『S.W.E.A.T.』のカバーアート

S.W.E.A.T.

S.W.E.A.T.

著者： Mad Kate
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S.W.E.A.T. >>sex/uality. work. extraction. art. theatr/ics.<< is a series of conversations about performance and performativity of the sexual and sexualized body at work—where work is broadly defined as the labour of survival, the labour of care, creativity, and capital-A-Art. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? My hope is that these conversations are a means to speak between intersectionalities by anchoring through our always already sexualized bodies, our working bodies, our artistic bodies and our performative bodies. photos by Onsoh Studios and Claudia Brijbag please support S.W.E.A.T. on my patreon page https://www.patreon.com/madkate S.W.E.A.T. hostex Mad Kate is a Berlin-based electronic artist, vocalist, and producer who fuses sound, performance, and activism into a singular, immersive experience. Rooted in a background of writing and queer feminist, sex-positive performance art, Mad Kate weaves together interviews, field recordings, and vocal manipulations with raw, pulsating synthesizers to explore the porous borders between bodies, identities, and geographies. With a sonic language shaped by storytelling and embodied experience, Mad Kate’s compositions interrogate the personal as a lens for understanding collective realities—how power structures inscribe themselves onto intimacy, how movement across borders reshapes identity, and how world-building through imagination disrupts existing narratives. Whether through hypnotic, shape-shifting club compositions or experimental soundscapes, their work pulses with a deep commitment to sonic activism, carving out space for new forms of relationality and resistance. Mad Kate’s performances are immersive and confrontational, collapsing the boundary between artist and audience, body and machine. Their sonic explorations have been featured in venues and festivals across Europe, where they continue to push the boundaries of electronic music as a site of both political critique and radical pleasure.All rights reserved アート
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  • S5E7 S.W.E.A.T. with ReveRso

    S5E7 S.W.E.A.T. with ReveRso
    2026/07/19
    S.W.E.A.T. features conversations about performance and performativity of the sexual/ized body at work—work as labour of survival and labour of a/Art with host Mad Kate. Their guest this month is performance artist ReveRso. Out of the darkness emerged ReveRso. The creation myth of a megalomaniac marred on its own venom: a fetishistic cannibal-of-self bound in love, loss, seduction, salvation, madness, prophecy and pain. Currently based in Berlin, ReveRso has massacred crowds on stages (and in alleyways) from Europe to America, and back again. ReveRso's tour de force of delirium sites: Berlin, Amsterdam, Moscow, Istanbul, Antwerp, Paris, Barcelona,Genève, Madrid, Copenhagen, Warsaw, Frankfurt, San Francisco, Los Angeles, New York,Cologne, London, Basel -Genève,Poznán, Lugano as some of his Holy grounds. ReveRso also serves as the High Priest of the legendary SupperClub as a long-term Resident Performer, desecrating its white walls with his carnal pleasures. Live like a suicide, ReveRso is the teenage harlot strangled by the Mad Hatter, lips suckled in blood, a ghostly white palour. A junky, he must devour the public to feel the light, his rite of purification through the shadows. To Repent to the name of no other but He ☦ ReveRso. We all sweat as we provide care, as we labour, as we perform our work, as we fuck, as we survive and as we sacrifice one choice for the other. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our racialized bodies, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? These conversations are a means to speak between intersectionalities by anchoring through our (always, already, and ever pervasive) sexualized and racialized bodies, our working bodies, our artistic bodies and our performative bodies. I hope that they contribute to dialogues which normalize sex work as work, and all work as deserving of respect, healthy conditions, and a living wage. You can find out more https://www.alfabus.us/s-w-e-a-t/ Mad Kate (they/them) is an electronic producer, sound designer, performance artist and writer who began working the Berlin performance and club scene in 2004, expanding their unique identity-queering, genderfcking and sexpositive performative work throughout music, theatre and film. Their explorations of borders between/within bodies, audibility, consent, proximity, and touch as political practice have brought them to theaters, communes, technomansions, prisons, dungeons, squats and galleries around the world. photo of ReveRso by Guille Chipironet
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    1 時間
  • S5E6 S.W.E.A.T. with Nancy Nutter

    S5E6 S.W.E.A.T. with Nancy Nutter
    2026/06/09
    This month's conversation is with performer Nancy Nutter. Nancy’s artistry expands through visual, performative, musical realms. She is one half of the piano cabaret duo THE DAMES, the lead vocalist of trans-femme punk band GIRLS IN YOUR AREA, and head of performance at TRACEY. She co-creates TREASON cabaret club night, and co-curates the performance stage at WHOLE FESTIVAL. Nancy teaches gender performance in various workshops, including the EMBODIED DISRUPTION series, KÖNIG, and at ARTHAUS. They are a costume maker, makeup artist, and drag star. A graphic designer, film maker, tattoo artist, and a painter. https://nancynutter.net/ photo of Nancy by Javier Alejandro Cerrada In this episode, Nancy and Mad Kate speak about parenthood, gender, drag, folk music, workers' solidarity, the aching vulnerability of performing your truest self in front of a room of strangers and the power of empathy. Nancy also shared some of their brilliant ideas on gender beyond the binary that she is outlining in her book-in-progress, working title Drag, Disruption and Descent We all sweat as we provide care, as we labour, as we perform our work, as we fuck, as we survive and as we sacrifice one choice for the other. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our racialized bodies, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? These conversations are a means to speak between intersectionalities by anchoring through our (always, already, and ever pervasive) sexualized and racialized bodies, our working bodies, our artistic bodies and our performative bodies. I hope that they contribute to dialogues which normalize sex work as work, and all work as deserving of respect, healthy conditions, and a living wage. You can find out more https://www.alfabus.us/s-w-e-a-t/ Mad Kate (they/them) is an electronic producer, sound designer, performance artist and writer who began working the Berlin performance and club scene in 2004, expanding their unique identity-queering, genderfcking and sexpositive performative work throughout music, theatre and film. Their explorations of borders between/within bodies, audibility, consent, proximity, and touch as political practice have brought them to theaters, communes, technomansions, prisons, dungeons, squats and galleries around the world.
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    1 時間 1 分
  • S5E5 S.W.E.A.T. with Bishop Black

    S5E5 S.W.E.A.T. with Bishop Black
    2026/05/12
    This month's conversation is with performer and director Bishop Black Bishop Black is a black British performer, who has lived in Berlin since 2011. Bishop uses movement as a language and their body to expresses themselves primarily by using as a tool, politicized through the lenses of sexuality, gender and race. They have been performing in theater since 2017, and working as a performance and burlesque artist since 2012. Having worked in the field of film in recent years, they are now mainly developing unique but interconnected performances in the theater, making use of mythology, occultism, queerness and dance as methodologies.
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    58 分
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