An account of the North American fentanyl crisis told through stories and photographs of its victims

Lives Interrupted: The Fentanyl Tragedy (Arsenault Family Foundation, 2026), edited by Ben Westhoff, author of Fentanyl, Inc., is a different kind of drug book. Part biography, part coffee-table photo collection, it seeks to put a human face on a public health crisis too often discussed in statistics and numbers. Westhoff's book profiles 80 people, 76 victims of fentanyl overdose and 4 survivors, and shows the fullness of their personalities, as well as their legacy in the work their mourning families carry on. Its purpose is to move public officials and health departments to emphasize recovery and treatment for those battling with this drug.

Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her new book, Addiction, Inc.: Medication-Assisted Treatment and America's Forgotten War on Drugs, was released in 2026.

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In this episode, host Andrea Talabér (CEU Press) talks with Karène Sanchez Summerer and Sary Zananiri, the editors of Palestine in Transition: Frank Scholten's Visual Archive of the British Mandate Period. They discuss who Frank Scholten was, the breadth and depth of the images he took in Palestine, and the archival holdings themselves.

You can browse Frank Scholten’s images here.

Follow the City Sarha Instagram account to be updated on when the app exploring Jerusalem’s modern cultural history will launch.

You can purchase a copy here. The book is also available Open Access here.

The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books.

Interested in CEU Press’s publications? Click here to find out more.

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Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period’s newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era’s desire to forestall the march of time and immortalize the fleeting moment through art and technology.

Beginning with an investigation of artist and naturalist Titian Peale’s butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard’s Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period’s preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death.

By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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