『Life in the Circus』のカバーアート

Life in the Circus

Life in the Circus

著者: Brad Hodson Rob Hunt
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From working on camera and sound to set design and lighting, our guests share their unique perspectives on what it takes to make a film come to life. They discuss their career paths, their favorite projects, and even the not-so-glamorous aspects of the industry. We explore the different roles and responsibilities involved in the filmmaking process, shedding light on the unsung heroes who contribute to the magic we see on the big screen.


Whether you're an aspiring filmmaker or simply curious about the inner workings of the film industry, this episode offers valuable insights and stories you won't want to miss. Tune in to Behind the Scenes: Life and Career in the Film Industry to gain a deeper understanding and appreciation for the dedicated crew members who help bring our favorite movies to life.

Copyright 2024 Brad Hodson, Rob Hunt
アート 人間関係 社会科学
エピソード
  • From Engineering to the Circus: Adrian's Path to Acting and Producing
    2026/06/23

    In this episode of Crew Tales, Life in the Circus, we sit down with Adrian, an actor and “accidental producer” whose path into the industry took a refreshingly pragmatic route: choir and school productions as a kid, an engineering degree, a full-time IT career, then a deliberate leap into Vancouver after one life-changing question from a coach: “Why not you?”


    Adrian shares how producing started as a pandemic-era throwdown, how meeting the right collaborators snowballed into making short films, and why the motion picture world keeps pulling him back: there’s no ceiling, only curiosity, craft, and constant exploration.


    We also talk representation and typecasting, the pandemic-era shift in auditions for performers of color, and why building your own creative team can be the difference between waiting and working.


    Topics include:

    Becoming an “accidental producer” (and why it started with self-tapes)

    From engineering and IT to acting in Vancouver

    The role of coaches, timing, and taking the leap

    Representation in casting and how things changed during the pandemic

    Theater that challenges audiences (and the night someone yelled and walked out)

    What’s next: a funded 6-episode web series in development

    AI and the industry: what Adrien is (and isn’t) seeing so far


    https://www.instagram.com/ebonyskygod/?hl=en

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    1 時間 5 分
  • From Lamp Op to Cinematographer: Chris Kempinski on Story-First Lighting and Film vs Digital.
    2026/06/23

    In this episode of Crew Tales, Life in the Circus, Dustin Trernard sits down with cinematographer Christopher Charles Kempinski (IATSE 669) to talk about the real job behind “making pretty pictures”: translating script into visuals, servicing a director’s vision, and leading a team with clarity and calm.

    Chris traces his path from skate videos and high school projects to major studio sets, commercials, and award-winning web series work. Along the way, we dig into why old movies still hit, what modern filmmaking sometimes loses to formula, and the gear (and principles) Chris keeps coming back to, from the Sony VENICE to lenses with character, to the Hudson Spider REDBACK.

    Topics we cover


    Turning words into images: what a cinematographer actually does

    Coming up through lighting vs camera department (and how it shapes your instincts)

    Learning by watching great DPs work (and why you shouldn’t rush to “the chair”)

    Spielberg-style audience perspective, and the psychology of framing

    Film vs digital: highlight roll-off, shadow detail, and why film still feels like magic

    Go-to tools: Sony VENICE internal ND workflow, character lenses, REDBACK, Titan tubes


    Guest

    Christopher Charles Kempinski

    Cinematographer (IATSE 669)


    Links

    Official website:

    - Chris Kempinski | Cinematographer: https://chriskempinski.com/

    IMDb:

    - Christopher Charles Kempinski: https://www.imdb.com/name/nm1922590/

    IATSE Local 669:

    - International Cinematographers Guild (Local 669): https://www.iatse669.com/

    Riese / Streamy reference:

    - Streamy Awards (Craft Awards “Best Cinematography” clip): https://www.youtube.com/watch?v=6_3w3yD7yY0

    - Streamys “Craft Awards” archive (Riese listed): https://www.streamys.org/history/


    Subscribe for more conversations with the crew behind the camera: cinematography, lighting, sound, producing, and the wild career paths that keep sets moving.

    #Cinematography, #Filmmaking, #FilmCrew, #BehindTheScenes, #IATSE669

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    49 分
  • Underwater Cinematography in BC: Aiden Zenini on Dive Safety, Tanks, and Storytelling
    2026/06/23

    What does it really take to put a camera underwater on a film set?


    In this episode of Crew Tales, Life in the Circus, Dustin Schnart sits down with Aiden Zanini, an underwater camera operator and cinematographer, to talk about the niche (and wildly technical) world of water work for film and TV.


    Aiden shares his long road into the industry, from being an AV kid in the 80s to broadcast school, narrative film work, and years on cruise ships where he earned his dive ticket and started shooting underwater. They dig into what changes when you add water to a set, why it multiplies time and complexity, how actors perform underwater, the safety systems that keep things from going sideways, and the practical “tiny tools” that save massive amounts of time.


    They also get into career advice for anyone curious about underwater work in Canada, including the realities of commercial dive training, and why relationships and reputation matter as much as skill.


    Guest: Aiden Zanini

    Underwater Cinematographer, Camera Operator


    Instagram: https://www.instagram.com/aiden_zanini/

    IMDb: https://www.imdb.com/name/nm0998401/


    #CrewTales, #LifeInTheCircus, #UnderwaterCinematography, #UnderwaterCamera, #UnderwaterCameraOperator, #Cinematography, #FilmCrew, #BehindTheScenes, #FilmIndustry, #VancouverFilm, #BCFilm, #WaterWork, #DiveSafety, #CommercialDiver, #FilmProduction, #OnSet, #IndieFilm

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    1 時間 5 分
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