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  • From Rambling to Riveting: Podcast Speaking and Editing Tips That Work

    From Rambling to Riveting: Podcast Speaking and Editing Tips That Work
    2026/10/19

    A friend of mine gets more and more opportunities. Why because he takes advantages of each and every one. He prepares and over delivers.

    I had an opportunity where I could deliver content on MY timeline and while my information was helpful, I took a weird path to get to the point. As someone who embraces feedback, the folks at the buzzcast gave me some loving feedback, I took it, and today I explain where I went wrong and how you can stay focused to deliver razor sharp content that gets people sharing your content.

    What is the main point, and are all of your points in alignment?

    When you have a segment in your show, do all of the bullet point that make up that segment contribute to the value? Do you makes the same point multiple times? Do you take a crooked path to the point?

    What would the audience ask if they were in your chair? That's a good place to start.

    The Easiest Way to Speed Up Editing

    The easiest way to speed up editing is to have a clear understanding of what your audience wants. The more you know, the more you know what to keep and what to lose.

    Don't Ruin the Recording With Active Listening

    Active listening is when you say things like, "Sure, uh huh.." to show someone you are listening. You don't want to do that in a podcast as you are stepping on the guests answers. When they start talking, SHUT UP AND LISTEN, and write down any follow questions and go back to listening.

    An Interview is Meant to Make the GUEST look Good

    I hear so many podcasts hosts throw in a comment that is more of less, "I did that too" which is great in a conversation, but we don't need to hear the same point twice. At one point Chevy Chase said, "Can you see I'm in the middle of a story" when he was on the Bill Maher show Club Random.

    Research Links

    Research Links

    • Anthony Hopkins on Being Estranged From His Daughter - The Interview
    • Billy Corgan interview Matthew Sweet on The Magnificent Others
    • Bill Maher Club Random with Chevy Chase
    • Buzzcast
    • Geologic Podcast with George Hrab
    • Congressional Dish
    • Bill Burr's Monday Morning Podcast Animated: Shari's Berries - YouTube

    Mentioned in this episode:

    Tired of AI Support Bots? Try Podpage.com

    While other companies are shoving more AI down your throat in support, Podpage hosts WEEKLY new user orientation meetings (with open Q&A) and if you have more questions you can schedule a live support call. Podpage is not just the best website building tool for podcasters by podcasters, it has the best support. Start your Free 14-day trial at www.podpage.com/preview

    Podpage

    Don't Wait to Level Up Your Show

    Thinking about starting a podcast—or already 300 episodes in? Skip the rookie mistakes, save money, and level up your show with the School of Podcasting with Dave Jackson, where you get hands-on feedback, one-on-one support, and practical advice that actually improves your podcast. Not sure? Just ask Krista and Mark from practicalprepping.info Then join the School of Podcasting at www.schoolofpodcasting.com/join (or use the link below)

    School of Podcasting

    Live Appearances

    I loved connecting with my audience. Here are the next events I will be at: November 11: Podindy.com (use the coupon code SOP) February 23-26, 2027: National Religious Broadcasters nrb.org I'd love to speak at your event. Go to schoolofpodcasting.com/contact

    Where Will I Be?

    Question of the Month

    This months' question is, " How long did it take before you felt like you had "real listeners" — and what made you realize it? If you don't feel it now, what would make it feel "real"? I need your answer by October 23rd. Don't forget to mention your show, your tagline, and your website. Go to schooolofpodcasting.com/question

    Question of the Month
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    27 分
  • Could AI Make Podcast Advertising Obsolete?

