Jerusalemite designer Lameice Abu Aker creates at the intersection of emotional resonance and cultural memory, exploring how form, color, and material embody the poetry of domestic rituals. Now based between Jerusalem and Milan, where she earned her Master’s in Furniture Design from Politecnico di Milano, her work fuses Mediterranean nostalgia with sculptural whimsy.

In 2021, she founded Ornamental by Lameice, a studio dedicated to glassware that blurs the line between sculpture and tableware. Collaborating closely with a family of artisans in the Palestinian village of Jaba’, where glassblowing is a centuries-old tradition, Lameice introduced an unprecedented palette of pastel hues and whimsical designs as an entirely new chromatic language within their heritage of earth and fire.

Each piece is shaped without molds or mechanical constraint, allowing the molten glass to reveal its own peculiar grace. The artisan’s breath lingers in every curve; light, once captured, seems reluctant to leave.

Drawn to the table as a stage for life’s theatre, Lameice designs vessels that hold moments of dates, spirited debates, and family stories in awkward elegance, unexpected colors, and playful forms that carry optimism, intimacy, and the sense that the object might be a character of its own.

Her collections Dreamlike, Eye Candy, and Teta Edition have been exhibited internationally from Paris and London to New York, Singapore and Monaco, each piece a small ambassador of whimsy, heritage, and light.

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Geraldine Wharry is one of the world's leading Fashion Futurists. As a Regenerative Futures Architect, she helps partners decode emergence and implement change, whilst adopting strategies leveraging creative, systemic and environmental imperatives.

Trusted by organisations ranging from Nike, Samsung, Afterpay, Christian Dior to Seymour Powell, Geraldine's blend of strategic, regenerative and creative foresight has been applied across fashion, beauty, technology, sustainability, culture, media, gaming, the arts, health, travel and industrial design. Geraldine is also a regular speaker on stages ranging from SXSW to the Adidas global headquarters.

Her views on a future of fashion that stands at the crossroads of Tech, Purpose and Sustainability are regularly featured on the BBC, Vogue, The Financial Times, BoF and other international press publications. She writes about strategic futures for Dazed Beauty and in her monthly column 'Tomorrow' for Spur Magazine in Japan.

Questioning established future foresight methods and innovation implementation problems, by applying regenerative futures thinking and Biomimicry, has been a running thread in Geraldine's practice and the school community hybrid she founded, Trend Atelier. She is a regular guest lecturer at leading universities in Europe.

As a Fellow of the Royal Society for the Arts and a member of the United Nations' Conscious Fashion & Lifestyle network, Geraldine Wharry's mission is to inspire leaders, industries and people to enact visionary futures, for the greater good of the people and planet.

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This first autumn podcast episode features Finnish fashion designer Sofia Ilmonen, who discusses her approach to creating modular, transformable garments that can be reshaped and reassembled like building blocks. Ilmonen details how her use of simple square or rectangular modules contributes to her sustainability goals. She also explains her focus on "sizeless" garments aiming to increase longevity by addressing the poor fit, which she identifies as one of the biggest reasons for discarding clothing.

Sofia Ilmonen is a fashion designer whose work centres on modular, transformable clothing that merges sustainability with innovative garment design. At the core of her concept is adaptability — both in silhouette and size — with the aim of promoting a more responsible and inclusive fashion culture. The modular approach extends garment lifespans by allowing pieces to be reassembled and reshaped endlessly.

All garments are built from square-shaped modules, a form that not only follows zero-waste cutting principles but also embodies the idea of continuous design. Each module is compatible with any part of a garment and is joined using a unique system of specially designed 3D-printed buttons. This enables infinite transformations without sewing and makes the garments sizeless, adaptable to many body shapes and styles.

Sofia’s work has been presented in international exhibitions and featured in publications such as British and Scandinavian Vogue. Her Aalto University thesis was recognized with the Marimekko Award and the Finnish Textile and Fashion Prize, and she received the prestigious Mercedes-Benz Sustainability Prize at the Festival de Hyères. Her modular collections have also been showcased at Berlin and Copenhagen Fashion Weeks.

Before founding her own label, Sofia worked extensively in London in roles ranging from seamstress and creative pattern cutter to designer. Her three years at Alexander McQueen, immersed in the world of high fashion and craftsmanship, left a profound influence on her design philosophy and continue to shape her practice today.

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