Jerusalemite designer Lameice Abu Aker creates at the intersection of emotional resonance and cultural memory, exploring how form, color, and material embody the poetry of domestic rituals. Now based between Jerusalem and Milan, where she earned her Master’s in Furniture Design from Politecnico di Milano, her work fuses Mediterranean nostalgia with sculptural whimsy.

In 2021, she founded Ornamental by Lameice, a studio dedicated to glassware that blurs the line between sculpture and tableware. Collaborating closely with a family of artisans in the Palestinian village of Jaba’, where glassblowing is a centuries-old tradition, Lameice introduced an unprecedented palette of pastel hues and whimsical designs as an entirely new chromatic language within their heritage of earth and fire.

Each piece is shaped without molds or mechanical constraint, allowing the molten glass to reveal its own peculiar grace. The artisan’s breath lingers in every curve; light, once captured, seems reluctant to leave.

Drawn to the table as a stage for life’s theatre, Lameice designs vessels that hold moments of dates, spirited debates, and family stories in awkward elegance, unexpected colors, and playful forms that carry optimism, intimacy, and the sense that the object might be a character of its own.

Her collections Dreamlike, Eye Candy, and Teta Edition have been exhibited internationally from Paris and London to New York, Singapore and Monaco, each piece a small ambassador of whimsy, heritage, and light.

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Geraldine Wharry is one of the world's leading Fashion Futurists. As a Regenerative Futures Architect, she helps partners decode emergence and implement change, whilst adopting strategies leveraging creative, systemic and environmental imperatives.

Trusted by organisations ranging from Nike, Samsung, Afterpay, Christian Dior to Seymour Powell, Geraldine's blend of strategic, regenerative and creative foresight has been applied across fashion, beauty, technology, sustainability, culture, media, gaming, the arts, health, travel and industrial design. Geraldine is also a regular speaker on stages ranging from SXSW to the Adidas global headquarters.

Her views on a future of fashion that stands at the crossroads of Tech, Purpose and Sustainability are regularly featured on the BBC, Vogue, The Financial Times, BoF and other international press publications. She writes about strategic futures for Dazed Beauty and in her monthly column 'Tomorrow' for Spur Magazine in Japan.

Questioning established future foresight methods and innovation implementation problems, by applying regenerative futures thinking and Biomimicry, has been a running thread in Geraldine's practice and the school community hybrid she founded, Trend Atelier. She is a regular guest lecturer at leading universities in Europe.

As a Fellow of the Royal Society for the Arts and a member of the United Nations' Conscious Fashion & Lifestyle network, Geraldine Wharry's mission is to inspire leaders, industries and people to enact visionary futures, for the greater good of the people and planet.

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This first autumn podcast episode features Finnish fashion designer Sofia Ilmonen, who discusses her approach to creating modular, transformable garments that can be reshaped and reassembled like building blocks. Ilmonen details how her use of simple square or rectangular modules contributes to her sustainability goals. She also explains her focus on "sizeless" garments aiming to increase longevity by addressing the poor fit, which she identifies as one of the biggest reasons for discarding clothing.

Sofia Ilmonen is a fashion designer whose work centres on modular, transformable clothing that merges sustainability with innovative garment design. At the core of her concept is adaptability — both in silhouette and size — with the aim of promoting a more responsible and inclusive fashion culture. The modular approach extends garment lifespans by allowing pieces to be reassembled and reshaped endlessly.

All garments are built from square-shaped modules, a form that not only follows zero-waste cutting principles but also embodies the idea of continuous design. Each module is compatible with any part of a garment and is joined using a unique system of specially designed 3D-printed buttons. This enables infinite transformations without sewing and makes the garments sizeless, adaptable to many body shapes and styles.

Sofia’s work has been presented in international exhibitions and featured in publications such as British and Scandinavian Vogue. Her Aalto University thesis was recognized with the Marimekko Award and the Finnish Textile and Fashion Prize, and she received the prestigious Mercedes-Benz Sustainability Prize at the Festival de Hyères. Her modular collections have also been showcased at Berlin and Copenhagen Fashion Weeks.

Before founding her own label, Sofia worked extensively in London in roles ranging from seamstress and creative pattern cutter to designer. Her three years at Alexander McQueen, immersed in the world of high fashion and craftsmanship, left a profound influence on her design philosophy and continue to shape her practice today.

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Laura Luchtman talks to TCA about her journey from fast fashion to sustainable fashion looking for a greater purpose. She experiments with natural pigments and materials, always searching for solutions to problems that exist in the fashion and textile industry. In this episode, Laura explains how she experiments with color-growing bacteria and how this process creates a new aesthetic, researching to answer that big question: can our what we wear heal us?