    Could AI Make Podcast Advertising Obsolete?
    2026/10/12
    AI Can Now Delete Your Podcast Ads. Here's Your Plan B.What if your listeners could tell an AI to cut every ad out of your podcast and get back a clean file a few minutes later? That's not a hypothetical anymore. Adam Curry, the co-inventor of podcasting, just did it on the Podcasting 2.0 show, and the episode he tested turned out to be roughly half ads. If any part of your income depends on advertising, this one's for you. I walk through what happened, why Bill Burr's "terrible" ad reads actually sold more product, the real math on what Captivate, Buzzsprout, Supercast, and Patreon take from your premium subscriptions, and the soul-crushing (but honest) numbers from my own paid newsletter. And at the end, I ask you a question about AI that has nothing to do with your podcast and everything to do with your life.AI Just Stripped the Ads Out of a PodcastOn Podcasting 2.0, Adam Curry connected his AI tool to Podcast Index using something called Model Context Protocol (MCP), which is a fancy way of saying "a way to plug AI into other systems." Then he asked it to grab the latest episode of Ed Zitron's Better Offline and strip out the ads at the beginning.Eight minutes later, it was done. The raw file was 12 minutes and 36 seconds. The actual episode was 6 minutes and 38 seconds. The AI removed a 2 minute and 54 second pre-roll block, verified the new file started right on Ed's "hello," and then offered to trim the three minutes of ads at the end too.His co-host Dave Jones said what we were all thinking: it's over for ads. And honestly, when half your content is ads, can you blame people for wanting them gone?Adam's Real Point: DiscoverabilityThe following week, Adam came back and said we were all missing the point. He's excited about discoverability. If an AI can go fetch an episode and clean it up, it can also go "find me a show about blank," which is basically building your own search engine. His bot even offered to go get the next episode.(For the record, when someone says "there's no discoverability in podcasting," what they usually mean is "nobody's discovered my podcast." Word of mouth works just like an algorithm, and it doesn't change the rules every month.)I also got pitched by a company that wanted me to promote their ad-cutting app. I'm not naming them. As much as I dislike bloated ad loads, if you're selling an advertiser on getting in front of thousands of people and a chunk of them never hear the ad, that starts to look like fraud.Want People to Listen to Your Ads? Make Better AdsA theme I heard during the business days at Podcast Movement: if you want people to hear your ads, make them better. Exhibit A is comedian Bill Burr, who sold out Madison Square Garden. Back in 2013, he did a now-famous read for Shari's Berries where he read the company's instructions out loud and roasted the copy. The company called and asked him to take it down. He didn't. People ordered the berries anyway, partly because he said he'd get in trouble, it turned out they were delicious, and sales went up. Younger brands figured out that people were actually listening to him.The catch today: brand-safety robots now scan transcripts, and in a lot of cases "brand safe" means "boring (IMHO)." They don't always understand slang. Tell a bot "that's the bomb" and see what happens.Programmatic Ads vs. Selling Your Own StuffProgrammatic ads (the Geicos and Progressives that aren't host-read) pay somewhere between $1 and $7 per thousand downloads, depending on who you ask. That's why so many shows stuff their episodes full of them. Only 8.6% of podcast listeners say they could tolerate a few more ads if it keeps a podcast free, according to The Podcast Study 2026.Meanwhile, 54.8% already say podcasts carry too many ads. see moreI've always said the most profitable way to make money with your podcast is to sell your own product or service. If you buy my book, Profit from Your Podcast, I make about $12. At a $5 CPM, I'd need 2,400 downloads to make the same $12. Which is easier: 2,400 downloads, or selling one book to an audience you're specifically trying to attract?The PBS Method: Premium Podcasts and CrowdfundingNo product? Try the PBS method: give people a great show, then ask them to support it. Here's what the big premium podcast platforms take (in USD, including card processing):Captivate: 12% plus processing, about 14.9% + 30¢ per transactionBuzzsprout: a flat 15%, fees includedSupercast: 59¢ per subscriber per month, plus about 3.6% + 30¢Patreon (standard plan): about 12% + 30¢The best choice depends on your price. On a $5 monthly tier, Buzzsprout leaves you the most, about $4.25. At $10, Supercast pulls ahead because its per-subscriber fee is flat: you keep about $8.75, versus $8.50 at Buzzsprout and $8.21 at Captivate. We're talking pennies per person, but multiply that by a few hundred supporters and it adds up.My Paid Newsletter: Here's the Soul-Crushing PartMy newsletter, Podcasting Observations, lives on ...
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    36 分
  • How Mark Grew His Podcast 17% in Five Weeks

