Action! Adventure! Red lines gliding across maps! These are the three essential hallmarks of an Indiana Jones flick, yet if there’s one thing the franchise has taught us, it’s that everyone’s favorite Bond alternative is more than the sum of his parts, or at least that just tossing the aforementioned ingredients into a mixing bowl and stirring vigorously won’t always yield cinematic magic. That was the lesson learned by Indiana Jones and the Temple of Doom, the 1984 Spielberg-directed sequel to Raiders of the Lost Ark that was (until 2008) widely held to be the low point of the adventuring archeologist. While hardly trashed upon release, Temple of Doom still failed to achieve the critical adulation of its predecessor, largely thanks to its darker tone and, uh, let’s say inauthentic depiction of Indian cuisine. What, however, does this movie look like in a post Crystal Skull (and Dial of Destiny) world? Has time, distance, and a few rough sequels boosted its prospects, or does it remain among the black sheep? Crack your whips and guard your hearts, let’s find out!

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This is all Nathan’s fault.

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Where would we be without scientists? Why, without those brave men and women in labcoats, we’d still be in the center of the solar system, treating low spirits with leeches, and knocking back shots of radium to improve the sheen of our hair or whatever. Clearly, then, your worst high school subject has done plenty of good for humankind, but what about when science goes too far? What about when chemistry is put to (gasp) evil ends? That’s how you end up disinterring and chopping up corpses to mix and match parts for a new body like you were replacing your Captain America action figure’s arm with one from an old power ranger toy. I’m talking, of course, about Mary Shelly’s 1818 novel Frankenstein and its countless film adaptations, one of the most beloved being The Curse of Frankenstein, a 1957 horror movie directed by Terrence Fisher. Frankenstein, The Curse of was well reviewed at the time, and has continued to receive favorable retrospectives thanks to its adept performances, dark Gothic tone, and (for the time) shocking violence, but will the Magellans at the Movies review it with similar warmth? It’s alive! It’s a-live podcast, so get listening! (This podcast is not actually live, it was prerecorded in a Midwestern American basement)

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