My guest today is an American visual artist whose work is redefining how we think about mystery, architecture, and imagination in interactive storytelling. In 2013 he founded Dogubomb, a Los Angeles-based independent Film and Game Studio making music videos, films, and commercials for clients such as Magic the Gathering and Netflix.

In 2016 my guest started work on a video game of his own. Having been selected for the interactive category at Tribeca last year, the game, Blue Prince, launched in April. It’s surreal and atmospheric, inviting players to explore an endlessly shifting mansion, where each new room builds not just the house, but the story itself. Praised for its originality and design vision, Blue Prince has placed my guest at the forefront of a new wave of experimental game-makers.

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Brian Gibson is a musician, artist, and game designer best known for blurring the lines between sound, movement, and chaos. As the bassist for the legendary noise-rock duo Lightning Bolt, he’s released seven studio albums and played countless ferocious, high-velocity live shows. But he’s also spent much of his life working on video games, first as an artist for the music-game developer Harmonix, which he joined in 2001, and more recently as the co-designer of Thumper—a rhythm-violence game that marries kinetic speed and hypnotic visuals.

Since its release, Thumper has become a cult classic, earning acclaim for its singular aesthetic and for redefining what a rhythm game could be. A follow-up, Thrasher, originally released for Meta Quest and Apple Vision Pro is now out on Steam.

LINKS

Brian's personal site: https://laserbeast.com/

Wishlist Thrasher

Lightning Bolt - Dead Cowboy @ TAICOCLUB'14

Thrasher OST on Bandcamp

Become a My Perfect Console supporter and receive a range of benefits at www.patreon.com/myperfectconsole

Take the Acast listener survey to help shape the show: My Perfect Console with Simon Parkin Survey 2025

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In this special correspondence edition, Simon reads out your letters and answers your questions.

Why has The Legend of Zelda: Ocarina of Time never made it onto a Perfect Console? Where have in-person gaming communities gone, and can they be revived? What happened to educational games after the days of Oregon Trail and Carmen Sandiego?

Which made-up game languages are the most memorable? And where exactly is the line between a video game and… not a video game? All this and much more.

Become a My Perfect Console supporter and receive a range of benefits at www.patreon.com/myperfectconsole

Take the Acast listener survey to help shape the show: My Perfect Console with Simon Parkin Survey 2025

Hosted on Acast. See acast.com/privacy for more information.