Pogo the Clown: The Constructed Identity That Hid Thirty-Three Murders

カートのアイテムが多すぎます

ご購入は五十タイトルがカートに入っている場合のみです。

カートに追加できませんでした。

しばらく経ってから再度お試しください。

ウィッシュリストに追加できませんでした。

しばらく経ってから再度お試しください。

ほしい物リストの削除に失敗しました。

しばらく経ってから再度お試しください。

ポッドキャストのフォローに失敗しました

ポッドキャストのフォロー解除に失敗しました

Pogo the Clown: The Constructed Identity That Hid Thirty-Three Murders

無料で聴く

ポッドキャストの詳細を見る

【Amazonプライム会員限定】今ならプレミアムプランが4か月月額99円。

10月19日まで。※適用条件あり

John Wayne Gacy was not a man who lost control. He was a man who built systems. In this chapter of the story, we go inside the methodology that allowed a Chicago contractor to murder thirty-three young men and boys between 1972 and 1978 — and bury twenty-six of them in the crawl space beneath his own home on West Summerdale Avenue — without a single arrest.

Gacy constructed his public identity with precision. The PDM Contractors business gave him credibility with working-class communities. The Pogo the Clown persona — costumes he designed himself, face paint he applied at children's birthday parties and hospital wards — gave him access to families and trust from parents. Together they produced a man nobody looked at twice. That wasn't coincidence. That was the design.

His victims were not chosen randomly. Most were teenagers or young men in their late teens to early twenties, working-class, often looking for construction work, recruited through a job offer they couldn't easily refuse. Once inside the house, the offer disappeared. The handcuff trick. The tourniquet. A method refined across thirty-three killings.

Neighbors noticed the smell for years. Investigators had been to his door before. Each time, a plausible explanation from a credible man was enough. Gacy understood how social trust works — and he exploited it, repeatedly, until December 1978, when fifteen-year-old Robert Piest stepped away from his mother outside a Des Plaines pharmacy and never came back.

Eight of Gacy's victims remain unidentified to this day.

This episode includes AI-generated content.

まだレビューはありません