Kentucky, 1798: A harrowing series of murders begins. The first body, discovered by cattle drovers, lies bloody at the bottom of a ridge. Then another—a dead boy staring up from a sinkhole. Bodies turn up along roadsides, stuffed into brush. They float to the surface of muddy brooks. For nine terrifying months, over hundreds of miles of Kentucky and Tennessee countryside, the terror unfolds. The killers—two men with hazy backgrounds—are brothers, named Wiley and Micajah Harp.

The Harps killed dozens, but why they did it has eluded folklorists and historians for generations. Almost every story imagines that their motive was pure bloodlust, but for historian Katherine Grandjean, that’s too simple. Instead, she uses the Harp murders to reveal the dark side of the young United States’ independence. These were uncertain and dangerous years—a time when the fledgling federal government could do little to protect its citizens. And if the American Revolution was liberating, it was also deeply destabilizing, politically and socially. Even as it built up some men, it stacked the deck against others, punishing them with volatile markets, lost safety nets, and shattered aspirations. Unspooling the mystery of what sent the Harps reeling exposes the hidden, violent legacies of the revolutionary era.

Bristling with tense, page-turning storytelling—and driven by a historian’s obsessive detective work—Kingdom of Devils: A Tale of Murder in the Shadow of the American Revolution (Random House, 2026) recovers these long-forgotten murders as a haunting tale about the darkness at the heart of the American dream.

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The fascinating story of a British army chaplain's buggery trial in 1774 reveals surprising truths about early America.

On the eve of the American Revolution, the British army considered the case of a chaplain, Robert Newburgh, who had been accused of having sex with a man. Newburgh's enemies cited his flamboyant appearance, defiance of military authority, and seduction of soldiers as proof of his low character. Consumed by fears that the British Empire would soon be torn asunder, his opponents claimed that these supposed crimes against nature translated to crimes against the king.

In Vicious and Immoral: Homosexuality, the American Revolution, and the Trials of Robert Newburgh (JHU Press, 2024) historian John McCurdy tells this compelling story of male intimacy and provides an unparalleled glimpse inside eighteenth-century perceptions of queerness. By demanding to have his case heard, Newburgh invoked Enlightenment ideals of equality, arguing passionately that his style of dress and manner should not affect his place in the army or society. His accusers equated queer behavior with rebellion, and his defenders would go on to join the American cause. Newburgh's trial offers some clues to understanding a peculiarity of the late eighteenth and early nineteenth century: while gay acts were prohibited by law in much of the British empire, the newly formed United States was comparatively uninterested in legislating against same-sex intimacy.

McCurdy imagines what life was like for a gay man in early America and captures the voices of those who loved and hated Newburgh, revealing how sexuality and revolution informed one another. Vicious and Immoral is the first book to place homosexuality in conversation with the American Revolution, and it dares us to rethink the place of LGBTQ people in the founding of the nation.

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Edward Blum interviews Mark Peterson on his new book The Making and Breaking of the American Constitution: A Thousand-Year History.

The American Revolution occurred at a time when Britain’s constitutional order failed to adapt to the extraordinary growth of its colonies. The framers designed an American constitution to succeed where Britain’s had faltered, planning for continuous population and territorial expansion that would eventually cross the continent. Yet by the end of the nineteenth century, it was already ill-suited for an increasingly urban, industrialized society, and the transformations of the twentieth century have pushed it to a breaking point. This book charts the history and aims of the American constitution from its origins in an agrarian past to the grave crisis we face today.

Mark Peterson traces the American constitutional tradition to the control of land in medieval England, showing how the founders incorporated the aspirations of Magna Carta with the administrative principles of the Domesday Book, a meticulous survey and valuation of landed property commissioned by William the Conqueror. This framework encouraged the growth of democratic self-government in a young nation. It also institutionalized the colonization of territory and the expulsion of Indigenous peoples, establishing a legal blueprint for transforming tribal lands into revenue-yielding real estate for settlers. Peterson’s riveting narrative paints an arresting picture of a dynamic republic whose frame of government has changed enormously to meet the challenges of the modern age but whose written constitution has changed very little.

