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  • Justine De Young, "The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris" (Bloomsbury, 2025)

    Justine De Young, "The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris" (Bloomsbury, 2025)
    2025/10/06
    Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 11 分
  • Caroline McCaffrey-Howarth, "Lady Charlotte Schreiber, Extraordinary Art Collector" (Lund Humphries, 2025)

    Caroline McCaffrey-Howarth, "Lady Charlotte Schreiber, Extraordinary Art Collector" (Lund Humphries, 2025)
    2025/09/27
    Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks. Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 3 分
  • Irvin Weathersby Jr., "In Open Contempt: Confronting White Supremacy in Art and Public Space" (Viking, 2025)

    Irvin Weathersby Jr., "In Open Contempt: Confronting White Supremacy in Art and Public Space" (Viking, 2025)
    2025/08/08
    Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely. Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events. Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 9 分
  • Nezar AlSayyad and Heba Safey Eldeen, "Cinematic Cairo: Egyptian Urban Modernity from Reel to Real" (American U in Cairo Press, 2022)

    Nezar AlSayyad and Heba Safey Eldeen, "Cinematic Cairo: Egyptian Urban Modernity from Reel to Real" (American U in Cairo Press, 2022)
    2025/08/07
    The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 8 分
  • Jessica Ratcliff, "Monopolizing Knowledge: The East India Company and Britain's Second Scientific Revolution" (Cambridge UP, 2025))

    Jessica Ratcliff, "Monopolizing Knowledge: The East India Company and Britain's Second Scientific Revolution" (Cambridge UP, 2025))
    2025/07/28
    In the book Monopolizing Knowledge: The East India Company and Britain’s Second Scientific Revolution (Cambridge UP, 2025), author Jessica Ratcliff traces the changing practices of knowledge accumulation and management at the British East India Company, focusing on the Company’s library, museum, and colleges in Britain. Although these institutions were in Britain, they were funded by taxes from British India and they housed, so it was argued, the “national” collections of British India. The book examines how these institutions emerged from the Company’s unique form of monopoly-based colonial capitalism. It then argues that this “Company science” would go on to shape and eventually become absorbed into Britain’s public (i.e. state-funded) science in the later nineteenth century. Soumyadeep Guha is a PhD candidate in the History Department at the State University of New York, Binghamton, with research interests in Agrarian History, the History of Science and Technology, and Global History, focusing on 19th and 20th century India. His MA dissertation, War, Science and Survival Technologies: The Politics of Nutrition and Agriculture in Late Colonial India, explored how wartime imperatives shaped scientific and agricultural policy during the Second World War in India. Currently, his working on his PhD dissertation on the histories of rice and its production between colonial and early post-colonial Bengal, examining the entangled trajectories of agrarian change, scientific knowledge, and state-making. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 26 分
  • Jake Kaner and Clive Edwards, "Conservation of Twentieth-Century Furniture" (Routledge, 2024)

    Jake Kaner and Clive Edwards, "Conservation of Twentieth-Century Furniture" (Routledge, 2024)
    2025/07/18
    Conservation of Twentieth-Century Furniture (Routledge, 2024) provides comprehensive and accessible coverage of the materials and techniques that are encountered in furniture of this century. After putting the design, manufacture and conservation of twentieth-century furniture into context, the volume then offers an A-Z of materials organised into 12 chapters. Within each chapter a wide variety of material types are discussed, observed, analysed and contextualised, and a list of further sources is provided. The furniture discussed in this book ranges from designer craftsman, individually made pieces, to factory-produced batch items, and includes cabinet work, decoration, surface finishes and upholstery, observing the traditional repertoire of materials, as well as innovative materials and processes introduced over the course of this century. Following the material chapters, the book also includes brief case studies that illustrate some examples of twentieth-century furniture conservation, with a focus on metal, plastic and wood. Conservation of Twentieth-Century Furniture is the primary resource for those working on the manufacture, history and care of furniture of this period, including conservators, curators, dealers and collectors. Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    46 分
  • Kirstie Macleod, "The Red Dress: Conversations in Stitch" (Quickthorn, 2025)

    Kirstie Macleod, "The Red Dress: Conversations in Stitch" (Quickthorn, 2025)
    2025/07/09
    The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma. This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    31 分
  • Alexandria Russell, "Black Women Legacies: Public History Sites Seen and Unseen" (University of Illinois Press, 2024)

    Alexandria Russell, "Black Women Legacies: Public History Sites Seen and Unseen" (University of Illinois Press, 2024)
    2025/06/11
    From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 15 分