Edgar Wright takes on Stephen King’s brutal 1982 novel (written under his Richard Bachman pseudonym) and delivers a hyper-kinetic, grimly satirical chase movie that finally does the source material justice. Glenn Powell stars as Ben Richards, a framed everyman forced into America’s favourite blood-sport: survive 30 days on the run while corporate killers hunt you live on air. Lee Pace is deliciously vile as the ratings-obsessed host Damon Killian, backed by Michael Cera, Colman Domingo, Josh Brolin and a perfectly cast supporting ensemble.

We break down how Wright’s trademark visual flair and breakneck editing turn a desperate urban sprint into something genuinely exhilarating, why this wipes the floor with the 1987 Arnie version, how scarily plausible its media-manipulation nightmare feels in the age of deepfakes and 24-hour outrage cycles, and whether the slower mid-section kills the momentum or deepens the stakes.

Rogue Reviews is produced by Urban Podcasts.

Recorded on the 25 November 2025 © Rogue Reviews.

Three years on, with final seasons looming for some of the decade’s biggest series, 2022 suddenly looks like a golden year for television. Stranger Things went supersized and scarier than ever, The Boys swung harder at superhero sacred cows, Obi-Wan Kenobi gave prequel kids the reunion they’d waited decades for, and James Gunn somehow turned John Cena in a toilet-seat helmet into one of the most compelling anti-heroes on screen.

Here’s why these four shows still demand your attention (and a rewatch) before their stories close for good.

Fast-forward to hear about:

01:50: Stranger Things – Season 4 (2022)

17:32: Obi-Wan Kenobi – Season 1 (2022)

37:00: The Boys – Season 3 (2022)

57:07: Peacemaker – Season 1 (2022)

Rogue Reviews is produced by Urban Podcasts.

Recorded on the 11 August 2022 © Rogue Reviews.

Dan Trachtenberg returns after Prey and flips the entire franchise on its head: this time the Predator himself is the protagonist – a young, exiled Yautja forced to survive on a desolate planet with only a sarcastic, broken-down android as backup. Starring Elle Fanning as the android sidekick, Badlands is the first ever 12A-rated Predator film: no humans, no blood, no gore, just heart, humour, mech-suit showdowns and a surprisingly emotional journey of growth.

We dive into whether Disney has actually pulled off a family-friendly Predator that still works, if the lack of human prey is a genius workaround or a betrayal, how it sets up the inevitable Alien crossover, and whether the ruthless, testosterone-fuelled original can (or should) coexist with this new cuddly, kid-accessible version that both of us (and our kids) ended up loving.

Rogue Reviews is produced by Urban Podcasts.

Recorded on the 15 November 2025 © Rogue Reviews.