Eli and Clara discuss the highs and lows of the World Cup, with an eye toward how brands leveraged big-name talent like Madonna, Messi, the Muppets, and David “the Coca-Cola of humans” Beckham. Plus: our thoughts on the FIFA Peace Prize, Hidden Valley Ranch, Erling Haaland’s vlog, and (unexpectedly) Kamala Harris.

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Clara and Trey sat down with Jalil Johnson—fashion professional, writer, and creator of popular Substack ‘Consider Yourself Cultured’—to talk about the changing role of fashion in culture and the current obsession with taste. They discuss how social media incentivizes reference curation over developing a point of view, “buying the look” instead of learning the ropes, Covid-era style experimentation, the pleasures of delayed gratification via made-to-order clothing, and heat wave styling inspiration.

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Hypnotist and hypnosis instructor Désirée Eckert joins Eli and Clara to talk about the trance states we enter every day (scrolling on our phones for one) and why building our awareness of trance is a useful tool for seeing both how our attention is extracted and how we can reclaim it.

We discuss the infinite scroll, quitting cigarettes, prescription drug commercials, The Twilight Zone, hate-reading IG comments, the Folgers jingle, and more examples of how hypnotic inductions and trance states appear in advertising and on our screens.

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As prediction market platforms like Kalshi and Polymarket stretch their tentacles across culture, their advertising has become ubiquitous. Ahead of the World Cup, Kalshi has inked partnerships with a slew of high-profile athletes and football personalities, like José Mourinho and Lionel Messi. Polymarket, for its part, was a marquee sponsor for the UFC 250 fight at the White House earlier this month. They’re also currently under investigation for deceptive marketing practices (something for another podcast).

But more recently, a new Polymarket spot, directed by Gabriel Moses featuring Rick Rubin, Future, and Peso Pluma, has caught people’s attention. In this episode, we break down the spot, discussing the deliberate dissonance between the ad and the product, tastewashing, if these people are too hot to be gambling, why tech seems to be the only place where brand marketing is alive, and more.

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For our second special edition pod, we spoke with Mark Stenberg, Senior Media Reporter at AdWeek, to compare notes on what people are talking about this year: AI FOBO, the proliferation of creators, and the increasingly blurry purpose of the festival itself. We get into why Cannes may be less about new ideas than consensus building, why public panels feel more PR-approved than ever, and data dissonance in the basement of the Palais.

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This is the first of two special edition podcasts this week, recorded on the ground at the Cannes Lions Festival of Creativity ™️. Today, we’re joined by breakfast aficionado and friend of the show, Ben Dietz. Ben is ½ of the Hip Replacement podcast alongside our friend Kyle Raymond Fitzpatrick.

Ben is a longtime Cannes attendee, so we pick his brain about how the festival has evolved for better (and worse) over the past decade, why the work matters less and less, Toucan Sam snorting a line of stars, a theory of brands as mammals, the queen of Cannes Sara Fischer, the Pope, Cannes vs. Cannes, and more.

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An enduring theme of the Knicks’ historic finals run has been squabbling over who and what constitutes “a real fan,” exacerbated by astronomical ticket prices, the intrusion of Kalshi, and the Side Talkification of New York. But what, exactly, is the role of gatekeeping when you want these moments of mass enthusiasm?

On the pod this week, we talk about New York after the Knicks’ win, why the gatekeeping discourse is almost as annoying as the kind of “GRWM to watch the Knicks at the White Horse Tavern”-type content, and avoiding a Jesse Plemmons in Civil War-style fandom litmus test.

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Youth is vanishing. In a material sense, birth rates are plummeting around the globe and older people are staying in positions of power across both the public and private sector for longer periods of time. It’s also vanishing in a cultural sense, too thanks to a steady stream of reboots, remakes, and de-aged celebrities, as studios and execs bet on proven hits vs. net-new creative.

Against this ossified backdrop, just how much is youth actually leading culture? And are we even giving them a chance? To learn more, we spoke with Samuel Moyn, a Kent Professor of Law and History at Yale University and the author of the upcoming book “Gerontocracy in America: How the Old Are Hoarding Power and Wealth—and What to Do About it.” He breaks down why gerontocracy poses one of the biggest challenges to a thriving youth culture and, by proxy, to creative risk taking.

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