Laura Luchtman was born in the Netherlands where she lives and works in Rotterdam. She is a textile and surface designer investigating the social, cultural, and ecological dimensions of color. She develops new ways to experience color through bio-based pigments, inclusive systems, and translating color and pattern across different contexts. From her chromatic atelier Kukka in Rotterdam, she works with brands like Puma, ranging from conceptual presentations to applied collections. Her research into sustainable dyes highlights her hands-on approach and commitment to conscious design. Laura’s work has been shown globally, published, and presented at TEDx. In 2023, she won the DNA Paris Design Award for Chromarama Riso.

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Nieves Contreras talks about what inspires her and how she wants to take design, material and in particular color out of context. She explains how material and processing have become part of the innovative brand Lladrò, what are the challenges for the Spanish design market in the next years and how AI may influence the return to true craftsmanship.

Graduated in Industrial Design as well as a Master's in Design Management from UPV in Valencia. She has developed a significant part of her professional career in Paris, France, collaborating with product design studios, creating designs and artistic direction for various sectors, from furniture and home appliances to luxury brands and connected objects, at studios such as Marc Berthier, Pascal Mourgue, and particularly eliumstudio, where she worked for 10 years. Simultaneously, she has been active as an independent designer, deeply involved in craftsmanship and its contemporary renewal, creating furniture for Expormim, and as the co-founder and creative director of the handmade ceramic brand sagenceramics (Manises).

Since 2019, she has been the Creative Director of Lladró, a Spanish porcelain company recognized internationally, heading the Creation and Development Department, consisting of a team of 15 people. She is responsible for the creation and implementation of the new creative strategy and the revitalization of the brand through product diversification and a contemporary approach.

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In this very frank and open conversation Mohamad Baitie talks about how color reflects cultural heritage, the decolonization of design, and the desire to be seen. This podcast is a look into Middle Eastern aesthetics challenging Western norms and reclaiming visual identity.

With a master’s Degree in interior architecture, Mohamad Baitie has an expansive knowledge of color, color forecasting, color design and architectural coatings. Mohamad was born in Lebanon and grew up in Accra, Ghana, constantly moving with the family and being exposed to different cultures. His first encounter with color came through a dual interaction, Smarties and Lego. He was constantly amazed by how color shapes objects and defines the way we interact with them. Architecture was his obvious choice, where color, light and shadow are intertwined.

Today, with over 22 years of experience in marketing and communication in the paint industry, working for one of the top multinational paint brands as Business Development Director, GLC Paints. He has led the brand identity transformation of GLC Paints and is thoroughly involved in product research and development within the organization. He also took the role of professor of Color at the American University of Cairo, teaching color theory, color practice and color psychology. As part of the CMG organization, through GLC Paints, he attends the yearly global summit on color forecasting and does his own color talks and color workshops within the MENA region.

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This episode is filled with information on intentional trends within a variety of industries yet with a special focus on the culinary industry. Cécile talks to us about how the the trend forecasting industry has changed with the current speed of information reaching us and how this has resulted more in trend provocation whereas there is a great need for trend curation to truly help out businesses in finding answers in a difficult economical climate.

Cécile Poignant is French, born and raised in Paris. She is a futurist specializing in contemporary lifestyles for the past 35 years. Her expertise lies in detecting weak signals and connecting the dots to anticipate major future shifts. She has worked with international brands such as Nissan, Swatch, Philips, L’Oréal, and P&G. Always on the lookout, she observes and deciphers emerging needs and evolving behaviors.

Cécile is also actively involved in international conferences and frequently conducts workshops for professionals. She loves teaching and sharing her insights at various institutions, including IFM, ENSAD, and the American University of Paris.

Her greatest passion is curiosity—she is constantly seeking to better understand the world around her. You’ll often find her sipping an excellent Japanese green tea, savoring high-quality dark chocolate, or immersed in a book. Nature is her ultimate source of rejuvenation; in another life, she might have been a landscape designer.

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Together with design hunter Evelien Reich, we dive into the essence of Milan Design Week 2025. She shares her favorite installations, the standout colors, materials and textures of the week. Which are the key themes that defined this year’s edition and how has Milan Design Week changed over the past years? Listen to our conversation on all that is Milano!

Evelien Reich is the editor-in-chief of MANERA Benelux, a new English-language addition to the MANERA family, that is set to launch in September. With a decades-long career in media, she has built up extensive expertise in design and interiors. Evelien is a sought-after host at design events and is known for her sharp eye and deep understanding of interior aesthetics. She has a particular passion for the power of color in homes—how it shapes atmosphere, brings joy, and makes spaces feel alive.

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