How are museums adapting to the digital age, and what transformations are taking place in institutions we often consider to be highly conservative? In this episode, researcher Aya Kimura shares her fascination with museums in both Japan and Lithuania, as well as insights from her research and analysis over the past several years. For those who read Japanese, more details can be found in Aya Kimura’s book Museums of the Digital Age (デジタル時代の博物館), published by Kadensha.

Aya Kimura is Associate Professor, Department of Human Sciences, Obihiro University of Agriculture and Veterinary Medicine

The episode is hosted by Linas Didvalis, an Associate Professor at Centre for Asian Studies at Vytautas Magnus University (Kaunas, Lithuania).

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.

Host: Linas Didvalis 

Find the book here

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Terrorism in American Memory argues that the terrorist attacks of 9/11 and all that followed in its wake were the primary force shaping United States politics and culture in the post-9/11 era. Marita Sturken maintains that during the past two decades, when the country was subjected to terrorist attacks and promulgated ongoing wars of aggression, we have veered into increasingly polarized factions and been extraordinarily preoccupied with memorialization and the politics of memory. The post-9/11 era began with a hunger for memorialization and it ended with massive protests over police brutality that demanded the destruction of historical monuments honoring racist historical figures. Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (NYU Press, 2022) sheds light on the struggles over who is memorialized, who is forgotten, and what that politics of memory reveals about the United States as an imaginary and a nation.

Marita Sturken is Professor in the Department of Media, Culture, and Communication at New York University, where she teaches courses in visual culture, cultural memory, and consumerism. She is the author of Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering (1997), Thelma & Louise (2000, reissued 2020), Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright, 4th edition 2025), Tourists of History: Memory, Kitsch, and Consumerism From Oklahoma City to Ground Zero (2007), and Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (2022). She is currently working on a project about the history of amateur photography in the American culture from Kodak to Polaroid to the iPhone. She was awarded a Guggenheim Fellowship in 2023.

Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020).

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China’s Date Debate: How Manchurian Scholars Rewrote World War II (U Michigan Press, 2026) by Dr. Emily Matson is an in-depth investigation of the Chinese Communist Party’s remapping of China’s World War II timeline from eight years (1937–1945) to fourteen years (1931–1945). Instead of the previously accepted starting date of the Marco Polo Bridge Incident on July 7, 1937, the Chinese Communist Party defined the war’s starting date as the Mukden Incident on September 18, 1931, which triggered the Japanese Kwantung Army’s invasion of Manchuria. Since the 1980s, scholars from Manchuria have demanded a fourteen-year war timeline to encompass the invasion of their homeland. By the 1990s, other scholars took notice and started to counter with claims that the eight-year timeline was the more accurate. Subsequently, a fierce “date debate” emerged between the two sides that was only resolved by the 2017 proclamation from the Ministry of Education.

Dr. Matson demonstrates that the decision to set China’s World War II timeline at fourteen years was not merely a top-down decision, but was influenced by decades of Manchurian scholarship on the war. China’s Date Debate recenters Manchuria as a region of critical importance for China’s national identity today and the implications of this “date debate” on the Chinese Communist Party’s domestic legitimacy and international image.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Scattered Steel: The Afterlife of the World Trade Center (Cornell UP, 2026) traces the extraordinary journey of the twisted remnants of the World Trade Center. When the Towers fell on September 11, 2001, nearly all that remained was pulverized concrete and contorted steel. Dr. Samuel and Dr. Max Holleran investigate how fragments of these skyscrapers became modern relics, scattered across all fifty states and beyond, built into hundreds of local memorials in firehouses, parks, and plazas, providing new and creative ways to grieve and remember.

Drawing on years of research and interviews with artists, city officials, and first responders, the authors reveal a semi-improvised process that transformed industrial debris into sacred objects. They explore the aesthetics of rust and ruin, the rituals of transport and dedication, and the cultural tensions between grief, patriotism, and public art. From a quiet town square in Wyoming to a monumental glass "book" in Padua, Italy, these memorials tell a story not only of loss but of how communities far from Ground Zero took a piece of the tragedy—and made it their own.

At once deeply human and sharply analytical, Scattered Steel asks urgent questions: What does it mean to sanctify matter? How do memorials shape collective memory in an age of global, and highly visual, trauma? And what happens when the symbols of tragedy become part of everyday landscapes?

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite.

At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong.

By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive.

Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums.



Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social

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Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period’s newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era’s desire to forestall the march of time and immortalize the fleeting moment through art and technology.

Beginning with an investigation of artist and naturalist Titian Peale’s butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard’s Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period’s preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death.

By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Becoming Utopia: History, Heritage, and Sustainability in the American Midwest (U Nebraska Press, 2026) centers on the tiny community of Bishop Hill, Illinois, whose marketing materials call it “Utopia on the Prairie,” home to a radical communal religious sect that emigrated from Sweden in the 1840s. Through rich textual and ethnographic analyses, Dr. Margaret E. Farrar and Dr. Adam Kaul tell the story of what happens when a small, historically significant Midwestern community negotiates the contradictory impulses of twenty-first-century place-making. At first glance, Bishop Hill is simply a small heritage tourism destination in Midwestern flyover country, but further inspection reveals it to be a complex place that mixes a deep nostalgia for the past undercut by complex origin stories of displacement and colonialism, an active historic preservation movement amid futuristic green energy technologies built by multinational corporations, and a commitment to localism in the context of omnipresent globalization.

Based on fifteen years of fieldwork, Becoming Utopia is an interdisciplinary contribution to conversations about the importance and meaning of place-making, heritage-making, and sustainability (social, economic, and environmental) in the twenty-first century.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge.

Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire.

By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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