『The Adelaide Show』のカバーアート

The Adelaide Show

The Adelaide Show

著者： Auscast Network
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概要

 A weekly podcast recorded in Adelaide that puts South Australian passion on centre stage with a featured guest who joins us each week as a co-presenter to share how they're pursuing their passions. We venture across topics as diverse as history, wine, food, art, music, relationships, critical thinking, health, news, interviews, chat and quizzes. Every single interview, every single show, unlocks insights into what drives people to be doing what they're doing and what keeps them striving. The Adelaide Show is produced by Steve Davis and Nigel Dobson-Keeffe. Please subscribe to our In Crowd list; you get an email each Friday (when we have published a new episode) with an overview of that week's show. Plus, consider joining our Inner Circle; a small group of passionate South Aussies who allow us to pick their brains and gain interviewee suggestions. This podcast began life as Another Boring Thursday Night In Adelaide from episodes 1-79.2026 Auscast Network アート 政治・政府 社会科学
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  • 428 - Adelaide Writers' Week In Absentia

    428 - Adelaide Writers' Week In Absentia
    2026/02/28
    The white marquees are not going up in the Pioneer Women’s Memorial Garden this year. Adelaide Writers’ Week, a festival that has graced this city since 1960, was cancelled following a sequence of events set in motion by a disinvitation that drew international condemnation, triggered the resignation of director Louise Adler and nearly the entire board, and ultimately prompted an unreserved apology from a newly constituted board. Community alternatives, including Constellations at the Adelaide Town Hall, have stepped forward to keep the spirit of the festival alive. The Adelaide Show is doing the same, in its own way. There is no SA Drink of the Week in this episode. The Musical Pilgrimage closes the episode with an original composition, “Uncomfortable Ideas,” written by Steve Davis and performed by Steve Davis & The Virtualosos. More than a few people have suggested it deserves to be the unofficial anthem of this year’s festival. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Adelaide Writers’ Week in Absentia 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:06:25 Adelaide Writers’ Week In Absentia Steve Davis opens by acknowledging the cancellation of Adelaide Writers’ Week and the circumstances behind it, without dwelling on controversy for its own sake. The spirit of the festival, he argues, cannot be legislated out of existence, and The Adelaide Show is here to prove it. Before the archive episodes begin, Steve offers a handful of literary touchstones. Patrick White observed that writing a novel is like an illness from which one is trying to recover, and that the artist’s role is to make sense of a world becoming increasingly nonsensical. Clive James described great books as voices that speak across the centuries, telling you that you are not alone. Vonnegut reminded us that we must be careful about what we pretend to be, and that reading leads to a life more grand, more empathetic, more civilised. And Douglas Adams, who loved deadlines for the whooshing noise they make as they go by, gives us a fitting frame for a festival that simply did not happen. Two archive episodes follow, chosen for what they reveal about the real work of writing and the underappreciated world of genre fiction. Segment One: Writing, Publishing, and Resetting Expectations, Episode 308The pandemic was supposed to be the great gift to aspiring novelists. Time, solitude, and the vague sense that history was being made. What actually happened, for most people, was considerably less cinematic. In this 2020 recording, four people who know the industry from the inside cut through the life-coach optimism that surrounded the period. Authors Jane Ainslie and Michelle Prak bring the writing perspective. Publishers Michael Bollen of Wakefield Press and Rommie Corso of Hardshell Publishing bring the business view. Together they create an unusually candid picture of what it actually takes to turn a manuscript into a book that someone buys. The moment that sets the tone comes early. Jane Ainslie addresses the idea that everyone has a book inside them with the sort of directness that suggests she has been asked this at a lot of dinner parties: not every story the world has inside it is a story the world is waiting to read. Michelle Prak, who has put herself through five, six, sometimes seven drafts before a manuscript goes anywhere near an editor, adds that writing is a deeply enjoyable, deeply expensive hobby that tends to crowd out a great deal of everything else. Michael Bollen introduces a concept that most aspiring authors have not quite faced: a book’s shelf life, for literary fiction, sits somewhere between milk and yoga. He describes the editorial process as a dance, with the editor standing in for the general reader, keeping an ego-free eye on whether the character who died...
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    2 時間 24 分
  • 427 - This Adelaide Fringe Don't Die Wondering

