From pharmaceuticals to feature screenwriting, Bob Dawson has taken an unconventional path into script writing. A relative newcomer to the craft, he has already completed four feature length screenplays and earned recognition on the festival and screenplay competition circuit.

Bob approaches writing with the same discipline that defined his previous career. Research, structure, and preparation come before the first page, an approach that has shaped both his process and his early success.

His latest screenplay, Peace, Undone, is a period true crime drama set in early 1900s Alberta, Canada. Inspired by a real six person mass shooting that remains largely unknown outside the region, the script is grounded in solid historical research, bringing forgotten events and overlooked lives back into the spotlight.

In this episode, we discuss making a late career transition into screenwriting, building a repeatable writing process, and balancing historical accuracy with cinematic storytelling.

In this episode, we spotlight Brother Hold Your Light, a moving short film by Los Angeles filmmaker and Army veteran Cary Garbutt.

The film follows a homeless jazz musician haunted by the loss of his child. Living on the streets of Los Angeles, he forms an unexpected bond with a young girl. Through a series of quiet encounters, their connection becomes a path toward healing, helping him move from isolation and grief toward renewed human connection.

Cary discusses the inspiration behind the film, his interest in stories about resilience and overlooked lives, and how his own experiences shaped this intimate exploration of loss, memory, and hope. Together, we examine the power of small acts of recognition, and the way connection can help illuminate even the darkest moments.

Born into a military family and raised between the United States and Germany, Thaddeus Paulk grew up in a world defined by constant movement and reinvention. After serving more than four years in the U.S. Air Force with Security Forces, including deployments to Korea, Saudi Arabia, and Turkey, he spent the next chapter of his life driving trucks across the United States and Canada, eventually logging more than one million miles on the road.

In this episode of Writers Spotlight, Paulk discusses how his life experiences, from the military to working as a chef, inspired his screenplay King of the Road. He reflects on the cinematic moments he witnessed throughout his journey that ultimately became turning points, pushing him toward writing.

In this episode of Writers Spotlight, the conversation features writer, producer, and actor G. Robert Daily, best known for his award winning short films Caregiver Wanted and There’s No Last Chance. Born in Fullerton, California, Daily discusses his approach to storytelling, balancing dark comedy with emotional honesty, and building original worlds through genre driven narratives.

The episode dives into his adult animated sitcom centered on Toby, the first coyote allowed back into United Furland decades after a violent uprising led to the species’ exile. Tasked with integrating into college life and proving coyotes can coexist with society, Toby carries the weight of his entire community’s future on his shoulders. Blending sharp satire, social commentary, and chaotic campus comedy, the project draws comparisons to the worlds of Zootopia and Fritz the Cat while firmly positioning itself as adult oriented storytelling.

In this episode of Writers Spotlight, the conversation explores Face Painters, a multi generational drama weaving together two timelines across Italy and America. Set between 1920s Tuscany and 1960s Brooklyn, the story follows Buono, an illiterate casket builder struggling to save his family’s failing funeral home while caring for his aging father, Luca. As old wounds resurface and tensions rise with his estranged brother Michael, buried family history begins to collide with the present.

The episode features a casual and raw discussion with author Giovanni Sanseviero about the personal themes behind the story, the immigrant experience, family legacy, and the emotional weight carried across generations.

For this 4th episode of the podcast, we receive Danielle Olson.

Danielle is currently a Senior Entertainment Underwriting Specialist in the film and television insurance industry. Alongside her work in the industry, she is developing her first short animated film, Marbles, for which she serves as writer, director, and producer. The project is currently in development and is scheduled for completion in 2028.

Marbles is a deeply personal project for Danielle. The story is rooted in her own experiences with loss, including the sudden passing of her mother when she was nineteen.

Through Marbles' story, she explores the emotional reality of losing someone close, imagining a world in which people know when their final day will come. The story focuses on the importance of cherishing the time we have with loved ones before they are gone, and reflects her personal perspective on coping with the terminal illness of a family member.

Danielle holds a Master of Business Management and a Bachelor of Business Administration from Woodbury University. She is also pursuing a Master of Arts in 2D Animation at the Academy of Art University, with an expected graduation in 2027.

This episode features Monte, whose path to filmmaking took an unexpected turn after more than two decades in law and several more in real estate.

Born to a Guatemalan mother and a Texan father, Monte grew up in the rural hills near Napa, California. At 18, he left home to attend Claremont McKenna College, later earning a law degree from Harvard and a master’s in real estate from NYU.

Monte followed the traditional path into big law, but after a late-night philosophical debate, a flurry of notes in his iPhone, and an introduction to the screenwriting software Final Draft, everything changed. That moment led to the creation of *The Family Name*, an eight-episode drama series, and effectively another self-reinvention.

In "The Family Name", a revered New York real estate patriarch is tapped to chair a high-profile public safety initiative just as his company quietly begins to hemorrhage cash. When his lawyer daughter starts digging, she uncovers a shadow network of fixers and “security” vendors capable of fast-tracking permits, silencing lenders, and weaponizing philanthropy. As the Sterling family realizes the system using them could also destroy them, they must decide whether to expose the machine before it permanently rewrites their legacy.

Writers and screenwriters, if you wish to apply to be our next guest, please contact us at scriptandstoryboardshowcaseATATATgmail.

In this episode of the Writers’ Interview Series Podcast, we speak with an architect and writer who explores the question of legacy through historical drama.

Drawing on years of experience in the architectural world, including serving as President Elect of the Royal Institute of British Architects, our guest reflects on how great creators think about the work they leave behind.

His play is set in Florence in 1505 and centers on the rivalry between Leonardo da Vinci and Michelangelo, commissioned to paint opposing battle scenes in the Palazzo Vecchio.
Through their exchanges, the work examines ambition, personality, and competing visions of what it means to leave a lasting mark. The story also echoes a modern architectural rivalry, inspired by the contrasting approaches of Richard Rogers and Norman Foster.

Writers and scriptwriters, if you wish to apply to be our next guest, please contact us at scriptandstoryboardshowcaseATATATgmail.