Marking the 250th anniversary of American independence, The Making and Breaking of the American Constitution reveals how this widening disconnect threatens the very existence of our democracy. It calls for a constitution that sustains the ideals developed over the past thousand years while meeting the challenges of the future.

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David Gellman interviews Patrick Griffin on The Age of Atlantic Revolution: The Fall and Rise of a Connected World

The Age of Atlantic Revolution was a defining moment in western history. Our understanding of rights, of what makes the individual an individual, of how to define a citizen versus a subject, of what states should or should not do, of how labor, politics, and trade would be organized, of the relationship between the church and the state, and of our attachment to the nation all derive from this period (c. 1750–1850).

Historian Patrick Griffin shows that the Age of Atlantic Revolution was rooted in how people in an interconnected world struggled through violence, liberation, and war to reimagine themselves and sovereignty. Tying together the revolutions, crises, and conflicts that undid British North America, transformed France, created Haiti, overturned Latin America, challenged Britain and Europe, vexed Ireland, and marginalized West Africa, Griffin tells a transnational tale of how empires became nations and how our world came into being.

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From the beginning of the seventeenth century, French colonies and trading posts sprawled across the Atlantic and Indian Oceans. In the first pan-imperial history of the early French Empire in the English language, Mélanie Lamotte shows how an increasingly cohesive legal culture came to govern the lives of enslaved and free people of African, Malagasy, South Asian, and Native American descent. She also illuminates the important role played by these populations in the development of the empire, from Louisiana to Guadeloupe, Senegambia, Madagascar, Isle Bourbon, and India.

The early French Empire has often been portrayed as a fragmented conglomerate of isolated colonies or regions. Yet Lamotte shows that racial policies issued by the metropole, as well as by officials in the Atlantic and Indian Oceans, significantly influenced one another. Rather than focusing on the actions of administrators, however, Lamotte also reveals the extensive influence of people on the ground—especially those of non-European descent. Through their sexuality and their labor, along with their socio-economic and political endeavors, they played a critical role in building the empire and setting its limits. As they sought justice for themselves, strove to protect their kin, and aimed to improve their social conditions, these individuals also pushed against the advancement of white dominion in unexpected ways.

Archivally rich and rigorously documented, By Flesh and Toil: How Sex, Race, and Labor Shaped the Early French Empire (Harvard UP, 2026)illuminates the transoceanic connections that united the French colonial world—and recasts people of African, Malagasy, South Asian, and Native American descent as key actors in the story of empire-building.

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Edward Blum interviews Holly White on her new book Constructing American Childhood: Age-Based Laws and the Illusion of Protection in the Early United States.

As of 2025, in the United States an eleven-year-old child can be charged with a federal crime while in many states it’s illegal to leave a twelve-year-old home alone. Twenty-six states allow children younger than sixteen to marry while the legal drinking age remains twenty-one. Are these age-based laws really protecting children, and if not, why do they exist? Holly White uncovers the answers to these questions through a history of America’s first age-based laws.

Analyzing trial records, newspapers, personal letters and diaries, as well as legal statutes from the founding era to the Civil War, White shows how restrictive age-based laws were implemented to benefit those who already held power. Over time, these new laws—coming out of child murder and rape trials as well as guardianship and underage marriage disputes—increasingly circumscribed the rights of young Americans in the early republic. As White shows, race, class, status, and gender influenced who came to benefit from the label of “child” in post-revolutionary America. In so doing, Constructing American Childhood explains why Americans continue to be guided by the age-based legal definitions of childhood and adulthood of our past.

