『Open-Door Playhouse』のカバーアート

Open-Door Playhouse

Open-Door Playhouse

著者: Multiple
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このコンテンツについて

Open-Door Playhouse is a monthly podcast harking back to live radio theater broadcasts. Created to introduce New Plays, New Writers, and… a wealth of unknown talent. Giving them the opportunity to have their works created in sound studios as opposed to live stage productions and presented on the Podcast as “Radio Productions.” Play submissions will be solicited online, outreach centers and word of mouth. Broadcasts will be once a month (to start) and grow as demand requires. Long term goal is to reach out to undeserved writing communities: prisons, school and community groups to provide an avenue to have their voices heard, via plays, short stories or poetry, and to establish Podcast as its own 501c3 organization.To submit your play contact:open-doorplayhouse@gmail.com

© 2025 Open-Door Playhouse
アート エンターテインメント・舞台芸術
エピソード
  • THEATER 180: TATTOO A Tale of Terror
    2025/10/08

    Send us a text

    For reasons he can't explain, Stephen feels compelled to enter a sketchy-looking tattoo parlor that any reasonable person would avoid altogether. Once inside, he encounters a peculiar old woman, who Stephen enlists to become the artist of his baptismal ink job. At the first prick of the needle, Stephen decides to make a move for the door, but the old woman bars his way with a terrifying
    plan in store.

    Miranda Stewart directs a cast that includes Kevin Carr as Stephen/Storyteller, Anne Cooper as the Parlor Owner, Paul Sohm as the Doctor, and Ashley Lee as Mrs. Dudley.

    Greg Burdick is the playwright. A graduate of Slippery Rock University, his previous plays include Accommodation, Insert Token, Secret’s Out, Sign Here for All That Remains, Monessen Falls, and I’ll Love You ‘Til the Cows Come Home. Also a director, he’s helmed nearly one hundred productions.


    Support the show

    Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

    Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

    There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

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    13 分
  • Agnes’s Little War
    2025/10/01

    Send us a text

    ​​​Do citizens have the right to judge elected leaders on personal morals? An idealistic voter lost faith in a political candidate and is demanding that he return the contribution she made to his campaign. A man with ties to the candidate appears at her door, offering her money if she will "back off." Can her values stand up to the test?

    Bernadette Armstrong directs a cast that includes Rosemary Thomas as Agnes and Gilbert Glenn Brown as Evan.

    Rosemary FrisinoToohey is the playwright. A married mother of four, she resides in Baltimore. Her plays have received over 440 productions, domestically and internationally. Her full-length plays include Gladys in Wonderland, Crazy Quilt Blues, A Very Fowl Thanksgiving, Smoke in the Canyon, The Garbageman, Cornered, and more.

    Support the show

    Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

    Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

    There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

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    14 分
  • THEATER 178: Lights Out
    2025/09/18

    Send us a text

    Allison and Mark have been best friends since grade school. Now, they’re fortyish. Allison is a married suburban mom with three kids. Mark is single and gay. Allison has a lifelong fear of the dark. Just what happens when it’s Lights Out?

    Bernadette Armstrong directs a cast that includes Cynthia Gravinese Brown as Allison, Matthew Scott Montgomery as Mark, and Noelle Evangelisti as The Nurse.

    Michael A. Buzzelli is the playwright. He’s a stand-up comedian who has performed at such famous venues as the Ice House, The Improv, and The Comedy Store. He is the author of two books, All I Want for Christmas and Below Average Genius. Based near Pittsburgh, he is a theatre and arts critic, He is also an actor and Moth Grand Slam Storyteller.

    Support the show

    Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

    Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

    There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...

    続きを読む 一部表示
    23 分
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