The title of this chapter is just too good, and we're moving toward the time when Stanislavski's system is going to expatriate to a new land to proliferate and convince generations of actors that pausing is the key to genius.

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Follow The Actors Bookshelf on Twitter @actorsbookshelf and Bluesky @theactorsbookshelf

Follow Patrick on Instagram @dfwpadraig

Follow Dan on Instagram @the.other.dan.stevens

Questions? Comments? Email us at actorsbookshelfpod@gmail.com

This week on TAB, Dan and Patrick are learning about the difference between what they do (hack work) and what our boy Stan the Man was trying to implement with his first workshop of actors back in Moscow with the System.

We're more than halfway through the first act of The Method: How the Twentieth Century Learned to Act by Isaac Butler. We promise, dear listener, those books we were supposed to have read in acting school are coming. But first, we must get down with THE STANISLAVSKI SICKNESS (cue Disturbed throat noises).

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Media mentions in this episode:

Odessa Steps Sequence from "Battleship Potemkin" (dir. Sergei Eisenstein) – https://www.youtube.com/watch?v=fBqAGdqTNz0

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Follow The Actors Bookshelf on Twitter @actorsbookshelf and Bluesky @theactorsbookshelf

Follow Patrick on Instagram @dfwpadraig

Follow Dan on Instagram @the.other.dan.stevens

Questions? Comments? Email us at actorsbookshelfpod@gmail.com

We're trying new episode titles. This is Part 2 of Chapter 4 of The Method, aka Patrick wraps up his book report....

We got off the chapter numbering anyway.

Our last episode ended with the Ya Yes'm lesson (я есмь), this week we'll revisit that, and we'll cover how Stan got around to some of his profound acting theories, including Concentration, Affective Memory (oy...), the Magic If, and the big M word.

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Follow The Actors Bookshelf on Twitter @actorsbookshelf and Bluesky @theactorsbookshelf

Follow Patrick on Instagram @dfwpadraig

Follow Dan on Instagram @the.other.dan.stevens

Questions? Comments? Email us at actorsbookshelfpod@gmail.com