    How Mark Grew His Podcast 17% in Five Weeks
    2026/10/05
    Stop Researching, Start Doing (This Time I Brought Receipts)Be honest: how many podcast growth videos have you watched this month, and how many of those ideas have you actually tried? I get it. I have courses I've bought and never opened. But a few weeks ago I challenged you to quit swinging for the grand slam and just make solid contact, and this time I'm back with proof. My buddy Mark actually did the work, and his downloads jumped 17% in five weeks. I also share the free, 42-second habit that's sending people to my website every week, the five-minute move that got me mentioned on another podcast without even asking, and some surprising data on what happened to shows that added video in Apple Podcasts. If you've been stuck in research mode, this is your nudge to press play and then go do something.Mark Did It: 17% Growth in Five WeeksOver the last several weeks, we've been running growth masterminds inside the School of Podcasting, talking strictly about strategies to grow your show. Plenty of people listened. Mark Lawley from Practical Prepping actually put them to work. Buzzsprout sends him a weekly download count, and over five weeks his numbers grew about 17%, with a lot of people going back into his back catalog. I'll take that all day.Find, Click, ActTo grow your reach, remember the order things happen in:They have to find you first. That means a good episode title that's a promise of what's inside, not clickbait, and show notes full of helpful words (preferably ones that came out of your mouth, not AI's). People find you through word of mouth, paid promotion, or organic search, and Google loves good words.Then they have to click. Once they land on your website, don't make them dig for episodes.Then they have to act. Tell a friend, buy your product, visit your sponsor, whatever your "why" is.My Social Media ExperimentYou can't manage what you don't track. I knew some people wouldn't want to pay for a tool (I LOVE Switchy and it's only $39 for a lifetime deal), so I used Short.io, which gives you 100 trackable links for free and takes about 42 seconds per link. I expected next to nothing from social. Instead, posting once to three times a week, I was getting around 40 clicks a week. That's roughly 160 a month and about 1,920 a year, from less than five minutes per post across Bluesky, Twitter, LinkedIn, and Facebook.Clicks aren't downloads, and nobody's told me yet that they found the show on social. But before I tried this, I had zero clicks to my website. If what you're doing now isn't growing your audience, try something. Stop waiting for the perfect opportunity while week after week goes by.Are You Afraid of Success?Sometimes it's not fear of failure holding you back. You already launched. It might be fear of success. Here's what I hear, and my answer to each:"If I get popular, people will criticize me." People in line behind you at Walmart are already judging you."Who am I to be listened to?" You've done hard things before. You have life experience worth sharing."What if I disappoint people?" You already do, on a regular basis. That's life."What if my hobby turns into a job?" It's your show. You decide."Then I'll have to monetize." No, you won't. If you don't want sponsors, don't have sponsors."What if I try everything and it still doesn't grow?" You've already started to grow. We just want to throw some gasoline on it.Other things get in the way too: perfectionism that keeps you researching forever, goals that are too vague or too big, strategies that don't fit your values (that's okay, you should have values), and plain old discomfort with being visible. I once wanted to refund a client because every option I offered got "I'm not doing that."The Five-Minute Strategy: Leave a VoicemailIf you listen to a show similar to yours, leave it a voicemail. Neal Veglio did this on the Pod News Weekly Review, and he always brought value. He made me think or laugh every time. So when I was telling people to find someone who shares their audience, I went and found Neal's show, cherry-picked episodes because his titles were so good (there's another strategy), and mentioned him on my show. Without me asking, he returned the favor on Podmastery:Podcasting Insights. We haven't even figured out what we're doing together yet, and we've already cross-promoted. Total time: less than five minutes.It reminded me of the Podcasters' Roundtable with Ray Ortega and Daniel J. Lewis. They're technically my competition, and also some of my favorite people on the planet.How I Got Into the Hall of FameI was asked this week how I got into the Podcasting Hall of Fame. My answer is a joke that isn't a joke: I didn't quit. Others did. You can't make a dent in anyone's life if you quit. There was a time you didn't know how to button a shirt, tie your shoes, or walk. You learned by doing it, and sometimes doing it wrong. As Zig Ziglar said, you don't have to be great to start, but you have to start to be great. Figure out who ...
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    36 分
  • The Best (and Worst) Podcast Feedback We've Ever Received

