We have another special episode for our subscribers, a recording of the pre-concert talk by musicologist Simon Morrison at our concert of the complete piano sonatas of 20th century Russian composer Galina Ustvolskaya, performed by Conor Hanick. Born in Petrograd (now St. Petersburg) in 1919, Galina Ustvolskaya’s expressive and vigorous music was deemed problematic in the USSR early in her career and did not receive widespread attention in her home country until the 1960s and 70s, and abroad only in the late 1980s. She taught at the Leningrad Rimsky-Korsakov College of Music from 1947-1977 and over the past three decades her music has experienced an increasing amount of performances and acclaim in the West.

Simon Morrison is a Professor of Music at Princeton University specializing in 20th-century Russian and Soviet music. In the recording, you’ll hear Morrison discuss Ustvolskaya’s life, her relationships with her contemporaries, and her six piano sonatas, composed between 1947 and 1988. After the episode, head over to otherminds.org, where you can watch a video of Conor Hanick’s performance of Galina Ustvolskaya’s piano sonatas at the Freight & Salvage in Berkeley, California.

Music: Excerpts from Piano Sonatas 1–6 by Galina Ustvolskaya, performed by Conor Hanick

Click here to watch Conor Hanicks’s performance of Galina Ustvolskaya’s Piano Sonatas 1–6 at Other Minds.

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The Other Minds Podcast is hosted and edited by Joseph Bohigian.

A Year of Deep Listening was a 365-day online celebration of Pauline Oliveros’ legacy, coinciding with what would have been her 90th birthday. The Center for Deep Listening, established at Rensselaer Polytechnic Institute in 2014, posted one text score per day, totaling 365 pieces, which will be published in book form on January 28, 2025, as A Year of Deep Listening: 365 Text Scores for Pauline Oliveros. On the podcast, Joseph Bohigian is joined by Stephanie Loveless, a sound and media artist, Director of the Center for Deep Listening, and the editor of this new volume, to talk about the project.

Music: Roles of a Machine by Hassan Estakhrian, performed by Extradition (Maxx Katz, flute; Annie Gilbert, trombone; Collin Oldham, cello); Shao Way Wu, bass; Sam Klapper, violin; Caspar Sonnet, dobro; Ben Cohen-Chen, soprano saxophone; Matt Hannafin, percussion), No Small Matter by Seth Cluett, performed by Extradition (Juniana Lanning, Catherine Lee, Annie Gilbert, Loren Chasse, Matt Hannafin, natural objects), Water, Wood, Stone, Breath by Grace Harper, performed by Extradition (Stephanie Lavon Trotter, book, words; Juniana Lanning, cups, water; Loren Chasse, basket, pebbles)

A Year of Deep Listening

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The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Thea Farhadian is a composer and violinist who creates multi-textured sound worlds which employ an array of elements drawn from her engagement with Western classical music, performance art, Arabic classical music, and live electronic processing. She collaborates with a network of Bay Area, East Coast, and international colleagues and her work has been seen and heard at Galerie Mario Mazzoli in Berlin, the Aram Khachaturian Museum in Yerevan, and Bimhuis in Amsterdam. Today, Other Minds Records releases Farhadian’s newest album, Tattoos and Other Markings, an electronic composition exploring cultural memory and the urge to remember difficult histories.

Music: “Mokats Mirza,” “There was and there was not,” and “Eulogy” from Tattoos and Other Markings by Thea Farhadian (Other Minds Records)

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Contact us at otherminds@otherminds.org.

The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).