Travis and Annie are joined by co-hosts Alec and Megan for one final trip through the 1960s, celebrating the season with an evening of completely unnecessary awards and highly questionable judgment. Along the way, they hand out dubious honors, play a game of Two Truths and a Lie, check in with a few friends of the show, and once again venture into the lawless wasteland of Bad Letterboxd Reviews. They also pull back the curtain on the next mini-series, Let the Movie Spook!, revealing the first film in an all-new horror lineup. It's part victory lap, part reunion, and part excuse to relive the best, worst, and weirdest moments from a decade that gave us cowboys, spies, hustlers, zombies, apes, and one very confident black rectangle. Black tie is encouraged. Accuracy is optional.

Travis and Annie drift into 2001: A Space Odyssey (1968), where the dialogue is sparse, the silences are expensive, and the giant black rectangle somehow ends up doing most of the talking. As they bring their tour of the 1960s to a close, they admire Kubrick's meticulous craftsmanship, reflect on a film that reshaped science fiction, and discover that appreciating a movie and fully understanding it are not always the same thing. It's mesmerizing, maddening, influential, and completely unconcerned with whether you're keeping up.

Returning guest Megan joins Travis and Annie for Night of the Living Dead (1968), where a quiet trip to the countryside quickly turns into a case study in panic, poor communication, and aggressively bad group projects. Between discussions of Barbara's usefulness, the film's lasting legacy, and several inexplicably excellent segues, they explore how a tiny independent horror movie became a genre-defining classic. It's clever, unsettling, and a strong reminder that being trapped in a house with strangers has never improved anyone's decision-making.