    The Best (and Worst) Podcast Feedback We've Ever Received
    2026/09/28
    A listener once told me they hoped I'd quit teaching altogether. Another told me, in the nicest way possible, that the curmudgeon was showing up a little too early these days. Only one of those helped my show. This month's Question of the Month was all about feedback: what's the most constructive feedback you've ever received, and what's the most destructive? A few listeners sent in their answers, I share mine, and to prove how much feedback matters, I dig up some embarrassing basement recordings from a much younger Dave Jackson. Let's get into it.Why Aren't You Getting Feedback?It honestly boggles my mind how many podcasters never ask for feedback and then wonder why their show isn't growing. Think of it like making someone a sandwich. You can ask, "I've got baloney, smoked turkey, or salami. Which do you want?" and make something they'll actually eat. Or you can hand everyone salami and say "tell your friends," while half of them are quietly thinking, "I hate salami."Ralph Estep Jr.: "Go Hire a Speaking Coach"Ralph, the content creator's accountant, says the best feedback he ever got was to hire a speaking coach. People (me included) told him he sounded robotic on his show, nothing like the Ralph you meet on a Zoom call or in person. He found a coach, and it changed the way he does everything. On the other side, he's had people tell him they hope he gets hit by a bus or struck by lightning over his religious views. He's not taking that advice. His point: when you get feedback, consider who it's coming from and whether it makes sense to act on it.York Campbell: The Name Was the ProblemYork's show used to be called Poetic Earthlings, and people kept assuming it was about poetry. It's actually short sci-fi stories: time travel, alien worlds, hyperdimensional creatures, and a few conspiracy theories. A fellow podcaster suggested Welcome to Earth Stories, and once he made the change, the attention and downloads followed. As York put it, sometimes you fall in love with a clever name because of what it means to you, and never stop to ask whether anyone else will understand it.Timothy Kimo Brien: "You Called My Baby Ugly"Tim submitted his old show, KDOI Podcasting (Kimo's Den of Iniquity), to the Podcast Rodeo Show. I said it sounded like a radio station, and the full name sounded like... something else entirely. Tim was not a happy camper. Later, sitting at a podcast conference and hearing someone talk about making your show's title clear, he asked himself what his show actually does: it's about creating art. Hello, Create Art Podcast. He's gone from roughly 200–300 downloads a month to between 1,000 and 1,500. He says it's not necessarily because of the name change. I say probably. Either way, it helped him focus on what the show is really about.My Best Feedback: The Curmudgeon Is ShowingBefore Podfest even started, my buddy Steve Stewart asked me to lunch and asked if I was open to notes. I grew up professionally with "constant improvement" on the walls of my first job, so of course I was. He told me the curmudgeon was coming out a little quicker than it used to. That was gold, because it was something I could control and fix. And it came from someone whose opinion I value, someone who'll tell me when something's good and when it isn't. Knowledge is only power when you act on it.My First Bad Review (and What Good Feedback Looks Like)In 2010, five years into podcasting, I got my first negative review: basically "not good, not enough thought, it's a commercial for bad services." It knocked me back on my heels, but there was nothing I could fix, because it never said why. (This is why I now say you're not a real podcaster until you get a one-star review.)Compare that to a 2017 review from a listener who wanted to hear the show but said the mix had a hiss or too much treble. That's great feedback. It's specific, and I could have adjusted it (I was using the Electro-Voice RE320 back then and liked my S's and T's crisp). The only problem is he should have sent it to me directly.A few things to keep in mind:The person might be having a bad day. After decades in customer support, I've seen people apologize later once they calmed down.Ask yourself: do they have a point? If so, can you fix it?Make it easy for feedback to reach you. A review isn't a direct line.Save the nice messages. On days you don't feel like recording, they remind you people are listening.Reviews are social proof, but they don't help you get found. Apple has said so.When Feedback Goes Wrong: The Podcast Rodeo ShowIn 2017 I launched the Podcast Rodeo Show, where I'd grab a random podcast and give a real first impression. (Half of YouTube is reaction videos now. I'm taking credit for inventing it. I didn't.)One episode, a host opened by sharing a string of genuinely awful personal experiences, all within the first few minutes, and never said what the show was about, who it was for, or even that it was an interview. My feedback was all logic: ...
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    44 分
  • Podcast Movement 2026 Reflections and Behind the Scenes of Two Other Events