    427 - This Adelaide Fringe Don't Die Wondering
    2026/02/09
    After 25+ years of reviewing Adelaide Fringe shows, Steve takes a sabbatical this year. But there’s one show he can’t help spotlighting: Rob Newman’s debut solo performance “Don’t Die Wondering”. Newman’s story offers something rare, a comedian willing to be deeply reflective about the journey that brought him to the stage at 60, shaped by a decade of hospitals and life-or-death moments. This episode contains no SA Drink of the Week segment. The Musical Pilgrimage features Steve’s own song about the Adelaide Fringe. Through “Centre Stage”, performed by Steve Davis and The Virtuosos, he offers a bittersweet love letter to a festival he’s watched change over decades. The segment includes his conversation with FiveAA’s Richard Pascoe about reviewing standards, five-star review inflation, and why the Fringe remains a jewel in South Australia’s crown. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: This Adelaide Fringe Don’t Die Wondering 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:03:17 Rob Newman Rob Newman appears on screen in full purple surgical scrubs against a hospital backdrop. It’s not a gimmick. Over the past decade, he’s spent considerable time in hospitals and operating theatres, told more than once to gather his family and say goodbye. These experiences form the bedrock of Don’t Die Wondering. The path to standup wasn’t part of Newman’s original plan. He traces it back to a coffee conversation with Steve 10 to 12 years ago. “Your suggestion at the time was, come and try standup,” Newman recalls. “It’s a great way to get the confidence to do public speaking.” What began as preparation for property market speaking tours became something much deeper. Steve shares his own early standup experience, driving across Adelaide to work with Glynn Nicholas, heart palpitating so strongly he could feel his pulse under his eyebrows. Newman agrees about the terror, offering perhaps the most vivid description of pre-show nerves: “It’s the best cure for constipation you’ll ever get in your life.” But the terror serves a purpose. Newman describes managing the fear of judgment. “Not so much to lose it, but control it in the sense of embracing the fear of it,” he explains. That fear never entirely disappears. What changes is the ability to handle surprises, to relax into improvisation, to step away from verbatim scripts. The conversation explores performing as yourself versus hiding behind characters. Steve admits he gravitated toward characters partly because “anything negative feedback that might happen is water off a duck’s back. In some ways it’s the cheat’s way out.” Newman has stuck with vulnerability. “Be yourself,” he says. “Basically unzip yourself and be vulnerable.” Steve’s immediate response: “What’s your show rated?” Newman confirms it’s R-rated, though the rating speaks more to emotional honesty than shock value. Newman’s been running around Adelaide dressed as a surgeon, offering free medical checks as promotion for the show. It’s playful promotion, but also a way of inhabiting the hospital world that shaped his perspective. Newman’s journey through the comedy ranks has been patient and methodical. Starting in his early fifties, he’s spent years developing his craft before attempting a solo Fringe show at 60. The title “Don’t Die Wondering” carries weight when spoken by someone who’s genuinely faced that possibility. Rob Newman was a grant recipient through the Adelaide Fringe Foundation. 00:38:30 Musical Pilgrimage In the Musical Pilgrimage, we feature Centre Stage (The Adelaide Fringe Song) by Steve Davis & The Virtualosos. After 25+ years of reviewing Adelaide Fringe shows, often two to three per night, Steve presents his own song about the festival. “...
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    57 分
  • 426 - Is The ALP Guaranteed Victory In The 2026 South Australian Election?

    426 - Is The ALP Guaranteed Victory In The 2026 South Australian Election?
    2026/01/24
    As the March 21st, 2026 South Australian state election approaches, the Malinauskas Labor government maintains polling numbers that would make most incumbents envious. Yet beneath this apparent stability, questions linger about whether today’s ALP still embodies the values of the workers’ movement from which it emerged, or whether it has become something else entirely. ** The image features Gemini's best effort of imagining Steve Davis and Robert Godden as modern day Don Dunstans. This episode features no SA Drink of the Week, a decision that tips its hat to both Robert Godden’s teetotalling preferences and to King O’Malley, the flamboyant insurance salesman who permanently removed the ‘u’ from ‘Labor’ while dodging questions about his own birthplace. The Musical Pilgrimage presents Australia Day by Steve Davis and The Virtualosos, a song that addresses social cohesion and community connection in contemporary Australia, themes that connect directly to the political fragmentation discussed throughout the episode. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Is The ALP Guaranteed Victory In The 2026 South Australian Election?00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no SA Drink Of The Week this week. 00:02:37 Robert GoddenThe Adelaide Show: Special Briefing — The Labor Machine This conversation serves as the companion piece to episode 423’s examination of the South Australian Liberal Party. Where that episode explored the Liberal Party’s challenges, this discussion has our political commentator, Robert Godden, apply the same analytical rigour to the South Australia Labor Party‘s position heading into the 2026 state election. The conversation begins with King O’Malley, that peculiar figure in Australian political history who was, in Robert’s memorable description, “50% staunch Australian politician, 50% carnival worker.” O’Malley’s legacy includes both Canberra and the Commonwealth Bank of Australia, institutions that prompted Robert to reflect: “Most of us Australians can just give thanks to the days, you know, before you go to bed, you think, I’m glad I live in a country that has a bank with an appalling logo and a capital city in the middle of nowhere.” The historical roots of the labour movement trace back to the Industrial Revolution, when workers were, as Robert puts it, “really the AI of the day, you know, come and get this. It’s cheap, it’ll do your work for you and you’ll make a huge profit.” This parallel between 19th century industrialisation and contemporary technological disruption threads through the conversation, particularly when Robert shares the story of a logistics company owner whose business is failing because “the work he used to do in working stuff out for people is now done by AI.” The discussion explores how guilds differed from unions, with Robert explaining that guilds “were designed to move their members toward the ruling class. They weren’t, guilds didn’t really exist to lift all boats. They were a highly specific rising tide.” This distinction becomes relevant when examining modern Labor’s approach to worker representation. Robert traces the evolution of Australian labor politics from its foundation in the shearers’ strikes of the 1890s through to contemporary challenges. The ALP emerged as the world’s first labour party to form government, a fact that speaks to Australia’s democratic traditions. Yet the party has undergone significant transformation, moving from representing primarily blue-collar workers to a broader base that includes professional and service sector employees. The conversation examines whether modern Labor still serves its founding principles or has become absorbed into the political establishment it once challenged. Robert notes the irony that many Labor MPs now come from ...
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    1 時間 39 分
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