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While Lexington and Concord claim significance as the sites of the American Revolution’s opening battles, New York City’s geography, population density, and cultural status made it one of the most important theaters of the war. Between 1776 and 1777, numerous battles were fought for control over the Port of New York, including the Battles of Harlem Heights, Pell’s Point, White Plains, Fort Washington, and the largest battle of the entire revolution, the Battle of Long Island/Brooklyn. Recognizing the strategic importance of New York, and forewarned by his experience at the Battle of Bunker Hill in Boston, Lieutenant-General Sir William Howe and royal governor Lord George Germain recruited Hessian mercenaries and soldiers from across the empire to defend the city from an eventual patriot campaign to claim New York. In 1776, George Washington, as commander-in-chief of the Continental Army, began preparations for what we know today as the New York and New Jersey Campaign. Though the campaign failed to fortify New York from Sir William Howe, which remained in British control until the end of the war in 1783, the revolution might have ended altogether on Staten Island when William and his brother, Admiral Richard Howe, entered peace negotiations with the Americans. In a September 11, 1776, meeting, the Howes met with John Adams, Benjamin Franklin, and Edward Rutledge for an unsuccessful three-hour negotiation. Four days later, Howe, as Commander-in-Chief of British Land Forces in America, landed 12,000 troops in lower Manhattan and quickly claimed the city. Though the British took control of New York Harbor and the surrounding agricultural areas, the areas around New York and New Jersey remained active battlegrounds for the rest of the revolution. When the war ended, it saw some of the last British soldiers evacuate the new United States, including thousands of free and formerly enslaved Africans who had served the empire in the war, documented by The Book of Negroes.

Battle in the Margins is a special project of the New York State Office of Parks, Recreation, and Historic Preservation in collaboration with Black Gotham Experience, an organization devoted to African Diasporic storytelling, to commemorate the African Diaspora’s impact on the American Revolution. Those listening to this episode in real time in the New York City area can reserve a ticket to the September 19, 2026 Battle in the Margins “Main Event,” a series of original ten-minute plays centering the African Diaspora’s experience, resistance, and role in shaping early American history, shining a light on stories often left out of the nation’s founding narrative. The Battle in the Margins Research Brief is available here.

Kamau Ware is a multidisciplinary artist, historian, and walker. Kamau was born and raised in Pittsburgh, where he founded an artist collective called BridgeSpotters in 1996 that took inspiration from the many bridges in the city as analogous to many disciplines making a creative project. Ware moved to New York City in 2006 and applied his work as an artist and curator to develop a unique approach to visual storytelling, coined StoryStyle that softens the threshold between artist and audience. After establishing his visual storytelling lab, Kamau Studios in 2008, he began working on what would become the Studios flagship project – the Black Gotham Experience (BGX). BGX launched the summer of 2010 as a series of walking tours and has expanded to a series of immersive experiences celebrating the impact of the African Diaspora on New York City.

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A joke is never just a joke—not even in the eighteenth century. In American Laughter, American Fury: Humor and the Making of a White Man's Democracy, 1750–1850 (JHU Press, 2025) Eran A. Zelnik offers a cultural history of early America that shows how humor among white men served to define and construct not only whiteness and masculinity but also American political culture and democracy more generally.

Zelnik traces the emerging bonds of affinity that white male settlers in North America cultivated through their shared, transformative experience of mirth. This humor—a category that includes not only jokes but also play, riot, revelry, and mimicry—shaped the democratic and anti-elitist sensibilities of Americans. It also defined the borders of who could participate in politics, notably excluding those who were not white men. While this anti-authoritarian humor transformed the early United States into a country that abhorred elitism and class hierarchies, ultimately the story is one of democratization gone awry: this same humor allowed white men to draw the borders of the new nation exclusively around themselves.

Zelnik analyzes several distinct forms of humor to make his case: tall tales, "Indian play," Black dialect, riot and revelry, revolutionary protests, and blackface minstrelsy. This provocative study seeks to understand the vexing, contradictory interplay among humor, democracy, and violence at the heart of American history and culture that continues today.

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