    Podcast Movement 2026 Reflections and Behind the Scenes of Two Other Events
    2026/09/21
    Podcast Movement 2026 Reflections + Lessons from Two People Who Run Podcast EventsI just got back from Podcast Movement, and a lot of you have been asking whether it was still worth going now that it's under new ownership, in a new location, with a whole new format. Short answer: I'm definitely going back.In this episode I walk through what changed, what I loved, what I'd tweak, and what Tom Webster's data says about where podcasting really stands. Then I sit down with two guys who have actually done it, Marc Ronick of Empowered Podcasting and Dr. Brad Miller of Pod Indy, to get the behind-the-scenes story of running a podcast event. If you've ever had that little voice in your head saying "maybe I should start my own meetup or conference," this one is for you.Podcast Movement 2026: Was It Worth It?I went down the list, old Podcast Movement versus new.The hotel and the cost. It used to be at Gaylord hotels, which run $1,000 a night, where the burgers are $30 apiece and you never leave the building. This year was BYOH: bring your own hotel. I stayed two nights at a Holiday Inn Express for $400 a night. Still pricey, but nowhere near the Gaylord. Tickets were also much cheaper because they weren't paying for that hotel arrangement. Point to the new Podcast Movement.The venue. Picture a small theater (think House of Blues) that had a baby with a cruise ship: three floors, and you can look down at the main stage from the top. The rooms were narrower, so the back row was farther from the stage than I was used to. I also learned I need new glasses, because the giant screen was split in two and I couldn't read the slides. Sessions ran with silent-disco-style headphones: turn the dial to yellow or green and you hear that stage. The strange part is that people talk while someone is presenting a few feet away. It went against everything in my body, but it works, and I could network the whole time. My one suggestion: turn on the house lights during networking breaks. When you have 40 minutes to meet people and can't see who's in the room, it's a problem (unless it's Rob Greenley, who is six foot six inches).Networking and the parties. PodPage hosted a small meetup, and I walked over to the Buzzsprout meetup too. Both were places where you could actually talk, with no blaring music. I've talked to Dan Franks, who helps plan Podcast Movement, and he says they tell every sponsor that people want to talk, not have their ears bleed. Nice to see it work.New York City. I'll miss Dallas and Chicago, but it's supposedly staying in New York to make it easier for international attendees. The food was a win, and I never felt unsafe walking around Hell's Kitchen. I ate at Cubbies and at McGee's, which I didn't realize until halfway through is tied to How I Met Your Mother.A smarter schedule. Monday and Tuesday were geared toward the business and advertising side, and Thursday and Friday were for indie podcasters. That means indie folks can save on the hotel bill.The talks are going online. They're putting the presentations on the Podcast Movement YouTube channel for free. I'm looking forward to catching the ones I missed, including Lou Mangiello and Rob Walch's talk about video.What I Learned from Tom WebsterIf you only see one talk at a conference, make it Tom Webster's. Here's what stuck with me:Podcasting has gone flat. It used to grow at least 3 to 5% a year, occasionally 7%. This past year it barely moved. It's still growing, but by a very small amount.Where people listen. In a survey of roughly 5,000 podcast consumers, the top three places were YouTube, Spotify, and Netflix. Not Apple, Pocket Casts, or Overcast.Where I disagree. YouTube and Spotify are open to anyone, so I get why people call them podcasts. Netflix isn't open. They have to choose you, and there's no RSS feed. For me, a podcast is an RSS feed with audio or video in it.Tom's Walmart analogy. Look at the CD section: a tiny collection of only the biggest hits (Back in Black, Rumors), nothing like a dedicated record store. His suggestion was that we should promote podcast-specific apps. My favorite is Pocket Casts: it plays audio and video, it has bookmarks (that's how I grab the clips I play on the show), and it has a web version.Podcast Standards Project: PodRoll Is ComingI sat in on my first Podcast Standards Project meeting. PodRoll, from the Podcasting 2.0 spec, is the modern version of a blogroll: a list of shows you personally recommend, living in your feed. Because feeds are public, anyone can see who's recommended most. That's human recommendations, not an algorithm you try to trick. Ask your media host if they support it (if not move ton one that does). The group is also looking at adding location, so you could find podcasts in your area.Video: Do You Have To?Some people insist you have to do video. Others said not only do you not have to, but the shows that added it didn't see much benefit beyond more work, cost, and time. In Apple's video ...
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    49 分
  • Attention vs. Connection

