in the graphic novel world.

Diana discusses getting involved in translation, an early extremely short stint in Marvel Comics, weeping when seeing the original art for Frank Miller's 300 and a passion for helping artists to own their own work.

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André finds a yet another kindred spirit and fellow pod-caster who has created a fantastic new graphic novel that revels in the punk scene of artistic collaboration.

Dave Baker is an Eisner-nominated writer and artist whose work frequently blends genre exploration with postmodern mystery, notably in the critically acclaimed Mary Tyler Moorehawk, a mind-bending graphic novel that functions as both a "gee-whiz" adventure and a document-based detective story. His recent output continues this versatile streak with Punk’n Heads, a punk romance coming of age tale co-created with Nicole Goux, and Halloween Boy, which follows the surreal voyages of a super-scientist explorer and "archaeologist-for-hire." Across these projects and earlier works like Night Hunters and Everyone is Tulip, Baker has established himself as a distinct voice in the independent circuit, known for his dense world-building and commitment to creator-owned storytelling.

Dave talks about loving scrappy wannabe artists, what informed his new book, how much he loves fictional surrealism, how all writers are liars and a hilarious chance witnessing of Werner Herzog in public!

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