Mike Fitzgerald is a production sound mixer and boom op based out of Orlando, Florida. He uses a Sound Devices 833 mixer/recorder combined with the Sound Devices SL-2. He also uses two Lectrosonics DSR4 receivers and Lectrosonics SMQV and SMWB transmitters. Mike uses Sanken COS-11D lav mics. For timecode, the Denecke JB-1 are his choice for sync boxes. When wiring talent, Mike likes the Viviana Super Dots and Extreme Moleskin for expendables. On the boom pole, he use the Schoeps CMC641 and CMIT5u mics, as well as the Sennheiser MKH-416. And he recently got a Blackbird audio cart. For more information, check out https://boommikefitz.com/

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Alan Harris is a production sound mixer and boom op based out of Orlando, Florida. He uses a Sound Devices MixPre-10T mixer/recorder. Alan also uses Zaxcom QRX200 wireless receivers and Zaxcom transmitters. He likes the DPA 4063 lav mics and also the Sanken COS11 lavs. For the boom pole, he likes the Sanken CS-3e shotgun mic and the Sennheiser MKH-50 mic. For timecode, Alan uses Tentacle Sync timecode boxes. Alan is also a big fan of Ktek products like their boom poles, bags and harnesses. Alan is currently on staff at Full Sail University in Winter Park, Florida.

Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Doc Justice is CEO and owner of Halter Technical. His company’s products are used on-sets all over the world. The Elite Monitor and Scene Monitor headphones are built for creative pros but durable enough for the rigors of set life. The Microsone Discreet Audio Monitoring System is the world’s smallest rechargeable Bluetooth earbud with crystal clear audio and no hiss. Tired of the usual IFB surveillance earpiece? Peeko is the smallest, lightest IFB headset available today. With a 5 millimeter earbud and the thinnest transparent cable in the world, it becomes nearly invisible to the eye. And finally, Wildtrax Recording Engine is the multitrack recording platform for sound mixers in TV, film, broadcast and live production. For more information on these products, check out https://www.haltertechnical.com/

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.