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Pat, an isolating, military veteran is asked to put his pain aside to be the father his adult son needs when the young man arrives unannounced… but will he be able to?

Gary Lamb directs a cast that includes David Purdham as Pat and David Andrew Calvillo as Zayne.

Chance Lang is the playwright. New York City born, and Los Angeles raised, Chance is a Writer/Director known for his original works Going Home (2025), Trying (2023), One Take (2021), and Hypocrite (2019), and has collaborated internationally with The Useless Room at Institute Grotowski in Wroclaw and Brzezinka, Poland (2018), and WITKACY/Two Headed Calf at the Divine Comedy Festival in Krakow, Poland, TEATR Studio Warsaw, and REDCAT in Los Angeles.

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Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...

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When an older woman comes to a hospital to collect her injured grandson, she meets a young man who turns out to be the grandson's boyfriend. As they wait for news, the two of them grapple with the generational differences between them.

Bernadette Armstrong directs a cast that includes Anne Cooper as Debra and Larry Coleman as Jace.

Barbara Lindsay is the playwright. Her plays and monologues have received over 400 national and international productions. Among her previous plays are Holy Hell, FREE, Snow White Who?, Sex in the Middle Ages, Creamy Dreamy Boyfriend, Want, The Walkers, and so many more. She is currently based in Seattle.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...

Send us Fan Mail

Elena (she/her) meets up with her daughter Rox (they/them) a day late, to help Rox pack up their apartment after graduation from college with her Master’s degree. As they go through the piles of things to pack or discard the conversation between them delves into unresolved mother-child issues.

Bernadette Armstrong directs a cast that includes Julia Sanford as Elena and Christine Uhebe as Roxs.

Chance Lang is the playwright. New York City born, and Los Angeles raised, Chance is a Writer/Director known for his original works Going Home (2025), Trying (2023), One Take (2021), and Hypocrite (2019), and has collaborated internationally with The Useless Room at Institute Grotowski in Wroclaw and Brzezinka, Poland (2018), and WITKACY/Two Headed Calf at the Divine Comedy Festival in Krakow, Poland, TEATR Studio Warsaw, and REDCAT in Los Angeles.

Support the show

Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.

There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://open...