『Strophes of Omar Khayyám』のカバーアート

Strophes of Omar Khayyám

Strophes of Omar Khayyám

著者: Omar Khayyám
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Immerse yourself in the timeless reflections on existence, love, and the transient beauty of life, as inspired by the profound themes of Omar Khayyám's quatrains. This podcast delves into the rich tapestry of human experience, exploring the philosophical inquiries and emotional landscapes that resonate across cultures and eras. With each episode, listeners are treated to a new complete audiobook, showcasing a rotating collection of works that echo the essence of Khayyám's exploration of fate, joy, and the inevitable nature of mortality. This is not a single story but a series of unique explorations that invite contemplation and connection with the universal questions that have captivated humanity for centuries. Join us in discovering fresh perspectives and timeless wisdom, as each new episode offers a chance to reflect on the beauty and complexity of life through the lens of lyrical prose and poetic thought.Copyright Poetry Genre アート エンターテインメント・舞台芸術 文学史・文学批評
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  • Woman and the War-Frances Evelyn (Daisy) Greville
    2026/09/06
    One of the earliest versions of Omar Khayyám's quatrains by an American translator is John Leslie Garner's collection, published in 1888. It contains 152 quatrains, which the translator calls "Strophes." The collection is divided into eleven books, introduced by quotations from Bourne's "Anacreon," Leconte de Lisle, Giordano Bruno, Goethe, Alfred de Musset, Paul Bourget, Marcus Antoninus, St. James, Sully-Prudhomme, Edmund Waller, and Escriva.In his preface Garner says : "The collection might have been made much larger, but it was deemed inadvisable, as Omar's themes are not many, and the ever-recurring Wine, Rose, and Nightingale are somewhat cloying to Occidental senses." Garner further states: "The great questions of human life are of all times and of all ages, and although Omar never tired of struggling with them, he discovered nothing new, and at last, feeling that Death alone was certain, he resigned the task in despair...." Hence, Garner's version is pervaded by a gentle melancholy, and provides a striking contrast with the rubric splendour of Fitzgerald's famous rendering, and is therefore more consonant with current thinking about Persia's most celebrated classic poet. (Summary by Algy Pug)
    続きを読む 一部表示
    6 時間 54 分
  • Speckled Band An Adventure of Sherlock Holmes-Sir Arthur Conan Doyle
    2026/09/05
    One of the earliest versions of Omar Khayyám's quatrains by an American translator is John Leslie Garner's collection, published in 1888. It contains 152 quatrains, which the translator calls "Strophes." The collection is divided into eleven books, introduced by quotations from Bourne's "Anacreon," Leconte de Lisle, Giordano Bruno, Goethe, Alfred de Musset, Paul Bourget, Marcus Antoninus, St. James, Sully-Prudhomme, Edmund Waller, and Escriva.In his preface Garner says : "The collection might have been made much larger, but it was deemed inadvisable, as Omar's themes are not many, and the ever-recurring Wine, Rose, and Nightingale are somewhat cloying to Occidental senses." Garner further states: "The great questions of human life are of all times and of all ages, and although Omar never tired of struggling with them, he discovered nothing new, and at last, feeling that Death alone was certain, he resigned the task in despair...." Hence, Garner's version is pervaded by a gentle melancholy, and provides a striking contrast with the rubric splendour of Fitzgerald's famous rendering, and is therefore more consonant with current thinking about Persia's most celebrated classic poet. (Summary by Algy Pug)
    続きを読む 一部表示
    2 時間 30 分
  • Abbotsford and Newstead Abbey-Washington Irving
    2026/09/04
    One of the earliest versions of Omar Khayyám's quatrains by an American translator is John Leslie Garner's collection, published in 1888. It contains 152 quatrains, which the translator calls "Strophes." The collection is divided into eleven books, introduced by quotations from Bourne's "Anacreon," Leconte de Lisle, Giordano Bruno, Goethe, Alfred de Musset, Paul Bourget, Marcus Antoninus, St. James, Sully-Prudhomme, Edmund Waller, and Escriva.In his preface Garner says : "The collection might have been made much larger, but it was deemed inadvisable, as Omar's themes are not many, and the ever-recurring Wine, Rose, and Nightingale are somewhat cloying to Occidental senses." Garner further states: "The great questions of human life are of all times and of all ages, and although Omar never tired of struggling with them, he discovered nothing new, and at last, feeling that Death alone was certain, he resigned the task in despair...." Hence, Garner's version is pervaded by a gentle melancholy, and provides a striking contrast with the rubric splendour of Fitzgerald's famous rendering, and is therefore more consonant with current thinking about Persia's most celebrated classic poet. (Summary by Algy Pug)
    続きを読む 一部表示
    5 時間 39 分
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