In this episode, we’re joined by writer and anarcho-punk historian Rich Cross to dig into radical music culture, DIY ethics, and the legacy of anarchist art.

We talk Vi Subversa and the Poison Girls, exploring her role in shaping anarcho-punk, the fusion of feminism and music in her work, and why her voice still hits today.

We also get into AK Press—its roots, its mission, and the ongoing challenge of keeping publishing truly DIY in a corporate world.

Plus, we break down the “Bullshit Detector” compilations and their role in amplifying new voices, embodying DIY culture, and inspiring generations of underground artists.

It’s a conversation about anarcho-punk’s lasting impact, DIY as both practice and politics, and the importance of keeping radical histories and spaces alive.

Ryan hangs out with Marie for a proper all-over-the-place chat—in the best way.

They get into songwriting and how different styles come together, then somehow end up talking about the US healthcare system and what it’s like dealing with that as a creative. Classic Punk Rock Creatives podcast detour.

If you’re into the New York scene, Ryan shares some solid tips on where to play as a solo artist and what it’s really like to gig there.

There’s also a fun debate on where punk actually started—UK or USA, London or New York.

They swap stories about on-stage incidents and talk through some iconic punk/alternative venues, and touch on the legendary Chelsea Hotel.

Oh—and Ryan’s dog gets a mention too.

Step into the world of Keith Woodhouse from Radio Woking—and the show that doesn’t mind getting it a bit wrong.

This episode leans into Wot Radio—Keith’s take on doing things his own way. Not polished, not overproduced, and definitely not trying to sound like everyone else.

From growing up in London’s East End and seeing the Sex Pistols, Bob Marley and Toots and the Maytals live, to standing on stages as compere at grassroots festivals, Keith’s perspective is built on real experience—not hindsight.

We get into that contrast: the big, polished feel of GuilFest versus the DIY, no-frills energy of Undercover Festival—which famously grew out of a small tent at GuilFest before becoming its own thing . Keith’s been right in the middle of that world too, regularly hosting and introducing bands at Undercover over the years .

There’s a bit of John Peel in the DNA—especially with in-house sessions and giving current bands a platform—but without the mythology. Just turning up, putting bands in a room, and seeing what happens.

It’s about radio that isn’t afraid to be rough round the edges. Missing cues, unexpected moments, great music, odd choices—that balance of chaos and instinct.

Getting it wrong… but in the right way.