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In 2064, Bruce Koinstra, an 85-year-old history professor, passes away in a moon colony senior housing complex. Following his memorial service, his husband of thirty years, Kirby, along with his forty-year old daughter Septima; and teen grandson Plurial gather at Bruce's Midwest Victorian home. They await the reading of Bruce's will and the demolition crew scheduled to raze the house. Reflecting on Bruce's life, they discuss the era when LGBT rights were restricted by archaic laws and when racial discrimination was widespread.

Bernadette Armstrong directs a cast that includes Daamen Krall as Bruce, Elaine Mello as Septima, Larry Coleman as Plurial, and Matthew Scott Montgomery as Kirby.

Lorenz Qatava is the playwright. He also wrote Speak My Words, Tell My Truth, a performance piece based on the stories and writings of five Black gay writers. He additionally wrote and published a gay romance novel set in the Southern Oregon wildfires called Rain After the Fire, as well as the plays The Rustin Arrest and On the Verge.

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Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

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Buttercup is a detective in the big city. A woman has been abandoned by her husband, who has absconded with their funds. All the woman has left is a statue of a duck. She’s hiring Buttercup to locate her husband (and her money). But Buttercup is finding that the duck comes with strings attached.

Rachel Berney Needleman directs a cast that includes Maureen Davis as Buttercup, Annette Homewood as the Wife, Nathan Smythe as the Husband, and Kenajuan Bentley as the noirish Narrator.

Ned Eckhardt is the playwright. A professor of television and documentary production at Rowan University, he has produced and directed 16 documentaries. His previous plays include IMP, Redbone, and Porky C.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

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Set in the Winslow home in 1935, a wife and mother of five is pregnant again, but she is keenly aware that something is very wrong with this pregnancy.

Bernadette Armstrong directs a cast that includes Ayla Rose Barreau as Mary, Gilbert Glenn Brown as James, Omari Williams as Doctor #1, and David Purdham as Doctor #2.

Melissa May Curtis is the playwright. Her play The Deal was warmly received at the 2024 Hollywood Fringe Festival. She starred in the Netflix series Pet Stars.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...