    Attention vs. Connection
    2026/09/14
    A few years ago I accidentally hit a guy on the golf course. I'm not proud of it — although it did bank in almost perfectly off his calf on its way toward the hole. But the swing that caused it taught me something I haven't stopped thinking about: my brother told me to quit trying to kill the ball and just make good contact. Looking at podcasting, it turns into the best explanation I've found for why so many podcasts stop growing.If you've ever chased a bigger download number, wondered why nobody signs up for the thing you're selling despite having a decent audience, or just felt like you're doing everything and getting nowhere, keep listening — because the fix isn't a bigger swing.It's Not About a Big Audience. It's About the Right One.I talk to podcasters constantly who are chasing the same fantasy: flip a switch, get 10,000 downloads overnight. I get it — I've wanted that too. But it doesn't exist unless you've got a massive budget, and even then it doesn't always work.Quick, honest question: who won American Idol season six? They had a million people watching. Doesn't mean you remember them, and it doesn't mean they connected.Here's the math that changed how I think about this: if you ran your show as a $30-a-month membership, you'd only need one person willing to pay to break even (assuming you're spending $30/month). But not just any listener does that — it has to be someone connected to you. So the real target was never more downloads. It's finding roughly 500 right-fit people who trust you. Downloads don't join a membership.Connected people do.What a Musician Taught Me About ConnectionI study podcasters, but I also study musicians, authors, and YouTubers, because we're all in the same business — entertaining people with our art. One of my favorite channels right now is Mary Spender's. She's a musician, not a podcaster, but what she said recently hit me right in the chest:"We've spent years treating streaming numbers as though they measure fandom, but perhaps they often measure familiarity instead. Millions of streams doesn't necessarily become hundreds of people willing to leave the house on a Wednesday evening. Maybe we've become incredibly good at measuring attention, but forgotten how to measure connection."Swap "streams" for "downloads" and "tickets" for "memberships," and she's describing exactly what's happening in podcasting. Mary lost £12,000 on her last tour. Instead of giving up, she changed her approach: "Not to chase the biggest room, to chase the right room. Not to impress the most people, to matter to the people who choose to be there." Knowledge is knowing that. Wisdom is acting on it — and she is, booking her own shows again, more intentionally this time (And enjoying it more).How to Actually Get in Front of the Right PeopleWe've been brainstorming growth ideas in the School of Podcasting community, and the point was never to do all of them — it's to pick one, test it, and measure it. A few examples:Guesting on other podcasts that share your audience — less friction, since that audience already knows how to listen to a podcast.Podcast swaps, shout-outs, or a 30-second promo trade.Speaking engagements or workshops.Writing for a publication your audience already reads.Your own blog and SEO — no, it's not dead.Partnerships that go beyond sponsorship, where you actually help each other promote.Word of mouth — which drives roughly 70% of podcast growth, and yet almost nobody deliberately asks for it. Ask your audience, specifically and simply, to share the show with one friend.Local, unglamorous options: I used to slip a business card into a book on the page matching my age, in a genre my audience would read. Free. Slow. It worked, a little at a time.None of these flip a switch. They're singles, not grand slams. You build an audience one person at a time.Would you spend 5 minutes to get 36 people to your site each week?How I Found Out What's Actually Working: Click TrackersHere's the part that surprised me. I started putting a click tracker (I use Switchy) on every link I post — social, LinkedIn, wherever. Takes about 41 seconds per link. What I found: my email list outperformed every social platform by double digits, while everything else stayed in single digits. One email drove 36 clicks in a week — times four weeks, that's potentially 144 people who might actually listen, follow, or tell a friend. And it cost me less than five minutes.Would you spend 5 minutes a week to get 36 people to your site each week? Again, this is not the 10,000 switch. It's one strategy, and leaves you lots of time to try others.The click isn't the whole story, though — a click is still just attention, the same thing Mary warned about. What matters is what happens after it: did that traffic turn into an email subscriber, a membership signup, a real connection?Track that, and you'll quickly find out which platforms are worth your time and which ones you can quietly stop feeding. ...
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    34 分
  • Intuition Over Imitation: Lessons from the Empowered Podcasting Conference

