Experience this show with vinyl music at: https://www.mixcloud.com/upload/letstalkvinyl/wild-in-the-streets-motion-picture-soundtrack/

Wild in the Streets,” a 1968 American dystopian comedy-drama film, stars Christopher Jones, Hal Holbrook, Richard Pryor, and Shelley Winters. Directed by Barry Shear, it’s based on Robert Thom’s short story “The Day It All Happened, Baby!”. Distributed by American International Pictures, the film, described as both “ludicrous” and “cautionary”, was nominated for an Academy Award for Best Film Editing and became a cult classic of the 1960s counterculture. A soundtrack was released on Tower Records and became successful, peaking at No. 12 on the Billboard charts. Taken from the soundtrack and film, "Shape of Things to Come" (written by songwriters Barry Mann and Cynthia Weil) and performed by the fictional band Max Frost and the Troopers, was released as a single (backed with "Free Lovin' ") and became a hit, reaching No. 22 on Billboard.

To enjoy this episode with music, go ahead and smash this link: https://www.mixcloud.com/letstalkvinyl/kaiser-chiefs-easy-eighth-album/

We’re talking about the brand-new record from Kaiser Chiefs—Kaiser Chiefs’ Easy Eighth Album. That’s right, the Leeds lads are back, and this time they’ve teamed up with none other than Nile Rodgers for a slick, funky, and very unexpected sound that still keeps that indie-rock edge we know and love.

Tune in with music at: https://www.mixcloud.com/letstalkvinyl/the-police-dont-stand-so-close-to-me-86/

The Police disbanded in 1986, but a new version of their classic song, “Don’t Stand So Close To Me,” was recorded during a brief reunion for their first compilation album, “Every Breath You Take: The Singles,” released in October 1986. This new version departed from the reggae style of the original and embraced a new wave, melancholic sound. It was released as a single and reached No.24 in the UK, becoming the band’s final single of the 1980s.Tragically, Stewart Copeland, the band’s drummer, broke his collarbone the night before they were scheduled to record their sixth album, which unfortunately never materialized. This setback left the band in a precarious situation, as Copeland was unable to play the drums. Amidst this uncertainty, a heated argument ensued over whether to use a Synclavier or Fairlight CMI to program the drums.Musically, “Don’t Stand So Close To Me” stands out for its minimalist yet effective arrangement. The Police, known for their unique blend of rock, reggae, and punk elements, crafted a sound that is both distinctive and easily accessible. The song begins with a haunting synthesizer riff that sets a somber tone, followed by Andy Summers’ sharp, staccato guitar chords and Stewart Copeland’s precise drumming. Sting’s evocative vocal delivery adds to the song’s tension and emotional depth.The production of “Zenyatta Mondatta,” and particularly this song, exemplifies The Police’s signature style: a tight, polished sound that never compromises emotional depth. The harmonious interplay between the instruments and Sting’s voice creates an immersive atmosphere, drawing listeners into the song’s narrative.

Tune in with music at:

https://www.mixcloud.com/letstalkvinyl/queen-a-night-at-the-opera/

A Night at the Opera,” the fourth studio album by the renowned British rock band Queen, was released on November 28, 1975, by EMI Records in the United Kingdom and Elektra Records in the United States. Produced by Roy Thomas Baker and Queen themselves, it was reportedly the most expensive album ever recorded at the time of its release. Named after the Marx Brothers’ film of the same name, A Night at the Opera was recorded over a four-month period in 1975 at various studios. However, due to management issues, Queen had received almost none of the money they earned for their previous albums. Theme music by Mike Fox and Eugenio Schraier. Voiceover by Catherine Divaris.

Tune in with music on MixCloud at: https://www.mixcloud.com/letstalkvinyl/bob-dylan-and-the-band-the-basement-tapes/

The Basement Tapes are a collection of songs recorded by Bob Dylan and The Band (then known as The Hawks) in 1967, largely at a house in West Saugerties, New York, known as Big Pink. These sessions, conducted while Dylan was recovering from a motorcycle accident, are known for their loose, rootsy style, blending folk, rock, blues, and Americana. The recordings captured a spontaneous, experimental spirit, reflecting Dylan’s retreat from the pressures of fame and his exploration of American musical traditions. Although many tracks were initially only circulated as bootlegs, they became legendary, influencing the development of roots rock and Americana. An official version, The Basement Tapes, was finally released in 1975, followed by The Basement Tapes Complete in 2014, offering a more comprehensive view of these landmark sessions.

Theme music by Mike Fox and Eugenio Schraier. Voiceover by Catherine Divaris.

I’m here to celebrate the only way to truly and authentically experience the music you love: vinyl. Yeah, it can be pricey—but that’s why I hunt for deals. I’m all about that bargain bin life. If it’s cheap—or cheapest—I’m buying it. Each episode, I’ll spotlight one record from my personal vault. We’re talking classics, hidden gems, and even some new releases that deserve a place in the analog spotlight. If it’s in my collection, it makes the cut. And hey—if there’s an album you’d love me to feature, I’m accepting donations. Wink.

Let’s Talk Vinyl with Mike Fox is a deep dive into my personal record collection—one classic at a time. In each episode, I pull a vinyl record off the shelf and spin three standout tracks, sharing stories, memories, and rock history along the way. From timeless legends to underrated gems, the show blends new and classic rock in a format made for true music lovers. Whether you’re a fellow vinyl junkie or just love good rock and roll, this show’s for you.

Now, here’s the deal: every episode focuses on one vinyl record. Just one. As you heard in the intro, the best place to experience the full version of this show (with vinyl music) is on an app hardly anyone I know in the States is even aware of—Mixcloud. My MixCloud channel is available at: https://www.mixcloud.com/letstalkvinyl/