『Poems of Gerard Manley Hopkins (Version 2)』のカバーアート

Poems of Gerard Manley Hopkins (Version 2)

Poems of Gerard Manley Hopkins (Version 2)

著者: Gerard Manley Hopkins
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Immerse yourself in the innovative world of Gerard Manley Hopkins, a poet whose mastery of language and rhythm redefined the boundaries of Victorian poetry. This podcast invites listeners to explore the lush imagery and profound themes found in Hopkins' work, celebrating the beauty of nature and the complexity of human emotion through his unique lens. With each episode, a new complete audiobook unfolds, offering a rotating collection of poems that highlight Hopkins' signature "sprung rhythm" and his ability to convey deep meaning through concentrated expression. This series is not just a journey through individual pieces but a rich tapestry of exploration that reveals the intricacies of Hopkins' thought and artistry. Join us as we delve into the vibrant landscapes and spiritual reflections that characterize his poetry, encouraging listeners to discover a new facet of literature with every episode.Copyright Single Author Genre アート スピリチュアリティ 文学史・文学批評
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  • Augustan Books of Modern Poetry Emily Brontë-Emily Brontë
    2026/09/12
    "Augustan Books of Modern Poetry Emily Brontë" presents the timeless works of the renowned poet Emily Brontë, whose lyrical mastery and profound insights into the human experience continue to captivate audiences today. This collection showcases her unique voice, exploring themes of nature, love, and the complexities of the human spirit. Brontë's poetry resonates with contemporary listeners, reflecting enduring emotions and struggles that transcend time and societal changes. Her ability to convey deep feelings through vivid imagery and rich language makes this audiobook a compelling listen for anyone seeking to connect with the beauty and depth of modern poetry.
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    48 分
  • Poetical Works of Thomas Lovell Beddoes, Volume 1-Thomas Lovell Beddoes
    2026/08/28
    Gerard Manley Hopkins (1844–1889) was one of the most innovative of English Victorian poets, best known now for his vivid and original imagery of the natural world in verses such as “The Windhover” and “Pied Beauty”. Hopkins was a master of miniaturisation and condensation. His poetry is characterised by freshness, concentrated originality and often unconventional syntax in which words may have multiple shades of meaning. One of his most important innovations was what he called “sprung rhythm”, a style intended to be read aloud in which — like natural speech — the stressed syllables ‘spring’ between a variable number of unstressed syllables, and in which the poetic lines are defined not by number of syllables but by number of stresses. At the age of 24 Hopkins converted to Catholicism and began training as a Jesuit priest. For seven years he wrote no poetry at all, believing that he was not called by God to do so. This period ended with a concentrated explosion of originality with “The Wreck of the Deutschland”, his greatest and longest poem (number 4 in this collection) which is dedicated to the memory of five nuns who lost their lives while attempting the sea passage from Germany to England in 1875. Sometimes considered ‘difficult’ by readers who approach it in printed form, the poem’s outlines become clearer when read aloud. It is divided into two sections, an introductory part in which the poet discourses with wonder on the sudden return of his poetic muse after so many fallow years; and a second part in which he describes with dramatic pace the fate of the ship as it hurtles in the storm and snow to its doom on the Kentish sands. At its heart the poem celebrates, in extraordinarily vivid and imaginative terms, the spiritual vision of a nun whose entire attention is absorbed by Christ even as all around her is chaos and terror. Most of Hopkins’ poetry was unpublished and completely unknown until nearly 30 years after his death when in 1918 Robert Bridges, his old friend and by then Poet Laureate, brought out this book. Hopkins’ originality was soon recognised, and his verse has had a marked influence on many later poets including TS Eliot, Dylan Thomas, WH Auden, Stephen Spender and Cecil Day-Lewis. (Michael Maggs)
    続きを読む 一部表示
    2 時間 44 分
  • Survivals-Lewis V. F. Randolph
    2026/08/27
    Gerard Manley Hopkins (1844–1889) was one of the most innovative of English Victorian poets, best known now for his vivid and original imagery of the natural world in verses such as “The Windhover” and “Pied Beauty”. Hopkins was a master of miniaturisation and condensation. His poetry is characterised by freshness, concentrated originality and often unconventional syntax in which words may have multiple shades of meaning. One of his most important innovations was what he called “sprung rhythm”, a style intended to be read aloud in which — like natural speech — the stressed syllables ‘spring’ between a variable number of unstressed syllables, and in which the poetic lines are defined not by number of syllables but by number of stresses. At the age of 24 Hopkins converted to Catholicism and began training as a Jesuit priest. For seven years he wrote no poetry at all, believing that he was not called by God to do so. This period ended with a concentrated explosion of originality with “The Wreck of the Deutschland”, his greatest and longest poem (number 4 in this collection) which is dedicated to the memory of five nuns who lost their lives while attempting the sea passage from Germany to England in 1875. Sometimes considered ‘difficult’ by readers who approach it in printed form, the poem’s outlines become clearer when read aloud. It is divided into two sections, an introductory part in which the poet discourses with wonder on the sudden return of his poetic muse after so many fallow years; and a second part in which he describes with dramatic pace the fate of the ship as it hurtles in the storm and snow to its doom on the Kentish sands. At its heart the poem celebrates, in extraordinarily vivid and imaginative terms, the spiritual vision of a nun whose entire attention is absorbed by Christ even as all around her is chaos and terror. Most of Hopkins’ poetry was unpublished and completely unknown until nearly 30 years after his death when in 1918 Robert Bridges, his old friend and by then Poet Laureate, brought out this book. Hopkins’ originality was soon recognised, and his verse has had a marked influence on many later poets including TS Eliot, Dylan Thomas, WH Auden, Stephen Spender and Cecil Day-Lewis. (Michael Maggs)
    続きを読む 一部表示
    1 時間 34 分
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