    Intuition Over Imitation: Lessons from the Empowered Podcasting Conference
    2026/09/07
    What I Learned (and Relearned) at Empowered Podcasting ConferenceI got triggered at a podcasting conference last week, and honestly? I almost jumped out of my chair. Someone in the room said something that stopped me cold, and it's become one of the biggest lessons I'm bringing back to you this week — along with a story about a $230 million quarterback who won't take feedback, why "cheating off the smart kid" with AI is quietly ruining your podcast, and the subscription I found on my own bank statement that I'd been paying for and not even using. This episode is a mashup of my talk at Empowered Podcasting Conference 3 in Charlotte and everything I picked up just from being in the room. Let's get into it.It's Your Show. Own It.This is the one that made me want to stand up. Someone in a session said, "Well, I can't ask my guest to keep their answers short." Yes, you can. It's your show. If you're doing interviews, you're the goalie — it's your job to keep anything that doesn't serve your audience out of the episode. And if a guest rambles, that's usually on the host, not the guest. Give your guest a target before you hit record: who you're talking to, and whether you want short, medium, or long answers. A guest who doesn't get a target from the host should ask for one. Own your show. Set the boundaries. Your audience is who you're protecting.What Actually Makes Content RemarkableMy talk was about what makes a podcast good, and I focused on what makes any content remarkable. I walked through a few movies to prove it:Saving Private Ryan — that D-Day opening wasn't new information (we all knew WWII was brutal), it was a new way of presenting it. People talked about it because nobody had seen it shown like that.The Sixth Sense — a tiny budget that beat big blockbusters like The Lone Ranger because of one twist: we don't find out Bruce Willis's character is dead until the end. People walked out of the theater and called a friend to say "you have to see this." That's the goal — content remarkable enough that it spreads on word of mouth alone.Gone with the Wind — a 1939 movie with an actual intermission, and people still talk about the burning of Atlanta (a real fire on the studio backlot, no CGI) and that last line — "Frankly, my dear, I don't give a damn" — which had audiences clutching their pearls. Again, something people had not seen before.Star Wars — I saw it eleven times as a kid, and even when half the theater had already seen it multiple times, everybody still cheered when the Death Star blew up. That's not just about the special effects. That's about how it made people feel.A podcast episode is content plus delivery — and delivery is you: your attitude, your confidence, your life skills. My rule of thumb for what makes a good episode: laugh, cry, think, groan, educate, or entertain. Save them time or save them money. Try to hit more than one of those in every episode.The Most Underrated Skill in Podcasting: ListeningEveryone assumes the top skill is a great voice or being funny. It's not. It's your ability to listen — to your audience, and to feedback.Case in point: The Cleveland Brown's quarterback, the one we paid $230 million despite a stack of off-field allegations. He's not good at his job. When fans booed him, his response was basically "you guys don't like me" — not "I need to get better," not "tell me more." He made it personal instead of taking it as information. I hear the same thing constantly from podcasters. I'll offer to help someone grow their show, ask which episode they want me to listen to, and they'll say "oh, it's not the content." If you're not willing to actually hear feedback, don't be surprised when your show doesn't grow.The AI Shortcut That's Quietly Killing Your VoiceThis is the one I need you to sit with. There's a real strategy going around called the outlier strategy: if you and a competitor share an audience, and one of their episodes way outperforms their normal numbers, you make your own version of that topic. Legitimate strategy.Here's where it goes sideways — people are grabbing the transcript of that outlier video, feeding it to AI, and saying "rewrite this in my voice." And the whole reason they're doing a podcast in the first place is to be seen as a thought leader — using someone else's thoughts.It might work about 80% of the time (I'm making that number up), and that missing 20% is the part that's actually, uniquely you. Mark Maron said it best: "You're not thinking your own thoughts. You're a hack with an excuse for why you're failing."I'm not anti-AI — I use it to organize my own brain dumps into an outline. But when you let it write the content, you get exactly what everyone else already sounds like.Led Zeppelin became Kingdom Come became Greta Van Fleet. Cinderella became Girl School. The copy is never as good as the original, and eventually the audience notices.Which brings me to a phrase I have to credit to YouTuber ...
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    44 分
  • 12 Business Lessons Podcasters Can Learn From Dolly Parton

    12 Business Lessons Podcasters Can Learn From Dolly Parton
    2026/08/31
    Dolly Parton died on August 25, 2026, at age 80. While most tributes are focused on the music, this episode looks at something else entirely: Dolly Parton the businesswoman and entertainer. She sang at the Grand Ole Opry at 13 and was still building her empire seven decades later, which is rare in an industry where most acts have a five-to-ten-year run. As we like to say around here, success leaves clues, and Dolly left a lot of them. Below are 12 lessons pulled from her career, each one translated into something a podcaster can actually use.Take Advantage of Opportunities When They Show UpIn the late 1960s, a teenage Dolly landed a spot on the syndicated Porter Wagoner Show, earning $60,000 a year — by her own account, more money than she'd ever seen. She could have stayed comfortable as Porter's sidekick. Instead, she used the platform to build her name, and when she'd gotten what she needed from it, she left in 1974 to build something that was actually hers. Wagoner threatened to have her dropped from her label and later sued her; she ended up paying roughly $1 million to settle it, and the relationship took years to repair before the two eventually reconciled (American Songwriter, Cheat Sheet).Why it matters for your podcast: your show builds relationships, those relationships create opportunities, and taking advantage of those opportunities (a guest slot, a speaking gig, a collaboration) is what grows your audience — which creates more relationships. It's a loop, and it only works if you actually act when the opportunity shows up.Build a Podcast Brand People Instantly RecognizeYou knew Dolly when you saw her. Her wig, the rhinestones, the exaggerated glamour, her boobs, wasn't an accident. She said she based it on the town's "tramp."Dolly's response: I wanted to look like her. I thought she was beautiful. Her best line, "It costs a lot of money to look this cheap" says it all. When Barbara Walters pushed her on it in a 1970s interview, essentially implying she looked like a hillbilly, Dolly shot back that she might "kick her in the shin" and laughed the whole way through it.Why it matters for your podcast: a distinctive brand gets you noticed once. Celebrity, a striking name, a bold visual that earns the first click. What earns the return listener is the talent and substance behind it. Dolly had both, and so should your show.Own Your Audience — Don't Rent It to a PlatformDolly wrote "I Will Always Love You" in 1973 as a farewell to Porter Wagoner. When Elvis wanted to record it in 1974, his manager Colonel Tom Parker demanded the publishing rights as a condition for Elvis to record it. This was a standard (crappy) practice for an Elvis cut at the time.Dolly said no, even though it was Elvis. Nearly two decades later, Whitney Houston's version spent 14 weeks at No. 1 and sold an estimated 20 million copies. Because Dolly still owned 100% of the publishing, that single song brought her roughly $10 million in royalties in the 1990s alone, and an estimated $20 million total from the Houston version according to Forbes (American Songwriter).Why it matters for your podcast: As fellow podcaster Steve Stewart puts it, "Don't sell your audience to your sponsor, sell your sponsor on the value of your audience." The same logic applies to platforms: own your website, your domain, and your email list so no single network or app can take your audience away from you. It happens — YouTube pulled a top parenting podcast off the platform entirely (before reinstating it after public pressure). Dolly held onto her publishing because she knew the long game mattered more than a quick win. Hold onto your feed the same way. This is why an RSS feed is important. You can't be cancelled, and you can easily move to a new host if needed.Don't Take Yourself Too SeriouslyLong before a critic could land a joke, Dolly had already made it herself. On plastic surgery: "If I see something sagging, bagging, or dragging, I'm going to have it nipped, tucked, or sucked." Even the announcement of her passing carried her sense of humor forward, joking that she was finally ready to trade the rhinestones for something more comfortable.Why it matters for your podcast: self-deprecating humor makes an audience like you more. If you can laugh at yourself — a mistake, dated gear, a rough first episode — listeners relax and warm up to you faster. Have fun with your show. Otherwise, you'll burn out on it.Be Consistent — It Builds TrustDolly reportedly slept in her makeup in case she had to get up in the middle of the night for an emergency, because she never wanted to be seen without it. More importantly, she was always, unmistakably Dolly be it on stage or off, in an interview or in a duet, across 70 years of performing. People who met her said what you saw on stage is exactly what you got in person.Why it matters for your podcast: consistency isn't just about your publishing schedule (though that matters too) — it's about your ...
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    39 分